pursue someone too eagerly
The captain finds Lucy with the agent Coombe and accuses her of chasing the man.
Do you call it dignified to throw yourself at a herring-gutted swab like that?The Ghost and Mrs. Muir · 1947 — 第 8 / 18 章 · 3'16" · B2
Lucy wants to take in lodgers to stay afloat, but Captain Gregg assumes she's chasing Mr. Coombe and jealously sneers at her dignity. Once he learns she only wants paying guests, he apologizes and pitches a better plan: "I've solved all your problems. You're going to write a book" — his memoirs, for money.
Lucy, a widow short on money, invites Mr. Coombe to her seaside house to help find summer lodgers. Captain Gregg, the ghost who haunts the house, assumes she means to marry him, they fight, and he apologizes. He then proposes a scheme: she will write his life story from his dictation, and the book will pay their way.
注目の表現
throw yourself atdo anything for moneyput something down on paperpawn
このシーンの表現
pursue someone too eagerly
The captain finds Lucy with the agent Coombe and accuses her of chasing the man.
Don't throw yourself at him; let him work for it.
act out of pure greed
write it down
deposit for a loan
easily disgusted, fussy
let me tell you
64 行のセリフに 26 件のメモ
pursue someone too eagerly
The captain finds Lucy with the agent Coombe and accuses her of chasing the man.
Do you call it dignified to throw yourself at a herring-gutted swab like that?formal object: It stands in as a placeholder while the real object, the infinitive, comes later.
Do you call it dignified to throw yourself at a herring-gutted swab like that?scrawny, gutted — A sailor's insult, joking only; never say it in earnest.
Do you call it dignified to throw yourself at a herring-gutted swab like that?the sensible choice
I asked Mr. Coombe here because he's the logical man to help me find lodgers for the summer.infinitive as modifier: The infinitive modifies man, naming the role he fits.
I asked Mr. Coombe here because he's the logical man to help me find lodgers for the summer.led to a wrong idea
Forgive me, my dear. I've been seriously misled.take someone on
I thought you wanted to sign him on for a husband.a clumsy, ugly man — Animal insult, fine as a joke among friends.
Mr. Coombe? That walrus!rent a room to here it means to rent rooms out, not to absorb or alter
I couldn't allow you to take in lodgers in any case.Link in and any, then run any case quickly.
I couldn't allow you to take in lodgers in any case.more troublesome than
They're worse than passengers at sea.write it down
The captain divides the work: he supplies the story, and Lucy puts it on paper.
I can write a book, and you can put it down on paper for me.intended to be
It's meant to be sensational, like the subject.survive on
What are we to live on in the meantime?a strong old curse — A dated, heavy curse; recognize it, do not use it.
Blast your eyes, madam. Will you understand?must not, cannot risk
Can't afford to be squeamish.Drop the d in afford and weaken to.
Can't afford to be squeamish.an even stronger case for
All the more reason to pawn it.spouse's mother
Really, Captain Gregg. I'll have you know I'm very fond of my mother-in-law.fail to show someone's worth
It doesn't do you justice, my dear.passive progressive: The passive progressive stresses a thing that keeps happening to them.
Women named Lucy are always being imposed upon, but Lucia, now there's a name for an amazon, for a queen.a strong, warrior-like woman — Usually approving for a strong woman; not an insult.
Women named Lucy are always being imposed upon, but Lucia, now there's a name for an amazon, for a queen.what is coming next
I feel frightened and confused and wondering what the future will bring.relative clause: The who-clause defines which someone she means.
To someone who isn't real.The first syllable of because softens and you reduces.
I'm here because you believe I'm here.go on believing
And keep on believing, and I'll always be real to you.The fight is not really about lodgers. Captain Gregg has decided Lucy belongs to him and the house, so a paying guest — especially a man — reads as a threat. "I couldn't allow you to take in lodgers in any case," he says, and then solves her money problem on his own terms: she will write his story, and he will supply it. Calling her Lucia instead of Lucy is the tell — "Lucia, now there's a name for an amazon, for a queen" — he is remaking her into something grander. She answers honestly, "I feel frightened and confused and wondering what the future will bring," and asks him to keep being real to her. What looks like a business deal is really the start of their intimacy: two lonely people inventing a future together.
I find it hard enough to write a postcard.Lucy's excuse for why she can't write a book — she claims even a postcard is beyond her.
Can't afford to be squeamish.The captain's blunt advice: when you're broke, you can't let pride or delicate feelings stop you.
Women named Lucy are always being imposed upon, but Lucia, now there's a name for an amazon, for a queen.He renames her, arguing that "Lucy" sounds like a woman others take advantage of, while "Lucia" sounds regal.
I feel frightened and confused and wondering what the future will bring.Lucy admits her real fear: she doesn't know what lies ahead and has no one solid to rely on.
And keep on believing, and I'll always be real to you.The captain's promise: his existence depends on her belief, so as long as she trusts him he stays real.
Yes — he admits he was "seriously misled" and apologizes. He saw a man in her house and jumped to the worst conclusion, which says more about his feelings than hers.
He refuses to share his house with strangers. Writing his memoirs keeps the money coming without outsiders, and pawning is just the stopgap until the book sells.
A swashbuckler-style adventure — bloody, sensational, larger than life. He says the title isn't meant to be nice, "it's meant to be sensational, like the subject."
He thinks "Lucy" belongs to women who get used by others; "Lucia" sounds like a queen or an amazon. It's his way of telling her she's stronger than she believes.
She says she believes when she's talking to him but struggles when he's gone. His reply — that he's real because she believes — sets the terms of their whole relationship.
次のチャプター · 第 9 章unvarnishedLucy Writes Captain Gregg's Memoir
第 1 章come crawling backLucy Leaves Her In-Laws' House
第 2 章be the judge ofLucy Insists on Gull Cottage
第 3 章obstinateLucy Rents the Haunted House
第 4 章spunkLucy Meets Captain Gregg's Ghost
第 5 章make a bargainGregg Strikes a Bargain with Lucy
第 6 章as it isLucy Tells the Captain About Edwin
第 7 章bats in the belfryIn-Laws Come to Take Lucy Home
再生中 · 第 8 章throw yourself atCaptain Gregg Dictates His Memoirs
第 9 章unvarnishedLucy Writes Captain Gregg's Memoir
第 10 章wouldn't dream ofGregg Dictates His Last Chapter
第 11 章cooped upCaptain Gregg Tells Lucy to Move On
第 12 章unvarnishedLucy Barges In on a Publisher
第 13 章a weakness forLucy Meets Miles in a Cab
第 14 章today of all daysCaptain Gregg Gets Jealous
第 15 章promise you the moonCaptain Gregg Says Goodbye to Lucy
第 16 章what possessed meMrs. Muir's Book Becomes a Success
第 17 章take my breath awayAnna Brings Home a Fiance
第 18 章hopelessly in loveAnna and Lucy Talk About the Captain