to reach someone
Doctor says, "Well, I've been trying -to get ahold of you since yesterday." - -Why do you even have to know? -In case they attack you.Belfast · 2021 — 第 4 / 14 章 · 3'26" · B2
Billy Clanton and McLaury knock at the door and ask for Buddy's father. On the surface it's a friendly wee chat about the street; underneath it's a shakedown. "We're looking to cleanse the community a wee bit," Clanton says, and the polite phrase hides a threat to run them out unless they pay or pledge.
On a Belfast street, Buddy gets a lesson in answering the loaded question 'Are you Protestant or Catholic?' — the trick is to double-bluff. Then Billy Clanton and McLaury arrive and tell Buddy to fetch his father. Clanton demands money or loyalty and warns that neighbours who refused have already been driven out. Buddy's father stands his ground before taking his son inside.
注目の表現
out and abouttrick questiondouble-bluffcleanse the community
このシーンの表現
to fool someone by telling the truth
The son is told to answer with the truth, so the other side will read it as a lie.
Telling the boss the real deadline was a double-bluff; he thought I was padding it.
going about outside
a question with a hidden trap
a euphemism for driving people out
to become uncontrollable
a contest of patience
71 行のセリフに 23 件のメモ
to reach someone
Doctor says, "Well, I've been trying -to get ahold of you since yesterday." - -Why do you even have to know? -In case they attack you.going about outside
The father asks when danger comes; the answer is whenever you are out and about.
-When? -When you're out and about.Link out and together so it sounds like one unit.
-When? -When you're out and about.to approach someone
They can just come up to you when you're not expecting it and ask you, "Are you Protestant or Catholic?"a question with a hidden trap
The father calls it a trick question because the askers hide their own side first.
But it's a trick question, you see, 'cause they don't tell you what they are.mouth (slang) — Northern Irish slang for mouth; rough and local.
And what do you say then to not get a dig in the gob?a euphemism for driving people out
The man at the door wraps the removal of neighbors in the clean word cleanse.
We're looking to cleanse the community a wee bit.small, a little — Irish and Scottish for little; warm and local.
We're looking to cleanse the community a wee bit.to harm someone's family
You touch my family and I'll kill you.imperative and: Touch X and Y means if you touch X, then Y will happen at once.
You touch my family and I'll kill you.In fast speech touch my blurs; keep it light and joined.
You touch my family and I'll kill you.mate, guy — Casual address between men; too loose for work.
Calm down, fella.to become uncontrollable
The visitor warns that things get out of hand fast, then slides into extortion.
Look, things get out of hand pretty quick round these parts.to contact someone later
I'll be in touch.the older or powerful ones — Casual for the older or more powerful crowd.
All the big boys have left.to help someone
Here, can you give us a hand?better me than the other person
Better me than Billy Clanton.to shelter behind something
There's a few men hiding behind them barricades.place clause: The where-clause shows the situation that keeps them hiding, not a real location.
And they'll keep hiding where they're afraid for their families.a contest of patience
At the barricade the phrase admits that holding still and waiting is now the whole job.
It's a waiting game now.time clause: The when-clause sets the moment; the main clause says what he will do then.
When it's time for that wall to come down, I'll be the first to swing a hammer, but now?to play the lone hero
The neighbor teases the man on the barricade for acting the lone hero instead of sharing the load.
We can't all be acting the Lone Ranger.Practise a weak can't with stress on all so it is not heard as can.
We can't all be acting the Lone Ranger.The double-bluff speech is the film's sharpest joke about sectarian identity: the only way to seem trustworthy is to tell the truth in a way that sounds like a lie. "But I am a Protestant," Buddy protests, and the answer — "That's the point!" — says everything. In a place where your name and street mark your tribe, sincerity itself becomes a tactic. The knock at the door turns that paranoia real. Clanton's 'cleanse the community' is ethnic-cleansing language in a cardigan; 'the odd man out in this street' is a warning dressed as neighbourly concern. When Buddy's father answers, "You touch my family and I'll kill you," the film lets a gentle man speak the only language the street understands. Even the talk at the barricades, "It's a waiting game now," shows a community teaching itself to endure rather than fight.
You touch my family and I'll kill you.The father's flat warning to Clanton: harm my family and there will be no negotiation, only violence in return. It is the one threat that even armed men respect.
We can't all be acting the Lone Ranger.A point about community: not everyone can play the lone hero riding in alone. Some must wait, watch, and hold the line together instead.
"They also serve who stand and wait."A borrowed poetic line used to defend patience: those who only stand guard and wait are serving the cause too, even if they never fight.
But you have to double-bluff them.The lesson's punchline: since the questioner assumes you will lie, you answer truthfully and let him doubt it. Honesty becomes the disguise.
Clanton has come to his door demanding money or a pledge and warning that uncooperative neighbours get driven out. The threat is his way of drawing a line: his family is not for sale, and he would rather fight than be intimidated.
The family is Protestant, which is the point of the double-bluff lesson: being honest about it is itself the trick. The film uses them to show that sectarian violence threatened families on both sides of the divide.
It is a euphemism for driving out people of the other religion. Clanton frames ethnic intimidation as tidying up the street, which is exactly what makes the line so chilling.
The scene shows the pressure that runs through the whole film: threats, barricades, and a street turning on itself. It pushes the family to weigh leaving for England, a choice the movie follows to its end.
次のチャプター · 第 5 章drowning in debtPa and Ma Argue About Leaving Belfast
第 1 章keep your head downBuddy Caught in a Street Riot
第 2 章none of your businessBelfast Builds the Barricades
第 3 章kick with the left footBelfast Family Argues About Religion
再生中 · 第 4 章double-bluffBilly Clanton Threatens the Family
第 5 章drowning in debtPa and Ma Argue About Leaving Belfast
第 6 章what's yours is mineBuddy's School Crush
第 7 章benefit of the doubtBuddy Learns to Game the Odds
第 8 章cut out forBuddy and Moira Steal Chocolate
第 9 章in the clearThe Tax Letter Backfires
第 10 章bet the houseThe Family Debates Moving to Australia
第 11 章welcome us with open armsDa Asks Ma to Move to England
第 12 章money's a bit tightGrandpa Tells Buddy Who He Is
第 13 章paving the way forBuddy Gets Pulled Into the Riot
第 14 章one last timeThe Family Remembers Grandpa