In fast speech did you can blur into didja.
How did you know?Blue Velvet · 1986 — 第 1 / 9 章 · 2'40" · A2
Sandy Tells Jeffrey About the Singer, Explained：bits and pieces
The two of them trade small talk and old-school gossip, but Sandy is steering toward something darker. "It's really close by. That's what's so creepy," she says of the singer's apartment. What sounds like a late-night walk is really two kids pulling at the first thread of the mystery.
あらすじ
Late at night, Jeffrey and Sandy walk through their quiet town, catching up on school and their families. Sandy, whose room sits above her father's office, has overheard police talk about a woman singer. She points Jeffrey toward the apartment building nearby, where the woman lives on the seventh floor.
注目の表現
seniorwhat else is newbits and pieceskeep coming up
00:00 / 02:40Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
bits and pieces
odd fragments of information
Pressed about the case, Sandy admits she has only bits and pieces, picked up secondhand.
I only have bits and pieces of the story, so don't quote me.
このシーンの他の表現
- senior
final-year student
- what else is new
nothing new about that
- keep coming up
reappears again and again
- under surveillance
being watched by police
- hardware store
shop selling tools and parts
このシーンのメモ一覧
42 行のセリフに 30 件のメモ
know without explaining how
I just know, that's all.be in the final year
- I remember you from Central. - Are you a senior?What are you links up and can sound like wacha.
So what are you doin' now?doing, in casual speech — Very casual; keep it out of written work.
So what are you doin' now?back from school
I'm home from school. My father's in the hospital.be hospitalised
I'm home from school. My father's in the hospital.raise a topic
- Didn't Dad say not to talk about it? - Yeah, but you brought it up.odd fragments of information
Pressed about the case, Sandy admits she has only bits and pieces, picked up secondhand.
I don't know much but bits and pieces. I hear things.present simple: The present simple here means she routinely picks things up, not right now.
I don't know much but bits and pieces. I hear things.some scattered facts
- So I heard a few things about the ear. - Uh-huh. And?a few of something
Well... there are a couple of cases I get mixed up on.relative clause: The clause that keeps coming up describes the name, not a new action.
But one name that keeps coming up is this woman singer.very near to something
She lives in an apartment real close to your house.nearby
It's really close by. That's what's so creepy.the part that is frightening
It's really close by. That's what's so creepy.frightening in a strange way — Spoken and informal; not for polite formal talk.
It's really close by. That's what's so creepy.being watched by police
Sandy reveals the singer was watched by the police, though her father did not run that case.
They had her under surveillance, 'cept I don't know what they found out 'cause she's not my dad's case. So...discover the facts
They had her under surveillance, 'cept I don't know what they found out 'cause she's not my dad's case. So...Except is clipped to 'cept, with almost no gap before I.
They had her under surveillance, 'cept I don't know what they found out 'cause she's not my dad's case. So...because — Spoken shorthand; write because in full when writing.
They had her under surveillance, 'cept I don't know what they found out 'cause she's not my dad's case. So...before long
I guess you gotta get back home pretty soon, huh?The t in gotta often drops, so it runs straight into get.
I guess you gotta get back home pretty soon, huh?have got to — Everyday speech; too casual for formal writing.
I guess you gotta get back home pretty soon, huh?want to — Common in speech; avoid in formal contexts.
- You... wanna see the building. - Yeah.since you are back home
So, uh... what are you gonna do now that you're home?a schedule you set yourself
They're giving me my own hours, which is nice.non-restrictive clause: Which is nice comments on the whole idea before it, not just on hours.
They're giving me my own hours, which is nice.used to: Used to know marks a past state that no longer holds now.
I used to know a kid that lived there.leave the area for good
I don't know. He moved away.「Sandy Tells Jeffrey About the Singer」を読み解く
What's really going on
The conversation keeps drifting back to the ear, even though Sandy warns it was off-limits: "Didn't Dad say not to talk about it?" Yet she is the one who keeps talking, offering clues in fragments rather than a clean story. Her room above her father's office makes her a listener by accident, and she knows just enough to be useful: "I don't know much but bits and pieces. I hear things." What she shares moves Jeffrey closer to the case and closer to her. When she calls the singer's apartment "really close by" and adds, "That's what's so creepy," she is naming the feeling the whole town gives off — ordinary on the surface, wrong underneath. The walk is flirtation and investigation at once, and neither of them quite says which it is.
Theme
Coming of ageTwo teenagers turn a late-night walk into their first real investigation, testing how far they will go.
SecretsSandy trades overheard police detail for Jeffrey's attention, and every fragment pulls them deeper into a hidden case.
このチャプターで学べること
- A shrug and secondhand detail make her warning land.
- Irony keeps the scene light while the facts stay grim.
- Two near strangers find common ground over something creepy.
- Small-town plans sound small, and that is the point.
発音のポイント
- did you — In fast speech did you can blur into didja.
- what are you — What are you links up and can sound like wacha.
- 'cept I — Except is clipped to 'cept, with almost no gap before I.
- gotta get — The t in gotta often drops, so it runs straight into get.
I don't know much but bits and pieces. I hear things.Sandy admits she only has scattered details, picked up by overhearing police talk, not a full picture of the case.
It's a strange world, isn't it?A quiet remark on how ordinary life can hide something ugly, said as the clues start pointing near home.
It's really close by. That's what's so creepy.The singer's apartment is in their own neighborhood; that closeness is what makes the mystery frightening.
All my old friends are gone.Sandy's line about the town changing: the people she grew up with have moved away, leaving her isolated.
このシーンについての質問
Why does Sandy share police details with Jeffrey?
She overhears them because her room is above her father's office, and sharing what she knows keeps Jeffrey close. It is part flirtation, part curiosity about the ear he found.
Why does Sandy mention the ear after saying her father told them not to talk about it?
Jeffrey asks what she knows, and she cannot resist trading gossip. The warning makes the subject more tempting, and she wants to be the one who helps him.
What does "bits and pieces" mean here?
It is a common saying for scattered, incomplete information. Sandy means she has only fragments overheard from police talk, not the full story of the case.
How does Sandy know about the singer?
Her room sits above her father's office, so she hears things. She says a woman singer's name keeps coming up and that police had her under surveillance.
What do they do after Sandy says the apartment is close by?
She offers to show him the building, and together they walk over at night. She points out where the woman lives, on the seventh floor.
ブルーベルベット · 全 9 章
すべて見る →
次のチャプター · 第 2 章the creepsJeffrey Plans the Apartment Break-In
再生中 · 第 1 章bits and piecesSandy Tells Jeffrey About the Singer
第 2 章the creepsJeffrey Plans the Apartment Break-In
第 3 章all of a suddenSandy Tells Jeffrey Her Robin Dream
第 4 章stake outJeffrey Briefs Sandy on the Mystery
第 5 章go for a joyrideFrank Crashes Dorothy's Apartment
第 6 章a fine surpriseFrank Crashes Ben's Place
第 7 章opened myself to youMike Chases Jeffrey and Sandy
第 8 章couldn't watchJeffrey and Sandy Reconcile
第 9 章no way outJeffrey Hides on the Seventh Floor第 1 / 9 章 · 残り約 27 分