An American Crime · 2007 — 第 9 / 16 章 · 4'18" · A2

Gertrude Catches Sylvia's Call, Explained:nothing but trouble

On the surface it's discipline: Gertrude accuses Sylvia of lying and stealing, then softens with "that's a good girl." Underneath, the household is turning Sylvia into the problem. In court, Marie says of Paula, "Every time she looked at her, her eyes looked like she hated her."

あらすじ

Gertrude catches Sylvia trying to phone her parents and interrogates her about lying and stealing. Later the story moves to court, where Marie testifies that Paula was jealous of Sylvia, and to a church supper where Paula hides an injured arm and blames Sylvia. Word spreads that Paula is pregnant, and Gertrude calls Sylvia the troublemaker.

AccusationsInterrogationsConfrontingComplainingA2slowamericanClean
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注目の表現

treat someone rightassign a reasonlost my temperthat's a good girl

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このシーンの表現

nothing but trouble

only a source of trouble

Gertrude turns on Sylvia, saying she has been nothing but trouble since the day she arrived.

This old laptop has been nothing but trouble.

このシーンの他の表現

  • treat someone right

    treat someone well

  • assign a reason

    give a reason

  • lost my temper

    got suddenly angry

  • that's a good girl

    mockingly calling her obedient

  • put ice on something

    apply ice to an injury

このシーンのメモ一覧

70 行のセリフに 27 件のメモ

発音What she's

What she's blurs into one sound and the h nearly disappears.

What she's gonna do?
表現 · B1catch someone doing something

find someone in the act

What she always does, when she catches you stealin'.
スラング · B1stealin'

stealing — A Southern dialect form that signals little schooling.

What she always does, when she catches you stealin'.
表現 · A2lie to someone

tell someone a lie

Are you gonna lie to me again?
スラング · A2gonna

going to — Everyday speech; keep it out of formal writing.

Are you gonna lie to me again?
表現 · A2steal from someone

take from someone

I didn't steal from you, Gertie.
表現 · B1warn someone that ...

alert someone

What you'd... call your parents, and warn them, that...
表現 · B1treat someone right

treat someone well

Gertrude cuts off any complaint by asking whether she has really treated the girls badly.

Gertie doesn't treat you right?
表現 · A2put ice on something

apply ice to an injury

After the beating Gertrude tells Sylvia to put ice on it, as casually as if nothing had happened.

You wanna put some ice on that.
スラング · A2wanna

want to — Relaxed speech with friends; avoid it in formal talk.

You wanna put some ice on that.
文法 · B1I think you stated, Marie

insertion: Marie is inserted to address the witness, not part of the clause itself.

Now, I think you stated, Marie, that your sister Paula...
表現 · B1be jealous of someone

envious of someone

you'd volunteered, that Paula was jealous of Sylvia.
文法 · B1you'd volunteered

past perfect: The 'd is had; it marks what Marie volunteered before the testimony.

you'd volunteered, that Paula was jealous of Sylvia.
表現 · A2look like something

seem to be

Every time she looked at her, her eyes looked like she hated her.
表現 · B1assign a reason to something

give a reason

In court the prosecutor asks Marie to give a reason for Paula's hatred, in formal wording.

Can you assign a reason...
文法 · B2why Paula might shoot Sylvia

noun clause: The why-clause is the object of the preposition to, naming the reason to be explained.

to, why Paula might shoot Sylvia, those angry, jealous glances?
文法 · B1so much more important

comparative: So much strengthens the comparative, meaning far more important than Paula.

she was so much more important, than Paula was.
表現 · B1lose one's temper

got suddenly angry

Mrs. Orbach asks about Paula's arm, and Paula shrugs it off as a moment when she lost her temper.

I lost my temper, with Sylvia.
表現 · A2say hi to someone

greet someone

When Ricky arrives, someone casually asks if he has said hi to the baby yet, a light family greeting.

