you have to act first if you want anything in return
Remember, you got to give action to get action.Swimming with Sharks · 1994 — Chapter 16 of 16 · 5'17" · B2
A midnight rendezvous turns into a hostage scene: Dawn arrives at Buddy's house to find him tied up and Guy holding a gun, convinced the two of them are involved. Every denial — "this is not what you think" — only sounds like proof.
Guy holds Buddy hostage at his own house. At midnight Dawn shows up for what Guy believes is a romantic meeting, and he turns his gun on her too. Buddy, still tied up, mocks the jealousy and refuses to let Guy play the victim; Dawn insists nothing is going on.
Listen for
Give action to get actionOnly one way to find outNot a rocket scientistClimb the social ladder
Phrase of the scene
往上爬、靠攀附提升社会地位
巴迪嘲讽唐恩不过是看准机会往上爬的女人,还用这话教训盖伊,说为这种人就失控太不值得。
He treated every friendship as a rung on the social ladder.
you have to act first if you want anything in return
the only way to know the answer is to try
不需要天才也能做,没那么难
33 notes across 100 lines
you have to act first if you want anything in return
Remember, you got to give action to get action.It's Guy, isn't it? What's wrong? Can't see the boss 'cause you're screwing the assistant?It's Guy, isn't it? What's wrong? Can't see the boss 'cause you're screwing the assistant?Fine. He's no longer the assistant.You heard me. He's history. He's gone.I am warning you. You leave Guy out of this.the only way to know the answer is to try
Well, maybe he is, and maybe he isn't, but there's really only one way to find out...Can I come over? I... I think we need to talk.Can I come over? I... I think we need to talk.Talk to me. What is it?Ok. Call... call me in the morning, ok?I love you.Uh... what are you gonna do? You gonna fire me?It's still me. Listen. We couldn't return A lot of calls today because you've been away.Now, what do you mean, "reconsider..."Gotta be a rocket scientist to make this thing work.Yeah. Just like old times.Yeah, not even close. Shall I bring anything?Yeah, not even close. Shall I bring anything?No, not a thing.Just get your cute butt over here.I'll leave the key out.So we're left with just one thing...All this over a chick?You're gonna have to start thinking with your head and not your hips.If you're gonna lose it every time some bim decides to climb the social ladder, you're never gonna make it!Dawn, honey, so glad you made it on time, darling, "because you got some 'splanin' to do!"Oh, Christ. No, Guy, this is not what you think.What are we supposed to think? Huh?He's taken me hostage!Just put the gun down, and why don't we talk about this?Dear, I don't think you fully appreciate the situation.After you get past the "oops, he caught us" stage and realize we are both fucked, let me know, ok?The hostage scene finally names what has been driving Guy: not the job, but jealousy. Buddy puts it plainly — "This is about a girl, isn't it, Guy?" and then does what he always does, lecturing even with his hands tied: "You're gonna have to start thinking with your head and not your hips." The speech that follows is pure contempt, treating Dawn as a climber who uses the bed as her best friend. Guy's reply is barely a reply; he can only say "Please, just shut up." When Dawn arrives, the accusation gets a target: Guy asks what they are supposed to think about a young producer visiting a top executive at midnight. The bitter irony is that the man who taught Guy that you "got to give action to get action" is the one now calling him a fool for taking the lesson seriously.
Remember, you got to give action to get action.Buddy's transactional creed, repeated like scripture: nothing comes for free, and every favor is really a trade. The film turns it into the excuse for everyone's cruelty.
You're gonna have to start thinking with your head and not your hips.Buddy's crude way of telling Guy he's being led by desire and jealousy. It's advice wrapped in insult, and Buddy keeps giving it while tied to a chair.
If you're gonna lose it every time some bim decides to climb the social ladder, you're never gonna make it!Buddy's warning that Guy will fail if he keeps falling apart over women he sees as ambitious. It reveals how he views everyone: relationships are moves on a ladder, not people.
You heard me. He's history. He's gone.A blunt dismissal on the phone: someone has just declared Guy finished at the company. The flatness of the line is the cruelty — a career is erased in two sentences.
Because she comes to Buddy's house at midnight, and Buddy keeps needling him about it. Guy already felt interchangeable to both of them.
It means a question can only be settled by trying it, usually said with a challenge in the voice. On the phone it's a threat: someone will test whether Guy is really the problem.
Because control is the only weapon he has left. Even bound to a chair, he insists on defining the situation and treats Guy's jealousy as a childish moral failing.
A denial he can believe. He repeats that this is not what it looks like coming from her, but he has already decided the answer, which is why the scene keeps escalating.
Chapter 1sweet-talk someoneBuddy Sweet-Talks Shelley Winters
Chapter 2End of storyBuddy Berates Guy Over the Phone
Chapter 3lose the smileGuy's First Day as Buddy's Assistant
Chapter 4Humor meBuddy Berates Guy Over Sweet'N Low
Chapter 5punch below the beltGuy Learns the Rules of Show Business
Chapter 6It's not brain surgeryBuddy Rages Over the Word Unreachable
Chapter 7give action to get actionAn Apology Becomes a Power Play
Chapter 8Get over yourselfGuy Explains Why He Loves Movies
Chapter 9written all over itBuddy Orders Guy to Bury the Story
Chapter 10White knight in shining armorBuddy Offers Guy the White Knight Role
Chapter 11on a short leashGuy Is Warned Off the Boss
Chapter 12Hit a home runBuddy Pitches Guy's Ending to Cyrus
Chapter 13make a killingGuy Ditches His Partner to Obey Buddy
Chapter 14the rat raceBuddy's Rat Race Speech
Chapter 15Paid my duesBuddy Defends Himself to Guy
Watching · Chapter 16climb the social ladderDawn Finds Guy Holding Buddy Hostage