“I think being shy basically means being self-absorbed...”
It flips a likable trait into a form of self-absorption, which is why the line stings.
literary
Capítulo 11 de 17 · 5'02"
The radio host asks about Wallace's own description of himself — 'a combination of being incredibly shy and being an egomaniac too.' Wallace reframes it: shyness, he says, is really being self-absorbed, 'to the extent that it makes it difficult to be around other people.' After the show, the talk moves to the Mall of America and turns to loneliness.
Wallace Explains Why He Calls Himself Shy
❝ Monólogo · 7 frases Wallace on Readers and Loneliness
❝ Monólogo · 8 frases Wallace on the Trap of Selling Well
Wallace and Lipsky arrive in Minneapolis for a radio interview, where the host raises Wallace's line about being 'incredibly shy and being an egomaniac too.' Wallace says shyness is really being self-absorbed and hard to be around. After the show they head to the Mall of America, and the talk turns to writing, loneliness, and what happens when a serious book suddenly sells.
What looks like a friendly radio segment is Wallace dismantling his own image. He is introduced as the writer who 'has burst on the literary scene,' but the moment the host quotes his self-description, he starts taking it apart: shyness, he argues, is just being self-absorbed — 'to the extent that it makes it difficult to be around other people.' When pressed on whether the difficulty is his or theirs, he answers, 'a little bit of both.' The Mall of America section carries the same self-audit into ordinary life: he calls his own novel 'fairly nerdy' and about loneliness, then explains the trap where a book selling well turns into 'part of the darkness nexus.' Admitting you can't win is, for him, the honest position.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I think being shy basically means being self-absorbed...”
It flips a likable trait into a form of self-absorption, which is why the line stings.
literary
“All I know is this is absolutely the best I could do between 1992 and 1995.”
The dates turn a modest claim into a precise, stubborn defense of his own work.
Neutral
“It's now part of the darkness nexus when it does, so you're totally screwed.”
Success itself becomes the trap, and the blunt last phrase lands the joke.
Informal
“It's a fairly nerdy book, too, about loneliness.”
The self-deprecating label makes a serious book about loneliness feel approachable.
Neutral
I think that if there's a sort of sadness for people under 45, it has something to do with pleasure and achievement and entertainment. Like a sort of emptiness at the heart of what they thought was going on, and maybe I can hope that some parts of the book... speak to their nerve endings a little bit. Mm-hmm. If you quote any of this, by the way, you'd do me a great favor by saying... this is what I hope for the book, you know. This is what the book is trying to achieve. I don't pretend that it has.
When you're used to doing heavy-duty literary stuff that doesn't sell well, being human animals with egos, you accommodate that fact by the following equation. If something sells really well, gets a lot of attention, it's gotta be shit, right? Right. Of course. The ultimate irony is, if your thing starts selling well, gets a lot of attention, the very mechanism you used to shore yourself up... when your thing didn't sell well... Doesn't work anymore. It's now part of the darkness nexus when it does, so you're totally screwed. You know, you can't win.
Siguiente · 12come on to someoneLa escena: Wallace Tells Lipsky to Stay AwayHe treats shyness as a form of self-focus so intense that it makes it hard to be around other people, and when asked whether that difficulty is his or theirs, he says it is a little of both.
He says he applauds the reviewer's taste but won't pretend the praise changes anything; all he knows is the book was the best he could do between 1992 and 1995, and he would not have been devastated if everyone had hated it.
Because a serious writer props himself up by assuming that anything popular must be bad, so if his own book becomes popular, that support breaks down and he is left with nothing.
It is Wallace's own earlier description of himself, which the radio host quotes back at him on air, prompting him to explain what he meant by shyness.
They drive to the Mall of America, where Wallace wants to go, and spend the rest of the day walking and talking about writing, readers, and loneliness.