“And I even miss people, even the inchworms and the cretins, because I don't really think they're bad, I think they're just scared.”
The cynic admits he misses everyone he insults, revealing pity under all the contempt.
Neutral
Chapter 16 of 16 · 4'57"
Boris takes the breakup with studied calm, telling Melodie that greatness is hard to live with, then goes straight to a bar to drink. There he meets another man nursing a lost love, and the two trade theories about why it never lasts: "The universe is winding down. Why shouldn't we?"
Boris Takes the Breakup
Melodie tells Boris she is leaving him, and he answers with a speech about how love is always transient. Once she is gone, he goes to a bar alone and drinks, then strikes up a conversation with a stranger who has also lost someone.
The chapter is Boris's philosophy meeting its limits. He can explain the end of a relationship the way he explains everything, and for a moment he almost believes it: "Greatness isn't easy to live with." But the film shows what the theory is hiding, because the moment Melodie leaves he is in a bar, drinking and talking to anyone who will listen. His admission that he misses the world, and even misses people, is the most human thing he says in the whole movie. The stranger's line, that everyone hurts you in the end, offers him no comfort, and that is the point: a man who has spent the film above it all is finally just another person at a bar.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“And I even miss people, even the inchworms and the cretins, because I don't really think they're bad, I think they're just scared.”
The cynic admits he misses everyone he insults, revealing pity under all the contempt.
Neutral
“Greatness isn't easy to live with, even by someone of normal intelligence.”
He blames his brilliance for the breakup, self-pity dressed up as philosophy.
Formal
“The universe is winding down. Why shouldn't we?”
He justifies personal collapse with cosmic decay, and the scale mismatch is the joke.
literary
“What's the difference? They all hurt you in the end, every woman, whether they're male or female.”
It erases every distinction under the one thing all lovers share: the power to hurt you.
Informal
“That's right. He's a decorator.”
A whole theology lands on one interior-design punchline, witty and a little blasphemous.
Informal
He acts calm and philosophical, saying love is almost always transient and that greatness is hard to live with. But he immediately goes to a bar alone to drink.
He meets another man who has also lost the person he loved. The man married a male model in Holland and is still grieving the separation.
He admits he misses participating in the world, and that he even misses people, because he does not think they are bad, only scared.
His partner wanted to live in Paris, but he could not leave his sick mother. Boris, for his part, left his wife for her best friend and it did not work out.