remove your hands
Take your hands off the dash.Buffalo '66 · 1998 — 第 4 / 15 章 · 3'03" · B1
Billy apologizes for frightening Layla, admits he just left jail and lied to his parents, then asks her to pose as his wife. The request arrives dressed up as an acting job: “First thing, right off the bat, I'd like to apologize.” Even the kindness is an order.
In the car, Billy makes Layla a proposal: come home with him and pretend to be his wife, Wendy Balsam. He apologizes, explains that he has just been released from jail and invented a marriage to keep his parents from knowing, then rehearses the story they will tell and warns her to play along.
注目の表現
right off the batask a favorbig breakin love with
このシーンの表現
from the very start
Back in the car Billy opens softly, saying he wants to apologize right off the bat.
Right off the bat, I want to clear something up.
request a favor
a life-changing opportunity
romantically loving
appear impressive
absolutely never
47 行のセリフに 23 件のメモ
remove your hands
Take your hands off the dash.make someone anxious
You're making me nervous.In American speech had to blurs, with the t flapping toward a d.
I've had to go to the bathroom for hours.unable to go to the toilet
I've been backed up, totally backed up.constipated, blocked up — Fine with friends; use a medical word in public.
I've been backed up, totally backed up.The k of ask links into you, sounding like one syllable.
I need to ask you a favor.released from prison
'cause I just got out of jail.invent
Before I went away, I made up a few lies.future in the past: Would be away reports a future plan seen from the past, inside a noun clause.
...and that I would be away for a long time.require someone to
What I need you to do issubject clause: The what-clause is the subject; is introduces the actual request.
What I need you to do isact as if
to come to my parents' house with me, ...and pretend to be my wife...an exclamation of shock — A casual exclamation some find disrespectful; avoid it formally.
Jesus Christ, you can't live without me.the story goes this way
The story will go like this.present perfect: The present perfect stresses love lasting from the past until now.
...and we were sweethearts, you loved me, ...you've been in love with me your whole life.Link the n of been straight into in.
...and we were sweethearts, you loved me, ...you've been in love with me your whole life.take control
I'll take over. Just be nice.not acceptable — A casual rejection; it can still sting if aimed at a person.
Layla. No, that's no good.humiliate someone — A strong phrase for public humiliation; heavy in tone.
And if you make a fool out of me, I swear to God, I'll kill you right there.with someone watching
Boom! Right in front of Mommy and Daddy.perform well
But if you do a good job, then you can be my best friend.do you understand me
My best friend that I've ever had. You hear me?continue driving
All right, let's keep driving.Billy opens with an apology, but every sentence is an instruction. He needs Layla because he cannot face his parents as the man he actually is: an ex-convict with nothing. So he confesses the truth and immediately replaces it with a script — a wife, a government job, a high-school romance, a new name. “I've had to go to the bathroom for hours” is his idea of common ground, a small, absurd confession that masks how frightened he is of being judged. Control keeps slipping into the fantasy: she must adore him, she must match his story, and if she makes a fool out of him he will kill her in front of his parents. Then he offers the other half of the bargain — if she performs well, she can be his best friend. It is a hostage request delivered as a business offer.
First thing, right off the bat, I'd like to apologize.Billy's apology opens the pitch, softening Layla up before the order he is about to give her.
I haven't seen my parents in a long time...The reason for the favor: he wants to return home, and the years away are what he needs Layla to paper over.
But if you do a good job, then you can be my best friend.The reward half of the deal: play the wife well and he offers friendship, the only currency he has.
And if you make a fool out of me, I swear to God, I'll kill you right there.The threat that shows how much rides on the performance: his pride matters more to him than her safety.
He lied to his parents before prison, telling them he was married and worked for the government. He needs a wife to keep the story from collapsing when he comes home.
He has invented a complete past, and Wendy Balsam is the wife in it. When he hears her real name, Layla, he decides it does not fit the script.
It is partly real and partly a setup. He does regret scaring her, but he apologizes right before asking her to lie for him and threatening her if she fails.
He swears he will kill her in front of his parents, then adds that he will never speak to her again — reward and punishment in the same breath.
She stays quiet and gives only her name when asked. She never agrees out loud, which makes his control over the conversation even clearer.
次のチャプター · 第 5 章That's really greatBilly Brings Layla Home
第 1 章the old neighborhoodBilly Calls His Mother From the Hotel
第 2 章say a wordBilly Kidnaps Layla
第 3 章a little situationBilly Can't Drive a Stick Shift
再生中 · 第 4 章right off the batBilly Asks Layla to Play His Wife
第 5 章That's really greatBilly Brings Layla Home
第 6 章can't standBilly's Dad Shows Old Photos
第 7 章God forbidBilly Brings His Wife Home to Dinner
第 8 章madly in loveBilly Bets $10,000 on the Super Bowl
第 9 章out of touchThe Bookie Frames Billy
第 10 章on purposeBilly Reveals the Fixed Field Goal
第 11 章Hello to you, tooBilly Asks Goon for Help
第 12 章miss the pointBilly and Layla in the Photo Booth
第 13 章have a crush onBilly Runs into His Childhood Crush
第 14 章go by fastBilly Tells Layla About Wendy
第 15 章how you startLayla Joins Billy in the Bathroom