“I'm really sorry, sir, but these are the rules.”
The polite brick wall of bureaucracy: sorry, but the rules are the rules.
Formal
Capítulo 10 de 20 · 4'52"
A late arrival at a closed literary cottage turns a quiet visit into a standoff. The woman at the door explains that "these are the rules," and while one of the men is ready to fume, the other grants her "in all fairness" a reason: she's probably grieving.
Was the Woman Unreasonable?
Steve Coogan and Rob Brydon arrive late to Dove Cottage, the former home of Coleridge, and are refused entry by a woman closing up. She apologizes but insists the rules are the rules, and the two men drive off arguing about whether she was being unreasonable, then drift into a bizarre riff about heroin and the poet.
The scene is a small lesson in how two people can watch the same moment and come away with opposite readings. One sees a jobsworth blocking a simple request and mutters, "Why do people have to be like that?"; the other answers with "in all fairness," pointing out the woman is probably bereaved and the cottage shuts in half an hour. Neither is simply right, and the disagreement is really about temperament: one wants to be indulged, the other wants to be reasonable. The later riff about Coleridge and heroin pushes the same tension further, joking about experience and self-control, until someone is bluntly told, "You're not open to new experiences."
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I'm really sorry, sir, but these are the rules.”
The polite brick wall of bureaucracy: sorry, but the rules are the rules.
Formal
“Why do people have to be like that?”
A universal sigh of exasperation at other people, short enough to use anywhere.
Informal
“Looks not unlike yourself in that picture.”
A backhanded compliment delivered through litotes; the politeness is the sting.
Formal
“You're not open to new experiences.”
A spatial metaphor for a closed mind: you are not open to anything new.
Informal
Siguiente · 11at first lightLa escena: Steve and Rob's Costume DramaThe cottage closes in half an hour, and letting latecomers in wouldn't be fair to other visitors. She also seems to be grieving, which the men only notice in hindsight.
The film doesn't settle it. One man reads her as needlessly rigid, the other as a bereaved person doing her job, and the point is that both readings are plausible.
It begins as a joke about what the poet might have taken and spirals into a riff about experience, addiction and living dangerously, which is really about their own cautious lives.
Fans recognize them by their comedy characters rather than their names, and one asks for a signature on a paper that insults him, which lands as both funny and a little sad.