24 Hour Party People · 2002 — 第 9 / 10 章 · 4'52" · B2

Factory Meets London Records, Explained:drop a bollock

London Records arrives to sign Factory's band, but Tony Wilson isn't impressed by the suits or the vine leaves. "You'll hear the vocals, Roger, when we hear the offer" is the whole scene in one line: the label wants a finished record, the label's owner wants a promise first.

あらすじ

The scene cuts between Factory's office meeting and Tony Wilson hosting Wheel of Fortune, then lands at a gathering where Roger Ames of London Records comes courting. The Manchester crowd mocks the polite southern spread, Shaun leaves for Kentucky Fried Chicken, and Tony withholds the vocals until he hears a real offer.

NegotiationPartiesBargainingTeasingB2slowbritish
IMDb ↗

注目の表現

drop a bollockdo the honourskeep an eye onbroaden your horizons

00:00 / 04:52
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白the wheel of fortune speech9 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

drop a bollock

to make a big mistake

Rob has clearly blundered before the talks, and it is pointed out twice with drop a bollock.

He dropped a bollock and sent the file to the client.

このシーンの他の表現

  • do the honours

    to do the deed, formally

  • keep an eye on

    to watch, to mind

  • broaden your horizons

    to widen your experience

  • turn up

    to raise the volume

  • really into

    very keen on

このシーンのメモ一覧

96 行のセリフに 25 件のメモ

表現 · B2with respect

if I may say so

New Order, with respect, have done fuck-all...
文法 · B2with respect

parenthetical: With respect sits between subject and verb as a polite aside, removable at will.

New Order, with respect, have done fuck-all...
発音have done

Link have into done with a weak /əv/.

New Order, with respect, have done fuck-all...
スラング · C1fuck-all

nothing at all — A crude intensifier meaning nothing at all.

New Order, with respect, have done fuck-all...
表現 · B2share in something

take a cut of the profits

- ..and we'll share in the profits. - Who's gonna do that? Who? Who?
表現 · B1for a start

to begin with

The name, for a start.
表現 · C2the vicissitudes of life

life's ups and downs

..for the vicissitudes of life.
表現 · C1hoist someone up

lifting us up

..hoisting us up, then dropping us down again.
表現 · C1plunge back down

thrown back down

..but don't complain when you're plunged back down.'' Let's spin the wheel.
スラング · B2bullshit

nonsense, crap — Crude for nonsense; keep it informal.

What a load of bullshit. We'll remove that in the editing.
表現 · B2cut to something

jump to the next shot

Just go straight from ''Wheel of Fortune'', cut to ''spin the wheel.'' The guy over there playing the director,...
表現 · B2keep something going

keeping it running

Are you still keeping the pub going?
文法 · B2keeping the pub going

object complement: In keep something going, the -ing form is a complement meaning keep it running.

Are you still keeping the pub going?
表現 · C1what's the crack

what's going on

What's the crack with this spread, Tony?
スラング · B2spread

a laid-out meal — Casual for a spread of food on the table.

What's the crack with this spread, Tony?
スラング · C1cunts

a very strong insult — One of the strongest insults in English; unusable in public.

Fuckin' southern food for southern cunts!
表現 · B1help yourself

take what you want

And there's food on it, too, if you'd like to help yourselves.
表現 · B1if I were you

in your place

I wouldn't fuckin' eat it if I were you, it's rabbit food.
文法 · B1if I were you

subjunctive: If I were you uses the subjunctive were to frame advice as a hypothetical.

I wouldn't fuckin' eat it if I were you, it's rabbit food.
発音if I were you

Keep if I weak and glide were into you.

I wouldn't fuckin' eat it if I were you, it's rabbit food.
スラング · C1shaggin

having sex, crudely — Crude British for having sex; joking only.

We like shaggin' like 'em but we don't wanna eat like 'em.
表現 · B1do a cover of something

record a cover version

We're gonna do a cover of Silence is Golden.
表現 · B2wait for the offer

get the offer first

You'll hear the vocals, Roger, when we hear the offer.
スラング · B1Kentucky

KFC fried chicken — British shorthand for KFC; casual food talk.

I'm not eating fuckin' bunny rabbit food, I'm going for a Kentucky.
発音keep an eye on

Run keep-an-eye-on together in one breath.

Yvette? Just keep an eye on them.

「Factory Meets London Records」を読み解く

What's really going on

Everyone is being polite on the surface, but the deal is really about who holds the power. Roger Ames praises the table and says "what a table!" while the Manchester crew calls the food rabbit feed. Tony sits in the middle, playing the host and the hard man at once: "You'll hear the vocals, Roger, when we hear the offer." That line makes the label wait, which is the only leverage a small independent has. The visit is a performance on both sides — London wants the band, Manchester wants to be courted, not bought. Even Tony's mockery of his own on-screen narration keeps reminding us that he is always aware of the story being told around him.

Theme

MoneyA small Manchester label and a big London company circle each other over who pays for the record.
SatireThe film mocks the music business through a polite meeting and a host who narrates his own life.

このチャプターで学べること

  • Dropped a bollock is crude British for a blunder.
  • Broaden your horizons means widen your experience.
  • Keep an eye on something means to mind it.
  • With respect softens a blunt point before you make it.

発音のポイント

  • have done — Link have into done with a weak /əv/.
  • if I were you — Keep if I weak and glide were into you.
  • keep an eye on — Run keep-an-eye-on together in one breath.
You'll hear the vocals, Roger, when we hear the offer.

Tony will not hand over the finished song until London Records makes a real offer. He is turning the band into a bargaining chip.

We like shaggin' like 'em but we don't wanna eat like 'em.

A crude joke about rabbits: the Manchester men are happy to copy the English in bed, but not at the dinner table. It dismisses the posh southern food.

I'm in security now, Tone. And repossession.

An old face from the scene has moved on to debt collection. It quietly says that the music world moved on and he had to make money elsewhere.

That's the way we do things at Factory.

Tony is stating Factory's house rule: no finished music before a signed deal. It sounds like a principle, but it is really leverage.

I'm not eating fuckin' bunny rabbit food, I'm going for a Kentucky.

Shaun refuses the fancy vine leaves and leaves for fried chicken. His exit mocks the whole attempt to impress the London guests.

このシーンについての質問

Why does Rob hate the name London Records so much?

Rob is a Manchester punk who sees the label name as the sound of the south taking over. For him it is not a contract, it is a surrender, and Tony shrugs it off as just a name.

What does drop a bollock mean?

It is British slang for making a serious mistake. When Rob agrees he has dropped one, the scene treats a bad business move as something to laugh about, not hide.

Why does Tony refuse to play the vocals for Roger?

Because London Records has not made an offer yet. Tony is using the band's song as leverage, and he wants the label to commit money before it hears the finished product.

Why does Shaun leave for Kentucky Fried Chicken?

He is disgusted by the stuffed vine leaves Tony serves the London guests. Walking out for fried chicken is his way of rejecting the polite, southern front everyone else is putting on.

Is the real Tony Wilson in this scene?

Yes. Tony breaks the fourth wall to point out that the man playing the director is the real Tony Wilson, and he starts naming other real people from the Manchester scene who appear in the film.

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