complete the sentence
You haven't finished the sentence.The Ghost and Mrs. Muir · 1947 — 第 9 / 18 章 · 3'30" · B2
Lucy is taking down Captain Gregg's memoirs, but the fight is over a single word she refuses to write, and over who owns the story. "Change the grammar all you please, but leave the guts in it," he tells her, and she keeps the sea language even as she trims his prose.
Lucy is at the desk, taking down Captain Gregg's life story for him. They clash over an explicit word she won't commit to paper, and he accuses her of being too prudish to finish the book. Dictation turns into conversation as Gregg describes running away at sixteen, his aunt, and life at sea.
注目の表現
prudishrun away from homeunvarnishedblasted
このシーンの表現
plain, not glossed over
The captain insists the story stay raw, and Lucy picks up his own word against him.
He told us the unvarnished truth about the deal.
easily shocked, prim
leave home without telling
a mild old curse
bearing and manners
work a whole day
70 行のセリフに 27 件のメモ
complete the sentence
You haven't finished the sentence.a word of that kind
I've never written such a word.be exactly as stated
It means what it says, doesn't it?Soften doesn't it and lift the tail as a tag.
It means what it says, doesn't it?get an idea across
What word do you use if you wanted to convey that meaning?finish doing something
If you're going to be prudish, we'll never get the book written.at this stage
Now, at this point, having had a drink, I went upstairs.perfect participle: Having had places the drink before the main action in time.
Now, at this point, having had a drink, I went upstairs.thought it was harmless
Because I saw no harm in it.must have been
You must have been very young and foolish.regret not knowing earlier
I wish I'd known you then.wish + past perfect: Wish with the past perfect regrets something that cannot now change.
I wish I'd known you then.my first — The captain's dialect drops my to me; do not imitate.
16. It was me first voyage.leave home without telling
Lucy guesses he left home as a boy, and his yes fills in the orphan's story.
I suppose you'd run away from home.Link run and away into one run of sound.
I suppose you'd run away from home.unlike, not the same as
The customs of Marseilles are different to any...comparison phrase: Different to is the British variant of different from, the point Lucy corrects.
The customs of Marseilles are different to any...damned — Mild cursing, dated and informal.
This isn't a blasted literary epic.keep the raw spirit
Change the grammar all you please, but leave the guts in it.Link all and you, then stretch please slightly.
Change the grammar all you please, but leave the guts in it.all of it, thoroughly
He enjoyed every minute of it, except for the time I put a snake in this bed.except for phrase: Except for sets the whole first, then names the single exception.
He enjoyed every minute of it, except for the time I put a snake in this bed.equally bad — A quick retort among friends; not to elders.
- I wasn't fat. I was skinny. - Just as bad.work a whole day
Seeing how late it is, the captain calls it a night and promises a full day of work tomorrow.
We'll put in a full day tomorrow.be very relieved
Asked how his aunt took it, the captain says she likely thanked heaven for the peace and quiet.
Oh, probably thanked heaven there was no one around to fill her house with mongrel puppies and track mud on her carpets.mixed-breed — Fine for dogs, insulting for people.
Oh, probably thanked heaven there was no one around to fill her house with mongrel puppies and track mud on her carpets.must have felt
I'm thinking how lonely she must have felt with her clean carpets.On the surface this is a comedy of manners about a ghost dictating his memoirs and his scribe correcting his grammar. What is really happening is intimacy arriving disguised as work. The argument over one word matters because Gregg wants his life told exactly as it was, "the unvarnished story of a seaman's life," while Lucy keeps insisting there are things one does not say aloud. She is the one holding the pen, but he is the one being pinned to the page, and both are learning how much they want to be understood. The scene turns when the dictation drifts into his childhood: an orphan raised by a maiden aunt, gone to sea at sixteen, a woman who wrote every Sunday for seven years and died while he was away. Lucy's closing line, "I'm thinking how lonely she must have felt with her clean carpets," is really about herself, and Gregg is listening closely enough to notice.
If you're going to be prudish, we'll never get the book written.Gregg's blunt challenge: her delicacy about one word is blocking the whole memoir, so she must choose between politeness and finishing.
I was young, but I was never foolish.Gregg refuses the excuse she offers for his past; he takes ownership of his choices rather than pleading youth.
Change the grammar all you please, but leave the guts in it.He grants Lucy editorial control over the prose but draws a line: she may fix the words, not the truth and spirit of what he lived.
Oh, probably thanked heaven there was no one around to fill her house with mongrel puppies and track mud on her carpets.Gregg imagines his aunt's relief at his absence, but the detail of the spotless house quietly shows how much he still remembers her.
I'm thinking how lonely she must have felt with her clean carpets.Lucy reads the aunt's tidiness as loneliness, and the line lands as a description of her own life alone in Gull Cottage.
She finds it crude and refuses to put it on paper, even when he insists it is a perfectly good word that means exactly what it says. The standoff is less about modesty than about who controls the manuscript.
He says he left at sixteen on his first voyage, an orphan raised by a maiden aunt in a country village. It fits the self-made captain he becomes, taught by a vicar and gone from home young.
Guts here means courage, soul, the raw substance of a story. Gregg is telling Lucy she can correct his grammar, but not sanitize the life the book is supposed to record.
Because the image tells her the aunt spent a lifetime keeping a spotless house with no one to make a mess of it. It is the fear Lucy names about her own house and her own solitude.
His joke about mongrel puppies and muddy carpets sounds light, but he remembers her writing every Sunday for seven years and dying while he was at sea. The teasing hides affection he never got to say aloud.
次のチャプター · 第 10 章wouldn't dream ofGregg Dictates His Last Chapter
第 1 章come crawling backLucy Leaves Her In-Laws' House
第 2 章be the judge ofLucy Insists on Gull Cottage
第 3 章obstinateLucy Rents the Haunted House
第 4 章spunkLucy Meets Captain Gregg's Ghost
第 5 章make a bargainGregg Strikes a Bargain with Lucy
第 6 章as it isLucy Tells the Captain About Edwin
第 7 章bats in the belfryIn-Laws Come to Take Lucy Home
第 8 章throw yourself atCaptain Gregg Dictates His Memoirs
再生中 · 第 9 章unvarnishedLucy Writes Captain Gregg's Memoir
第 10 章wouldn't dream ofGregg Dictates His Last Chapter
第 11 章cooped upCaptain Gregg Tells Lucy to Move On
第 12 章unvarnishedLucy Barges In on a Publisher
第 13 章a weakness forLucy Meets Miles in a Cab
第 14 章today of all daysCaptain Gregg Gets Jealous
第 15 章promise you the moonCaptain Gregg Says Goodbye to Lucy
第 16 章what possessed meMrs. Muir's Book Becomes a Success
第 17 章take my breath awayAnna Brings Home a Fiance
第 18 章hopelessly in loveAnna and Lucy Talk About the Captain