Link driving and me into drai-ving-mi.
I suppose it's fascinating that this house is driving me to drink.The Ghost and Mrs. Muir · 1947 — 第 3 / 18 章 · 4'22" · B2
Mr. Coombe is trying to talk Lucy out of Gull Cottage: four sets of tenants, four first-night flights. "Haunted. How perfectly fascinating," she says, and the landlord's scare tactic is suddenly the selling point. His warning that she is the most obstinate woman he has ever met only seals her decision.
Lucy Muir tours Gull Cottage with the letting agent, Mr. Coombe, who has had enough of the place: four tenants in a row fled after a single night. Lucy finds the ghost story charming rather than frightening, returns, and announces she will take the cottage. When Coombe calls her obstinate, she takes it as a compliment.
注目の表現
fascinatingrely onmedieval nonsenseobstinate
このシーンの表現
stubborn
Cornered, Coombe calls her obstinate, and Lucy thanks him for it.
The obstinate mule refused to move an inch.
captivating
depend on
old superstitious rubbish
neat and orderly
don't you dare do that
77 行のセリフに 26 件のメモ
Link driving and me into drai-ving-mi.
I suppose it's fascinating that this house is driving me to drink.Run Rely on you together as ri-lai-on-yuh.
I've written to him, cabled him begging him to release me, but he only replies, "Rely on you."be counted on
Well, I don't want to be relied on.ever see it again
I never want to see this house again.take one's own life
No, he committed suicide.spare someone the effort
To save someone the trouble of assassinating him, no doubt.in the end
You'll probably think it very silly of me, Mr. Coombe, but I've decided to take Gull Cottage after all.at the least little thing
I mean, if everyone rushes off at the slightest sound, of course the house gets a bad name.accept something as real
But it's too ridiculous, really, in the 20th century, to believe in apparitions and all that medieval nonsense.noun clause: The what-clause is the object of heard; might have been marks past guesswork.
I heard what might have been a laugh.if I may put it that way
If I may so say, Mrs. Muir, fiddlesticks.be regarded as
I've always wanted to be considered obstinate.on the condition that
Very well, Mrs. Muir, on the understanding that I disclaim all responsibility of what may happen,conditional phrase: On the understanding that introduces a condition, meaning provided that.
Very well, Mrs. Muir, on the understanding that I disclaim all responsibility of what may happen,a person unused to the sea — Sailor slang, teasing in tone.
Landlubber.infinitive of purpose: The to-infinitive explains what soap and water are good for.
Nothing like soap and water to make everything shipshape in Bristol fashion.And weakens to n, so soap and water runs as one.
Nothing like soap and water to make everything shipshape in Bristol fashion.heavy labour
You've done enough hard work for today.how much I long for it
Dear old London, how I miss it.at the midpoint of
Here I am nearly halfway through life, and what have I done?claim the credit for
Oh, heavens. I can't take any credit for her.rest for a while
But I am tired. I think I will take a little rest.The final t in Ain't is usually dropped.
Ain't noticed any wings sproutin' lately.have not (nonstandard) — Nonstandard speech; keep it out of writing.
Ain't noticed any wings sproutin' lately.growing (dropped g) — A very casual dropped-g spelling in speech.
Ain't noticed any wings sproutin' lately.well before the deadline
I'll call you in plenty of time for tea.On the surface this is a transaction: will Lucy rent the house nobody keeps? Underneath, it is Lucy choosing a life. She is a young widow with little money and less say in her own affairs, and Gull Cottage is the one thing no one else wants, which makes it the one thing she can claim. Coombe's warnings, meant to protect her, only prove the point: "I never want to see this house again," he says of the place, while she insists on walking back into it. When he finally calls her "the most obstinate young woman I have ever met," he thinks he is insulting her; she answers, "I've always wanted to be considered obstinate." Her defiance is not recklessness so much as a first assertion of will: she is not taking the house in spite of the ghost, she is taking it because the ghost is the only thing standing in her way.
Well, I don't want to be relied on.Lucy refuses the burden the absent landlord is quietly handing her: she will not be the dependable one who has to hold everything together.
I never want to see this house again.Coombe's verdict on Gull Cottage after four failed tenancies: he has given up on it and wishes he could walk away.
But it's too ridiculous, really, in the 20th century, to believe in apparitions and all that medieval nonsense.Lucy dismisses ghosts as superstition unworthy of a modern woman, exactly the rational pose that will be tested the moment she moves in.
I've always wanted to be considered obstinate.Coombe means "obstinate" as an insult; Lucy calmly pockets it as a compliment and a declaration of independence.
I have nothing to show for all my years.Martha's quiet lament that a lifetime of cooking and housework has left her with nothing she can point to as her own.
In my opinion, you are the most obstinate young woman I have ever met.Coombe's exasperated surrender: he cannot talk her out of the house, so he names the trait that defeated him.
He has rented it out four times and every tenant has left after the very first night. He is not being cruel; he genuinely expects her to fail and wants no responsibility when she does.
The film treats it as her first real act of independence. Nobody else wants the house, so nobody can stop her from having it, and its bad reputation becomes the privacy she has been missing.
It is an old-fashioned way of saying "nonsense." Coombe uses it to brush aside Lucy's wind-in-the-chimney explanation: polite wording, flat disbelief.
She has just become a widow and is holding on to her standing as a married woman rather than being treated as a girl. The title is her way of asking for respect.
He lets her take Gull Cottage on the condition that he takes no responsibility for whatever happens there, a face-saving exit since he is sure the ghost will drive her out.
次のチャプター · 第 4 章spunkLucy Meets Captain Gregg's Ghost
第 1 章come crawling backLucy Leaves Her In-Laws' House
第 2 章be the judge ofLucy Insists on Gull Cottage
再生中 · 第 3 章obstinateLucy Rents the Haunted House
第 4 章spunkLucy Meets Captain Gregg's Ghost
第 5 章make a bargainGregg Strikes a Bargain with Lucy
第 6 章as it isLucy Tells the Captain About Edwin
第 7 章bats in the belfryIn-Laws Come to Take Lucy Home
第 8 章throw yourself atCaptain Gregg Dictates His Memoirs
第 9 章unvarnishedLucy Writes Captain Gregg's Memoir
第 10 章wouldn't dream ofGregg Dictates His Last Chapter
第 11 章cooped upCaptain Gregg Tells Lucy to Move On
第 12 章unvarnishedLucy Barges In on a Publisher
第 13 章a weakness forLucy Meets Miles in a Cab
第 14 章today of all daysCaptain Gregg Gets Jealous
第 15 章promise you the moonCaptain Gregg Says Goodbye to Lucy
第 16 章what possessed meMrs. Muir's Book Becomes a Success
第 17 章take my breath awayAnna Brings Home a Fiance
第 18 章hopelessly in loveAnna and Lucy Talk About the Captain