Link why and we're; keep here short and light.
Now are you gonna tell me why we're here?Blue Velvet · 1986 — 第 2 / 9 章 · 3'14" · B1
Jeffrey pitches a break-in as self-improvement — "opportunities in life for gaining knowledge and experience" — while Sandy hears only danger. The plan (pest-control man, Jehovah's Witness, jimmyed window) is absurd, and that is exactly why it might work: "No one would think two people like us would be crazy enough to do this."
At a diner, Jeffrey lays out a plan to Sandy: he will pose as a pest-control man to get inside Dorothy Vallens's apartment, spray it, and leave a window open; Sandy will knock at the door as a Jehovah's Witness to distract her while he jimmies the window. Sandy calls it too dangerous, then agrees to try the first part.
注目の表現
the creepssettle downhave a pointlearn a lot
このシーンの表現
a creepy feeling
At the diner Sandy says the murder talk gives her the creeps.
That empty hallway always gives me the creeps.
calm down
be right about something
gain much knowledge
a clever kid, mockingly
delay on purpose
41 行のセリフに 34 件のメモ
Link why and we're; keep here short and light.
Now are you gonna tell me why we're here?ironic talk of a learning chance
Jeffrey calls a break-in a chance to learn, and the mismatch is the joke.
There are opportunities in life for gaining knowledge and experience.do something risky
Sometimes it's necessary to take a risk.gain much knowledge
Jeffrey frames the break-in as a chance to learn something new.
I'll bet someone could learn a lot by getting into that woman's apartment.object clause: The whole clause after I'll bet is the object: what he is betting on.
I'll bet someone could learn a lot by getting into that woman's apartment.In American speech the tt in getting can sound like a d.
I'll bet someone could learn a lot by getting into that woman's apartment.enter secretly
You know, sneak in, hide, and observe.make someone uneasy
Jeffrey, she's possibly involved in murder. This is givin' me the creeps.The g drops, so giving sounds like givin'.
Jeffrey, she's possibly involved in murder. This is givin' me the creeps.a creepy feeling — Casual way to say something spooks you.
Jeffrey, she's possibly involved in murder. This is givin' me the creeps.calm down
Jeffrey tells a frightened Sandy to calm down before he lays out his plan.
Now just settle down. I have a plan which I think will work.relative clause: The which-clause describes the plan, with I think tucked in to hedge it.
Now just settle down. I have a plan which I think will work.almost nothing to do
There's very little for you to do, but I do need your help.want to — Spoken shorthand; keep it out of formal writing.
Don't you even wanna hear the plan?stop at a certain point
Tell me any plan you want, but it's not going any further than this diner.get in on hands and knees
All right. The first thing I need is to get into her apartment - and open a window to crawl into later. - How are you gonna do that?infinitive predicate: The infinitive after is names the action he needs to do first.
All right. The first thing I need is to get into her apartment - and open a window to crawl into later. - How are you gonna do that?have by chance
Right out in the car I happen to have some old overalls and a bug-spraying rig.tap on the door
You knock on the door, draw her attention away from me, and I'll jimmy a window.divert someone's focus
You knock on the door, draw her attention away from me, and I'll jimmy a window.Knock on runs together and on is reduced.
You knock on the door, draw her attention away from me, and I'll jimmy a window.pry a window open — Thief's jargon; avoid it in ordinary talk.
You knock on the door, draw her attention away from me, and I'll jimmy a window.at the entrance
- And what do I say to her at the door? - You will be a Jehovah's Witness.a short moment
I don't need very much time, just a few seconds. Whaddaya think?what do you think — Very casual speech only; never in writing.
I don't need very much time, just a few seconds. Whaddaya think?seem to be
I mean, it sounds like a good daydream, but... actually doing it's too weird.gerund subject: The gerund doing it works as the subject, meaning the act itself.
I mean, it sounds like a good daydream, but... actually doing it's too weird.bold enough to try
No one would think two people like us would be crazy enough to do this.be right about something
Jeffrey concedes that Sandy's worry is fair instead of arguing.
You have a point there.no less than
Give me at least three minutes.spot a usable window
I can stall if it's more, but I need time to find a good window. All right?conditional clause: It is short for more than three minutes; the comparison is dropped.
I can stall if it's more, but I need time to find a good window. All right?the seventh level
Dorothy Vallens, seventh floor.clever kid, mockingly — Teasing between friends; do not use it on strangers or elders.
Look on her mailbox for the number, bright boy.This is a courtship disguised as detective work. Jeffrey wants Sandy's help, but he also wants to impress her with his nerve, turning burglary into an adventure for two. His pitch is quietly absurd — "opportunities in life for gaining knowledge and experience" — as if peeping into a woman's home were education. Sandy sees through the thrill and names the fear: "This is givin' me the creeps," and the whole scheme shouldn't leave the diner. But she stays, drawn in by the very danger she objects to. The double role-play (pest-control man, Jehovah's Witness) shows how much the pair are inventing themselves as they go. "No one would think two people like us would be crazy enough to do this" is both reassurance and the attraction: being exactly the sort nobody suspects.
There are opportunities in life for gaining knowledge and experience.Jeffrey's cover story for the break-in: he frames snooping on a stranger as a chance to grow. The high-minded wording makes the scheme sound noble, and that gap is the joke.
Now just settle down. I have a plan which I think will work.Sandy is scared and ready to bolt; Jeffrey soothes her and promises his scheme is workable. It is the line of a man talking himself and his accomplice into going through with it.
No one would think two people like us would be crazy enough to do this.His selling point is camouflage: because they look so ordinary, nobody will guess what they are doing. The same anonymity that makes it safe is what makes the plan irresistible.
Sometimes it's necessary to take a risk.Jeffrey's blanket excuse for the whole adventure. He turns recklessness into a principle, which is how he recruits the hesitant Sandy.
It describes a skin-crawling, uneasy fear — the way Sandy feels about the plan. 'That gives me the creeps' is common for anything vaguely sinister, from a dark house to this break-in scheme.
He tells Sandy it is a chance to gain knowledge and experience, and says he could learn a lot by sneaking in, hiding, and observing. Sandy warns that the woman may be involved in a murder, which only adds to his pull toward the plan.
Not at first. She says it is not going any further than the diner and calls it too dangerous and too weird. Jeffrey wears her down, and she finally says 'All right' and asks him for three minutes.
The plan needs a second person at the door to draw Dorothy's attention while he jimmies a window. He insists she has very little to do, but that he does need her help, and casts her as a Jehovah's Witness.
次のチャプター · 第 3 章all of a suddenSandy Tells Jeffrey Her Robin Dream
第 1 章bits and piecesSandy Tells Jeffrey About the Singer
再生中 · 第 2 章the creepsJeffrey Plans the Apartment Break-In
第 3 章all of a suddenSandy Tells Jeffrey Her Robin Dream
第 4 章stake outJeffrey Briefs Sandy on the Mystery
第 5 章go for a joyrideFrank Crashes Dorothy's Apartment
第 6 章a fine surpriseFrank Crashes Ben's Place
第 7 章opened myself to youMike Chases Jeffrey and Sandy
第 8 章couldn't watchJeffrey and Sandy Reconcile
第 9 章no way outJeffrey Hides on the Seventh Floor