- Did you say hi to the baby yet? - Ah-ah.
表現 · A2a couple of something

a few

A couple of my friends, are eating over there, you wanna join us?
発音couple of

Link couple and of so it runs together as one unit.

A couple of my friends, are eating over there, you wanna join us?
表現 · B1blame someone for something

hold someone responsible

and Stephanie and Paula, are blaming me.
表現 · B1be willing to do something

ready to pay

He says, he's willing to pay for the abortion.
表現 · B1go through with something

carry something through

Someone offers to pay for the abortion, and Gertrude says anything goes as long as Paula will go through with it.

If Paula's willing to go through with it, anything to keep it quiet.
表現 · B1be nothing but trouble

only a source of trouble

Gertrude turns on Sylvia, saying she has been nothing but trouble since the day she arrived.

That girl's been nothing but trouble since she came in to my house.
発音gotta go

The tt in gotta flaps to a d, so it sounds like godda.

I gotta go.
スラング · A2gotta

have got to — Casual shorthand for have to; too informal for writing.

I gotta go.

「Gertrude Catches Sylvia's Call」を読み解く

What's really going on

The scene is less about a stolen call than about who gets to define the story. Gertrude frames herself as the wronged adult: "That girl's been nothing but trouble since she came in to my house." Paula, fresh from hurting Sylvia, gives the same cover — "I lost my temper, with Sylvia," she tells Mrs. Orbach — and in court Marie recalls Paula's glare. "Every time she looked at her, her eyes looked like she hated her." Each line shifts blame onto Sylvia, so by the time the pregnancy rumor surfaces, the household already has a version where she is the problem. The film lets the accusations pile up without a rebuttal.

Theme

Family conflictGertrude and Paula turn a household crisis into Sylvia's fault; family loyalty becomes a weapon against the newcomer.
LiesLying is the charge Gertrude uses, yet the adults' own accounts — the call, the pregnancy, the injury — are the ones bending the truth.

このチャプターで学べること

  • A beating is dressed up as discipline in this house.
  • Marie's testimony turns jealousy into evidence.
  • Gertrude blames the victim to protect her own.
  • Money and silence decide what the family admits.

発音のポイント

  • What she's — What she's blurs into one sound and the h nearly disappears.
  • couple of — Link couple and of so it runs together as one unit.
  • gotta go — The tt in gotta flaps to a d, so it sounds like godda.
That girl's been nothing but trouble since she came in to my house.

Gertrude's summary of Sylvia: every problem in the house traces back to her arrival. It's an accusation designed to sound like tired fact, not opinion.

Every time she looked at her, her eyes looked like she hated her.

Marie's courtroom description of how Paula looked at Sylvia. The line hands the prosecution a motive — jealousy — while keeping Marie's own role vague.

Are you gonna lie to me again?

Gertrude opens by assuming guilt: the question isn't whether Sylvia lied but whether she'll do it again, putting her on the defensive before she speaks.

I had to be real strict with her.

Paula's way of dressing up abuse as discipline. "Had to" and "real strict" turn what she did into a duty she was forced into.

このシーンについての質問

Why does Gertrude accuse Sylvia of stealing?

Gertrude is looking for a reason to punish her after catching the call to Sylvia's parents. Instead of addressing what the call was about, she reframes Sylvia as a liar and a thief, which lets the punishment seem deserved.

Who is telling the truth about Paula's pregnancy?

Paula isn't pregnant — the scene says so outright, and the man involved didn't even know about it. But the rumor has already done its work: Sylvia is the one saying it, so she takes the blame.

Why does Marie testify that Paula was jealous of Sylvia?

Marie describes Paula's jealousy because the prosecution is building a motive: Paula resented Sylvia, and that resentment led to the attack. Marie answers carefully, giving details without admitting much herself.

What does "assign a reason" mean here?

The prosecutor is asking Marie whether she can explain a cause for Paula's behavior — to assign a reason is to name one. It's formal courtroom wording, and Marie's hesitant answer shows she knows the trap.

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