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Ken Makes a Pass at Mary, Explained

Another Year · 2010

Capítulo 14 de 25 · 3'21"

The evening ends in a muddle of lifts and goodbyes, and Mary ends up driving Ken to the station. On the way he makes a clumsy pass — "I like you, Mary. Can I phone you?" — and she turns him down flat: "I just don't have those kind of feelings for you, Ken."

Confessing feelingsGoodbyes & funeralsConfessing loveSaying noFriendsB2fastbritishClean

Key moments

Start here, then watch the full scene
  1. Everyone Argues About the Lift

    0:02–1:09
    67s
  2. Ken Makes a Pass at Mary in the Car

    1:50–3:11
    81s

Ken Makes a Pass at Mary, explained

What happens

After the meal everyone is leaving at once. Tom has had too much to drink but still offers to drive; there is talk of mini cabs and the tube. In the end Mary, who has just bought a car, drives Ken and Joe toward King's Cross. On the way Ken makes a pass at Mary, and she has to tell him honestly that she has no such feelings for him.

What's really going on

The comedy of the scene is the lift that won't be organised — everyone tipsy, too many opinions, no one quite in charge. But the small drama is Ken. All evening he has been the lonely one, and in the car, with Mary trapped beside him, he finally says the thing he has been holding: 'I like you, Mary. Can I phone you?' The answer is as clear as she can make it — 'I just don't have those kind of feelings for you, Ken. I'm really sorry' — and his collapse is immediate: 'Sorry, I got carried away. I didn't mean to.' Nobody is cruel here; that is what makes it hard to watch. The lift ends in goodbyes that are polite on the surface and heavy underneath, and Ken is left with 'God Almighty!' as the car pulls away.

Key lines & what they mean

“I just don't have those kind of feelings for you, Ken. I'm really sorry.”
Mary's clear, gentle refusal: she won't pretend the feelings are there, and she apologizes for having to say so.
“It's so lovely having you next to me, Joe, telling me where to go and what to do.”
Mary's line to Joe in the car, said before the mood turns — she likes the company and being guided, which makes what follows worse.
“Sorry, I got carried away. I didn't mean to.”
Ken's apology after the rebuff: he blames the moment, not his feelings, and knows he has crossed a line.
“It's a good job it didn't get pinched, isn't it?”
An earlier, lighter line about Mary's unlocked car — nothing was stolen, said to soften the small mishap.

Theme

  • Loneliness — Ken's clumsy pass comes from the loneliness he has carried all evening, and the rebuff leaves him alone again.
  • Heartbreak — Mary's kind but final refusal — she has no feelings for him — closes a door Ken had hoped was open.

Qué aprendes en este capítulo

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Ideas clave

Lo que te llevas
  1. A lift is a free ride in someone's car
  2. Get carried away means you went too far
  3. Pull in means steer to the kerb and stop
  4. Feelings for you means romantic interest

Preguntas frecuentes

La pregunta, luego la frase
Why is everyone leaving in a rush?

Ken and the others have trains to catch, and Tom has had too much to drink but still offers to drive. The group argues about taking a mini cab, the tube, or a lift.

Why does Mary drive Ken and Joe?

She has just bought a small red car and wants the practice. She offers to take them toward King's Cross, with Joe as her navigator.

What happens in the car between Ken and Mary?

Ken makes a pass at Mary, asking to phone her and saying he likes her. Mary tells him honestly that she doesn't have those feelings for him, and he apologizes.

What does 'got carried away' mean?

It means losing control of oneself in the moment. Ken says it to apologize for coming on to Mary, admitting he went too far.

How does the scene end?

With goodbyes. Ken thanks Mary for the lift, she leaves, and he is left behind; his last words as the car pulls away are 'God Almighty!'