all the older releases
I want everything: the back catalogue, this table, this food, these windows.24 Hour Party People · 2002 — 第 10 / 10 章 · 2'48" · B2
A buyer offers a fortune for Factory Records, and Tony turns him down. The label, he explains, isn't a company at all — "We are an experiment in human nature" — with no contracts binding the bands. His refusal isn't modesty: "I don't have to deal with you at all."
A businessman offers a large sum to buy Factory Records. Tony declines, explaining that the label isn't really a company but 'an experiment in human nature': the artists own their work, the label owns nothing, and there are no contracts at all. He says he has to make no deal, because he has kept himself from ever having anything to sell out.
注目の表現
princely sumlabour under a misapprehensionsell outfuck off
このシーンの表現
to betray your principles
Tony says he kept nothing so he could never be accused of selling out.
He refused to sell out even for a huge contract.
a hefty amount
to be mistaken
get lost, go away
a tragic weakness
sexually aroused
48 行のセリフに 21 件のメモ
all the older releases
I want everything: the back catalogue, this table, this food, these windows.to feel honoured
OK. We're very, very flattered, Roger,...Link worth-such-a together in one breath.
..terribly flattered that you think we're worth such a princely sum,...present continuous: The continuous stresses that he is right now stuck in the wrong assumption.
You're labouring under the misapprehension...any sort of
..that we have any kind of a contract at all.the entirety of
Because that's the sum total of the paperwork...Keep of weak: sum-total-uv.
Because that's the sum total of the paperwork...related to
..to do with Factory Records' deal with their various bands.to handle, to face
I don't have to deal with you at all.by + gerund: The by-phrase names the means: keeping nothing kept him from selling out.
..by having nothing to sell out.crazy — British mad means crazy or angry; casual.
Tony, you're fucking mad.shutting for good
Tony Wilson, is it true the Hacienda is closing down?right at you
How does it feel now it's fucked up in your face?now-clause: The now-clause means now that it has blown up, with that left out.
How does it feel now it's fucked up in your face?ruined, messed up — Crude for ruined or messed up; informal.
How does it feel now it's fucked up in your face?you yourself, politely
Unlike your good self, Tony.Stress the middle syllable: dan-DE-li-on.
I feel like a big dandelion cock...penis, crudely — A crude word for the penis, slipped out by accident here.
Cock or clock, it doesn't matter, whose seed is catching the wind,...to take hold
..it's gonna fly off, land, take root and spawn...have to leave
And now she wants one so I've gotta go.aroused — British slang for being aroused; close friends only.
Come on. I've got the horn, Ryan.The offer looks like a triumph, but Tony treats it as a category error: you can't buy Factory because Factory isn't structured to be owned. 'We are an experiment in human nature,' he says, and the detail that follows — the artists own their work, the label owns nothing, there are no contracts — is the whole scene's argument. His refusal is also self-protection. 'I don't have to deal with you at all,' he tells the buyer, then explains that he has kept himself from ever facing the dilemma of selling out 'by having nothing to sell out.' It's an idealist's boast and a coward's hedge at once, and both readings are true at once. When his friend says, 'Tony, you're fucking mad,' he answers, 'That's a point of view' — neither defending nor denying. The Hacienda's closing years later gives the scene its echo: 'Glorious. The Hacienda is dead, it will never grow old.'
We are an experiment in human nature.Tony's reason Factory can't be bought: it isn't a business but a test of how people act. It sounds grand, and it conveniently excuses the label's total lack of structure.
Glorious. The Hacienda is dead, it will never grow old.His answer to the club closing: he calls its end 'glorious' because a dead thing can't decline. It turns loss into a boast, even as the building shuts.
I want everything: the back catalogue, this table, this food, these windows.The buyer lists what he wants to own. The catalogue makes sense; the table, food and windows make the greed sound absurd — everything, including the furniture.
That's a point of view.Tony's reply to being called mad. It neither agrees nor argues, politely refusing the insult and ending the conversation on his own terms.
I don't have to deal with you at all.The refusal, stated plainly: he isn't obliged to negotiate. It's not anger but a flat assertion that the deal is optional for him.
Because Factory isn't built to be sold. He says the artists own their work, the label owns nothing, and there are no contracts — so there's nothing for a buyer to actually purchase.
It's his twist on integrity: by never owning anything, he could never be tempted or forced to betray a principle for money. The line protects him from ever having to make the choice.
The scene keeps both open. His 'experiment in human nature' sounds idealistic, yet the label's refusal to sign contracts also causes chaos. His friend calls him 'fucking mad'; he answers, 'That's a point of view.'
It closes down. In an interview Tony is asked how it feels, and he answers, 'Glorious. The Hacienda is dead, it will never grow old.' He'd rather mythologise the end than admit defeat.
British slang for being aroused or keen. Tony says 'I've got the horn' as he hurries off, a casually crude joke between friends.
第 1 章harp on aboutTony Wilson Names the Factory
第 2 章print the legendTony Wilson Names Joy Division
第 3 章straight upTony Wilson Announces the US Tour
第 4 章go to townTony Wilson Opens the Hacienda
第 5 章out of shapeTony Films the Happy Mondays Video
第 6 章nice as pieTony Wilson Meets Sir Keith Joseph
第 7 章put things in perspectiveMartin Hannett's Funeral
第 8 章back downTony Wilson Buys Back the Tape
第 9 章drop a bollockFactory Meets London Records
再生中 · 第 10 章sell outTony Wilson Refuses the Buyout