keep at it
- Keep going. - Sandy.Blue Velvet · 1986 — 第 4 / 9 章 · 4'22" · B1
Jeffrey Briefs Sandy on the Mystery, Explained：stake out
Jeffrey unloads everything he has found — the Yellow Man, a distant murder, drugs planted on the dealer — while Sandy listens with growing alarm. "Five minutes from now, you're not gonna believe what I've told you," he warns, and by the end she is asking whether he will keep going back to Dorothy's apartment. It becomes a confession of obsession.
あらすじ
At a restaurant, Jeffrey reports what he has uncovered: he staked out Frank's place, spotted the Yellow Man meeting a well-dressed man with an alligator briefcase, and saw a murder in the distance. Sandy grows frightened and asks how far he will take this. Jeffrey says he is in the middle of a mystery and that he likes her very much.
注目の表現
stake outthe other daywell-dressedin the distance
00:00 / 04:22Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
stake out
watch a place secretly
Reporting to Sandy, Jeffrey says he spent the day watching Frank's house with a camera.
Detectives staked out the warehouse for two nights.
このシーンの他の表現
- the other day
a few days ago
- well-dressed
dressed smartly
- in the distance
far away
- find out
discover or learn
- in the middle of
right in the midst of
このシーンのメモ一覧
49 行のセリフに 25 件のメモ
go and talk to someone
- What am I gonna do now? - You wanna go talk to him?make much difference
Yeah, but... I don't think it's gonna do much good.counting from now
Five minutes from now, you're not gonna believe what I've told you.noun clause: The clause what I've told you is the object of believe, with what as the connector.
Five minutes from now, you're not gonna believe what I've told you.Not gonna often blurs into one weak chunk in fast speech.
Five minutes from now, you're not gonna believe what I've told you.watched secretly — Detective jargon; casual use sounds playful.
Today I staked out Frank's place with a camera.be mixed up in
There's another man involved in all this. I call him the Yellow Man.participle phrase: The participle phrase involved in all this modifies man, as in who is involved.
There's another man involved in all this. I call him the Yellow Man.Link involved in all so the consonants glide into the next vowel.
There's another man involved in all this. I call him the Yellow Man.a few days ago
Jeffrey reminds Sandy she saw the Yellow Man's back at Dorothy's place days ago.
You saw his back the other day at Dorothy's apartment.the only problem is
Now, the only trouble is, what does that prove?dressed smartly
Jeffrey describes the man the Yellow Man meets: sharply dressed, with an alligator briefcase.
I saw the Yellow Man come out and meet a well-dressed man carrying an alligator briefcase.look far away
They went to a factory, stood on a staircase and looked into the distance.listen to this — Spoken cue to grab attention before news.
Now get this. In the distance, there was a murder.killed by gunfire
A drug dealer was shot to death and a woman had her legs broken.men, people — Very casual; use men or people in formal talk.
Then two guys told me the police would find drugs in the dead dealer's place.discovering the facts
I can't believe what you're finding out.In fast speech what you're can blur into a single wacha-like sound.
I can't believe what you're finding out.keep on with
Are you gonna continue with this?do something with
Until when? What are you gonna do with this?right in the midst of
Jeffrey explains why he can't stop: he is in the middle of a mystery, and it's all secret.
I'm involved in a mystery. I'm in the middle of a mystery.passive voice: Be involved in is passive, describing the state of being drawn into something.
I'm involved in a mystery. I'm in the middle of a mystery.feel anxious about someone
When Sandy questions him, Jeffrey turns it around: do you actually worry about me?
You worry about me? Really?draw someone into
I got you into this.「Jeffrey Briefs Sandy on the Mystery」を読み解く
What's really going on
The scene is a confession wearing the mask of a police briefing. Jeffrey has turned detective, and he clearly loves the role: "I'm involved in a mystery. I'm in the middle of a mystery," he says, as if the danger were a gift. Sandy's questions are the ones he cannot answer — how far, and what for — because the honest reply is that the mystery itself is the point. His report is full of things that prove nothing, and he admits it: "the only trouble is, what does that prove?" Yet the lack of proof does not slow him down. The romantic thread sharpens all of this. When Sandy objects, Jeffrey pushes past it, and "I'm seeing something that was always hidden" sounds less like detective work than like a need to break through the surface of his ordinary town.
Theme
SecretsJeffrey keeps pulling hidden things into the open — a yellow man, a murder, planted drugs — and admits the whole affair is 'all secret'.
Coming of ageA curious young man is drawn deeper into a dangerous adult world, and the pull of the mystery outweighs every warning.
このチャプターで学べること
- A clock turns a quiet chat into a countdown.
- Numbered leads make dread feel methodical.
- Naming the unknown man makes the case real.
- Worry here is both affection and warning.
発音のポイント
- not gonna — Not gonna often blurs into one weak chunk in fast speech.
- involved in all — Link involved in all so the consonants glide into the next vowel.
- what you're — In fast speech what you're can blur into a single wacha-like sound.
Five minutes from now, you're not gonna believe what I've told you.Jeffrey frames his report with a provocation: once Sandy hears it, she will not be able to shake it. The clock he points to also signals that this is only the start of what he will uncover.
I'm seeing something that was always hidden.What he is really chasing is not a suspect but a hidden layer of his town. The line makes his detective work sound almost religious, a glimpse behind the ordinary surface.
There's another man involved in all this. I call him the Yellow Man.Jeffrey gives the unknown figure a nickname to make the case his own. Naming the Yellow Man turns a shapeless worry into a lead he can follow.
Now, the only trouble is, what does that prove?The honest catch in his own evidence: the sightings are suggestive but prove nothing. Jeffrey knows this, yet it does not stop him, which tells us how much he wants the mystery.
このシーンについての質問
Why does Jeffrey keep investigating?
He says he is seeing something that was always hidden and that he is in the middle of a mystery. The discovery itself is the pull; even when his evidence proves nothing, he cannot stop.
Does Sandy want Jeffrey to continue?
No. She is alarmed by what he is finding out and asks how far he will take it and what he plans to do with it. She also objects when he says he will go back to Dorothy's apartment.
What has Jeffrey actually learned?
He has followed the Yellow Man and seen him with Frank and with a well-dressed man carrying an alligator briefcase. He also watched a murder in the distance and heard that drugs would be planted on the dead dealer, but admits none of it proves anything yet.
Why does Sandy say she got Jeffrey into this?
She feels responsible for starting him on the case. Jeffrey answers that he worries about her and that he likes her very much, so the guilt and the attraction arrive together.
ブルーベルベット · 全 9 章
すべて見る →
次のチャプター · 第 5 章go for a joyrideFrank Crashes Dorothy's Apartment
第 1 章bits and piecesSandy Tells Jeffrey About the Singer
第 2 章the creepsJeffrey Plans the Apartment Break-In
第 3 章all of a suddenSandy Tells Jeffrey Her Robin Dream
再生中 · 第 4 章stake outJeffrey Briefs Sandy on the Mystery
第 5 章go for a joyrideFrank Crashes Dorothy's Apartment
第 6 章a fine surpriseFrank Crashes Ben's Place
第 7 章opened myself to youMike Chases Jeffrey and Sandy
第 8 章couldn't watchJeffrey and Sandy Reconcile
第 9 章no way outJeffrey Hides on the Seventh Floor第 4 / 9 章 · 残り約 16 分