“What's the worst that could possibly happen?”
A light rhetorical question that forces out the heaviest fear underneath.
Neutral
Chapter 14 of 17 · 2'25"
With the tour over, David Foster Wallace tells David Lipsky what he has been afraid of all along: not the attention itself, but 'that I really get to like it.' He dreads becoming a writer who shows up for photos and game shows, and admits he will have to 'decompress' from the attention before he can write again.
Wallace Names His Real Fear
❝ Monologue · 6 lines Wallace Fears Being a Parody of Himself
Now that the book tour is over, Wallace admits he has been sleepwalking through the past three weeks and will have to feel all of it. He tells Lipsky his real fear is not being watched but getting to like it, turning into the kind of writer who keeps showing up for attention. He dreads the quiet return to a small life.
The tour is over, and with the performance of being interviewed finally done, Wallace says the thing he could not say earlier. His fear is precise and strange: not that people will look at him, but 'that I really get to like it.' He describes attention as an addiction — 'like gettin' heroin injected into your cortex' — and worries that the writer of a book about how seductive image is could 'become a parody of that very thing,' appearing on a game show or angling into the back of a photo. Lipsky, the journalist, is the one arguing the other side, that liking an audience is not a crime. But Wallace's dread is about identity: he says he is '34 years old and I'm alone in a room with a piece of paper,' and that is the self he trusts. The scene is the film's quiet thesis, spoken by the man it is about, to the man who will write him down.
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“What's the worst that could possibly happen?”
A light rhetorical question that forces out the heaviest fear underneath.
Neutral
“The worst? That I really get to like it. That's the worst.”
He answers his own question by naming liking it as the disaster.
Informal
“that I'm 34 years old and I'm alone in a room with a piece of paper.”
It strips away the fame and leaves only age, solitude and a sheet of paper.
literary
“What if I become a parody of that very thing?”
The question captures the fear of becoming the very thing he warned against.
literary
I'm gonna have to decompress from all this attention, because it's like gettin'... it's like gettin' heroin injected into your cortex. And where I'm gonna need real balls, is to... sit and go through that. And try to remind myself of what the reality is... that I'm 34 years old and I'm alone in a room with a piece of paper.
Up next · 15autobiographicalThe scene: Lipsky Asks Wallace About HeroinHe says he has been sleepwalking through it and will now have to feel everything. The end of the tour means he must come down from the attention and face his ordinary life again.
Not being watched, but learning to like it. He says the worst that could happen is 'that I really get to like it,' which would turn him into the kind of writer he mocks.
He wrote about how seductive image is, and he fears ending up as a living example of it — showing up on game shows and angling into the back of photos.
It is his picture of the real writing life and the self he trusts, as opposed to the public figure the tour has been making of him.