Buffalo '66 · 1998 — 第 2 / 15 章 · 2'58" · A2

Billy Kidnaps Layla, Explained:say a word

On the phone, Billy lies to his mother about a wife who is too sick to visit. Seconds later he grabs a stranger off the street and threatens her: "Don't say a word or I'll take it right out of your face." The wife he invented has to become real before five o'clock.

あらすじ

In a hotel lobby, Billy phones his mother and promises to come at five. She insists on seeing his wife; he claims she is sick, then hangs up. Outside, he approaches a young woman and forces her into his car, ordering her to stay silent and clean the windshield.

ThreatsPhone callsThreateningWarningStrangersA2fastamericanClean
IMDb ↗

注目の表現

overfirst classunbelievableexcuse me

00:00 / 02:58
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白his phone tirade13 行練習ページ ↗
  2. ❝ 独白the kidnapping threats7 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

over

finished

On the phone Billy asks when the game is over so he can plan his visit.

Is the meeting over yet?

このシーンの他の表現

  • first class

    the best travel class

  • unbelievable

    impossible to believe

  • excuse me

    may I have your attention

  • get in

    enter a vehicle or space

  • all day

    the whole day

このシーンのメモ一覧

48 行のセリフに 25 件のメモ

表現 · A1the game is over

the game has ended

What time is the game over?
発音time is

Link the m of time into is without a stop.

What time is the game over?
表現 · A2get sick

become ill

I don't know. People get sick.
表現 · A2like doing something

enjoy flying

She doesn't like flying.
表現 · B1fly first class

the best travel class

Billy cites first class and free food to sound impressive, then muddles it with her cramps.

Plus, we sit in first class, they bring you a lot of food, ...and she always gets stomach cramps. I don't know.
表現 · A2in the lobby

the hotel entrance hall

I'm in the lobby of the hotel because she's sleeping upstairs.
表現 · A2wake someone up

rouse someone from sleep

I'm not going to wake her up.
文法 · B1what I said

noun clause: What I said is a noun clause object kept in statement order.

Did you hear what I said? Did you hear what I said?
文法 · B1how you going to

dropped auxiliary: The are is dropped in speech, leaving how you going to.

Then how you going to feel when she comes over sick?
表現 · A2come over

come to your place

Fine. We're coming over. We're coming over.
発音Excuse me

The s in Excuse links straight into me.

Excuse me, miss?
スラング · A2Shut up

be quiet, rudely — A blunt command; too rude for polite settings.

Shut up, shut up...
表現 · B1say a word

speak at all

Don't say a word or I'll take it right out of your face.
発音Get in

In American speech the t in get in flaps toward a d.

Wanna really hurt? Get in the car.
スラング · A2Wanna

want to — Casual shorthand; avoid it in formal talk.

Wanna really hurt? Get in the car.
表現 · A2look out the window

through the window

I can't see out the window.
表現 · A1go out

leave the car or room

No, you go out. You clean it.
表現 · A2get out of the car

leave the car

Get out of the car and clean your window.
表現 · A2think about doing something

consider doing

Do you ever think about cleaning your car...
文法 · B1cleaning your car

gerund: Think about takes a gerund, so cleaning your car is the object.

Do you ever think about cleaning your car...
表現 · A2all day

the whole day

Impatient with how slowly she cleans the window, Billy says he hasn't got all day.

Come on, I don't got all day.
スラング · A2don't got

don't have (nonstandard) — Nonstandard speech; keep it out of writing.

Come on, I don't got all day.
表現 · A2wash a car

clean a car

See how you wash a car? See how nice when a car's clean?
表現 · A2like that

in that way

Is that how your house is, filthy like that?
スラング · B1filthy

disgustingly dirty — An insulting word for dirty; harsh to say to someone.

Is that how your house is, filthy like that?

「Billy Kidnaps Layla」を読み解く

What's really going on

Billy's side of the phone call is a performance. He piles on details — first class, food, stomach cramps — to make a wife his mother has never met sound real, and the more he talks, the more cornered he sounds: "I don't know why she's sick. She's sick." Then he does the unthinkable and recruits a real person for the role. The threat "Don't say a word" isn't only about silencing her; it is about keeping the invented life from collapsing in front of his family. By the time he makes her scrub the windshield, the scene has settled into a pattern: he controls everything he can, because almost nothing in his life is under control.

Theme

DeceptionBilly fabricates a sick wife to his mother, then abducts a stranger to make the lie survive one dinner.
Family conflictThe phone call is a tug of war: his mother demands he bring a wife, and he cannot simply say no.

このチャプターで学べること

  • The line begins with a polite excuse me and ends in a threat.
  • His phone voice and car voice could belong to two different men.
  • The sick-wife story is a lie he cannot keep straight.
  • Repeated orders show panic disguised as control.

発音のポイント

  • time is — Link the m of time into is without a stop.
  • Excuse me — The s in Excuse links straight into me.
  • Get in — In American speech the t in get in flaps toward a d.
Every time we fly in planes, she gets sick.

Billy's excuse for why his wife stayed behind. He offers it as a plain fact, hoping his mother will stop asking.

Come on, I don't got all day.

A blunt, colloquial way to tell someone to hurry up; "don't got" is nonstandard but common in casual speech.

See how you wash a car? See how nice when a car's clean?

Billy turns the windshield into a lesson, talking to the woman he abducted as if she were a careless child.

Don't say a word or I'll take it right out of your face.

A violent threat to keep her quiet: speak and he will reach in and take something out of her face.

このシーンについての質問

Why does Billy kidnap a woman he just met?

He told his parents he is married, and his mother insists on meeting his wife at dinner. Rather than admit the lie, he grabs a stranger and forces her to play the part.

Is the wife really sick on the phone call?

No. The sick wife is Billy's invention. Layla is a stranger he has not even spoken to yet; the conversation happens before he approaches her.

What does "I don't got all day" mean?

It means hurry up. "Don't got" is a nonstandard form of "don't have", and the line is Billy's impatient way of telling someone he is not willing to wait.

Does Billy's mother know his wife isn't real?

Nothing in the call suggests she does. She pushes for details and demands to see her, which is exactly why Billy has to find a real woman before five o'clock.

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