how you address a detective
Detective Williams.Blue Velvet · 1986 — 第 9 / 9 章 · 2'08" · B1
Trapped in Dorothy's apartment, Jeffrey calls Detective Williams on the police radio and whispers his position: “I'm hiding in the back bedroom. Please hurry.” Then Frank arrives in disguise, and the manhunt turns into a game, announced with “Here I come, ready or not.”
Hiding in Dorothy Vallens' apartment, Jeffrey reaches Detective Williams on a police radio. He explains that Frank is on his way in a well-dressed-man disguise and that he has no way out, then moves to the back bedroom and begs the detective to hurry. Frank arrives, finds the radio, and starts taunting him.
注目の表現
on his wayno way outneighborshit-for-brains
このシーンの表現
no escape
Cornered in the apartment, Jeffrey admits to the detective that he is trapped.
With both exits blocked, the thieves had no way out.
coming here now
a mocking neighbor
a hopeless idiot
provoke someone
whether ready or not
22 行のセリフに 24 件のメモ
how you address a detective
Detective Williams.this is the person speaking
- Detective Williams? - Williams here. Is that you, Jeffrey?Is that you runs together and can sound like one blur.
- Detective Williams? - Williams here. Is that you, Jeffrey?coming here now
Hiding on the radio, Jeffrey warns the detective that Frank is on the way.
Frank is on his way in a well-dressed-man disguise.wearing a disguise
Frank is on his way in a well-dressed-man disguise.On his links across words, blurring into oniz-way.
Frank is on his way in a well-dressed-man disguise.no escape
Cornered in the apartment, Jeffrey admits to the detective that he is trapped.
I've got no way out...at the rear
Detective Williams? I'm hiding in the back bedroom.The final k in back often drops and the is reduced.
Detective Williams? I'm hiding in the back bedroom.a plea to speed up
Please hurry.object clause: The clause after forgot is its object, with that left out.
You shit-for-brains, man! You forgot I have a police radio!a heavy insult for an idiot — A very heavy insult; never use it in polite company.
You shit-for-brains, man! You forgot I have a police radio!know the location
One well-dressed fuckin' man knows where your fuckin' cute little butt's hidin'.embedded question: A where-clause acts as the object of knows and keeps statement order.
One well-dressed fuckin' man knows where your fuckin' cute little butt's hidin'.a stupid idiot — Crude and abusive; recognize it, do not repeat it.
Stupid fuck.provoke someone
Closing in, Frank warns Jeffrey not to try anything against him.
Fuck with me, man.whether ready or not
Frank borrows the hide-and-seek call to announce he is coming up whether Jeffrey is ready or not.
Here I come, ready or not.I am able to hear it
I can hear your fuckin' radio, you stupid shit!Can is reduced to kuhn here, so do not mistake it for cannot.
I can hear your fuckin' radio, you stupid shit!have only this long left
You got about one fuckin' second to live, buddy!a vulgar intensifier — A vulgar intensifier; keep it out of work talk.
You got about one fuckin' second to live, buddy!a worthless person
You're one sorry piece of shit, mister.what on earth
Losing track of Jeffrey, Frank blurts out his confusion and demands to know where he is.
What the fuck... Where are you? Where are you?a shocked or angry swear — A swear of shock or anger; never in formal settings.
What the fuck... Where are you? Where are you?The scene flips a boy playing detective into prey. Jeffrey has spent the film sneaking into other people's lives, and now the apartment he broke into becomes his trap; the radio that was supposed to bring help is exactly what gives him away. He keeps his voice calm for the detective — “I'm hiding in the back bedroom. Please hurry” — while outside the door Frank turns the search into a nursery game: “Here I come, ready or not.” Nothing in the room belongs to Jeffrey, and no one is coming fast enough, so the fear is doubled: he is both somewhere he should not be and nowhere he can escape. Frank's mocking “Hey, neighbor” underlines how ordinary the setting is and how close the violence has come.
I've got no way out...Jeffrey's admission that the apartment he crept into has become a trap, and that his own plan has run out of exits.
You got about one fuckin' second to live, buddy!Frank's taunt through the door: he is counting down to violence to make the hidden man panic.
Frank is on his way in a well-dressed-man disguise.Jeffrey's report to the detective, and the detail that makes it terrifying: Frank can walk into the building looking respectable.
You're one sorry piece of shit, mister.Frank's verdict on the man hiding from him — contempt meant to strip away any confidence before he is found.
Williams is the one officer he trusts and can reach directly, and he needs someone who knows the case. Calling 911 would take longer and expose him to more people.
Frank has his own police radio and can hear Jeffrey's transmissions. That is why he tells him 'you forgot I have a police radio.'
It is Frank in disguise. Jeffrey is warning the detective that Frank can enter the building looking like an ordinary man in a suit.
Hide-and-seek. He turns the search for Jeffrey into a taunting countdown, which makes the threat feel playful and much more frightening.
He moves to the back bedroom and stays quiet on the radio, telling the detective 'I'm hiding in the back bedroom.'
第 1 章bits and piecesSandy Tells Jeffrey About the Singer
第 2 章the creepsJeffrey Plans the Apartment Break-In
第 3 章all of a suddenSandy Tells Jeffrey Her Robin Dream
第 4 章stake outJeffrey Briefs Sandy on the Mystery
第 5 章go for a joyrideFrank Crashes Dorothy's Apartment
第 6 章a fine surpriseFrank Crashes Ben's Place
第 7 章opened myself to youMike Chases Jeffrey and Sandy
第 8 章couldn't watchJeffrey and Sandy Reconcile
再生中 · 第 9 章no way outJeffrey Hides on the Seventh Floor