Buffalo '66 · 1998 — 第 7 / 15 章 · 2'59" · B1

Billy Brings His Wife Home to Dinner, Explained:God forbid

Billy brings his new wife to dinner with his parents, who serve tripe, admire 'the most beautiful voice,' and ask how the couple met. Then a knife on the table sets his father off — "Is that why you came here to stab me with that knife?" — and the meal turns into an accusation.

あらすじ

At Billy's parents' house, the family sits down to a plate of tripe. His mother fusses over the food and his 'wife'; his father seethes. When Billy shifts a knife on the table, his father accuses him of pointing it at him, and dinner collapses into an argument. The wife covers the silence with a made-up story about meeting Billy at the CIA.

Family dinnersArgumentsConfrontingComplainingParent & childB1fastamericanClean
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注目の表現

go aheadtake a bitepoint a knife atfill up on

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このシーンの表現

God forbid

I hope that never happens

Denied anything but bread, Billy mocks his own treatment, as if wanting a piece of meat were a sin.

God forbid you ever arrive on time.

このシーンの他の表現

  • go ahead

    please start

  • take a bite

    bite off a piece

  • point a knife at

    aim a knife toward someone

  • fill up on

    eat enough of something

  • fell in love with

    started to love someone

このシーンのメモ一覧

55 行のセリフに 23 件のメモ

表現 · B1do/does + 动词原形表强调

really does have

Your father does have the most beautiful voice.
文法 · B1does have

emphatic do: Do or does before a main verb adds emphasis, here meaning really does have.

Your father does have the most beautiful voice.
発音It's very

It's very runs together, with the t in It's often dropped.

Careful, everybody. It's very hot.
表現 · A2be good for someone

healthy or helpful for you

And it's very good for you.
文法 · B1what you said was

subject clause: The what-clause acts as the subject, meaning the thing you said.

It's terrific. Isn't that what you said was your favorite food?
表現 · A2go ahead and do something

please start

The mother pushes the tripe toward Wendy and urges her to start eating with a warm go ahead.

Go ahead, honey. Tell me what you think.
表現 · A2take a big bite

a large mouthful

Go ahead, Wendy. Take a big bite.
発音Take a

Take a links into a single tay-ka sound.

Go ahead, Wendy. Take a big bite.
発音going to

Going to is often reduced to gonna in fast speech.

Bring more, Ma. She's going to eat a lot, I sense it.
表現 · A2away from someone

in the other direction from

Turn that knife away from me, please.
表現 · B1come here to do something

arrived in order to

Is that why you came here to stab me with that knife?
表現 · B1point something at someone

aim a knife toward someone

Convinced his father's knife is aimed at him, Billy shouts that pointing a knife at someone means wanting to use it.

Don't point a knife at a person unless you want to use it!
文法 · B1unless you want to

unless-clause: Unless means if not and sets the only condition under which the action is allowed.

Don't point a knife at a person unless you want to use it!
表現 · A2what someone did

the thing he did

I am calm! Did you see what he did? Did you see what your son did?
スラング · B2I didn't do nothing

I did nothing — Nonstandard double negative; avoid in writing.

- I didn't do nothing! - He pointed a knife at his father!
表現 · B1fill up on something

eat enough of something

The father cuts Billy off and says to let him fill up on bread, publicly telling him what he deserves at the table.

- ...get me tripe. - No, let him fill up on the bread.
表現 · B1God forbid (that) ...

I hope that never happens

Denied anything but bread, Billy mocks his own treatment, as if wanting a piece of meat were a sin.

God forbid I should have a piece of meat, right?
スラング · B1God forbid

I hope not — Half-joking complaint; keep it out of formal talk.

God forbid I should have a piece of meat, right?
表現 · B1you were saying ...

you were telling us

So, Wendy, you were saying?
表現 · A2fall in love with someone

started to love someone

As the table calms, Wendy says she fell in love with Billy the first time she met him, wrapping her lie tighter.

I fell in love with him the first time I met him.
表現 · A2pass someone something

hand something to me

Honey, can you pass me the remote control there?
表現 · B1how we met

the story of our meeting

Did Billy ever tell you how we met?
表現 · A2work as something

doing a job as

I was working as a typist for the CIA,

「Billy Brings His Wife Home to Dinner」を読み解く

What's really going on

The table talk never reaches anything real. The mother's attention stays on the food — "I hope you like tripe" — and on smoothing things over, while the father reads a knife resting between them as an attack: "Is that why you came here to stab me with that knife?" When Billy answers with "Yeah, I pointed at you, it's always at you," he turns a petty table accusation into a verdict on their whole relationship. The mother keeps offering more tripe; the father keeps insisting on his meat; neither hears the other. The long CIA story the wife invents is the scene's real joke: the family that cannot see Billy is handed an even more flattering fiction, and swallows it.

Theme

Family conflictA dinner becomes an accusation over a knife, exposing years of resentment between father and son while the mother looks away.
Dark humorA stabbing accusation and a made-up CIA story are played for laughs, the family's cruelty delivered as farce.

このチャプターで学べること

  • A knife's direction becomes the whole argument here.
  • The mother soothes with food instead of words.
  • Wendy's fake romance grows richer with each line.
  • God forbid can sound like a complaint, not a prayer.

発音のポイント

  • It's very — It's very runs together, with the t in It's often dropped.
  • Take a — Take a links into a single tay-ka sound.
  • going to — Going to is often reduced to gonna in fast speech.
Don't point a knife at a person unless you want to use it!

The father turns a table setting into a threat, stating a warning that sounds like self-defence and reveals how unsafe he feels at his own dinner.

Your father does have the most beautiful voice.

The mother says this to Billy after something he has said, agreeing with him about his father — a small moment of tenderness in a family that otherwise cannot listen.

God forbid I should have a piece of meat, right?

The father's bitter joke: he claims his own family denies him even a piece of meat, using 'God forbid' to mean its opposite and turning his grievance into sarcasm.

The Italians call it "trippa." It's the intestines of the cow.

The mother explains the dish to her nervous guest — 'trippa,' cow intestines — and reassures her that it is 'very good for you,' a host's comfort with an unintentionally grim edge.

このシーンについての質問

Why does Billy's father accuse him of pointing the knife?

The father sees a knife on the table near Billy and reads it as a threat. It is less about the knife than about his sense that his son has come home hostile, and he escalates at once.

Is Billy's wife really a CIA typist?

No. The story about working for the CIA is invented for the parents' benefit, a fantasy that makes Billy look important and explains why they supposedly married so fast.

Why does the mother keep offering food instead of stopping the fight?

Food is her way of managing the table and avoiding the conflict. By offering tripe and asking after the couple, she keeps the evening on safe ground rather than letting the anger land.

Why does the father say 'God forbid I should have a piece of meat'?

He is being sarcastic. He feels the family treats him as unworthy of good food, so he says the opposite of what he means, turning his complaint into a bitter joke.

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