“I don't dislike it, but I'm never sure about it.”
A masterclass in faint praise: not disliked, never quite trusted.
Informal
Capítulo 18 de 20 · 6'21"
Two friends stand on a grave and treat burial like a petty booking: cremated or buried, and would anyone even turn up. The mock eulogy is the real sport. "behind every little, pithy, vaguely amusing joke is a cry for help" sounds almost tender, until it lands as a roast the dead man cannot answer.
Cremated or Buried, Either Is Fine
Every Joke Hides a Cry for Help
Never Stick the Knife In
Standing on a grave, the pair ask whether they would rather be buried or cremated, and whether anyone would turn up. A pretend eulogy for Rob praises his one-liners and calls each joke a cry for help. Somebody later slips into the water and gets told they looked at home there. Over a fried breakfast, one of them admits they are looking forward to being home.
The funeral talk is a contest dressed up as intimacy. Agreeing to attend "If only to pad out the numbers" offers affection and withdraws it in the same breath. The eulogy repeats the move: Rob is "very funny, very entertaining," and every joke is then filed as "a cry for help." Praise does the cutting. "I would never stick the knife in" shows up only after that speech, and the next line, about being tickled with a knife, admits the attack is the game. "brown bread" and the coffin bit keep death as a punchline. Even a fall into the water is turned into material on the spot: not a soaking but "a metaphor," then a remark that someone looked "at home in the water" and might take action roles. Breakfast calls the sunny fry-up as good as England gets, and someone still adds, "I'm looking forward to being home now."
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I don't dislike it, but I'm never sure about it.”
A masterclass in faint praise: not disliked, never quite trusted.
Informal
“I'd... I would never stick the knife in.”
Loyalty declared, then undercut in the very next breath.
Informal
“If they buried you or cremated you, they would both suit me fine.”
Total indifference delivered about the least indifferent subject.
Informal
“This is nice, but if I'm being very honest with you, I'm looking forward to being home now.”
Politeness first, homesickness second, and completely honest.
Informal
Siguiente · 19if push came to shoveLa escena: Hiring Divers for the GestureSomeone notices they are standing on a grave and apologizes, and the talk jumps straight to cremation or a headstone. One of them wants a marker like Elvis, then worries a grave would pressure the family to keep visiting. Nobody is making arrangements. A bit of scenery has turned into a game about who would show up.
Cockney rhyming slang. Brown bread rhymes with dead, so saying someone is brown bread means he is dead. It comes up in a bit about a man in his coffin who cannot answer back. The rhyme lets them swing at each other without saying the blunt word.
It wears the shape of a tribute. Rob is called interesting, funny, and entertaining, and the other side of him is said to have given people levity. The same speech says he was lost, dodged the truth, and that every little joke is a cry for help. Steve is announced as the friend who will talk for half an hour. The man in the box is not around to answer.
One of them is told not to run because there will be moss, and then he is in the water, short of wherever he was headed. The friend still on the bank treats the slip as a gag: stuck halfway, therefore stuck inside a metaphor. The person in the water says it is not a metaphor at all. The slip is played as a bit, not as an accident.
A sunny day and a fried breakfast get called as good as it gets. The following line keeps the compliment and drops it: this is nice, and the speaker is looking forward to being home. The answer is "You and me both." The food can be glorious and the trip can still be over in their heads.