00:00 / 03:03
00:00 / 03:03

Lee Meets Anna at the Bar, Explained

Over drinks, Lee and Anna talk about the dead writers whose letters Lee sells. Someone toasts Lee as 'a brilliant writer who happens to still be alive,' and Anna urges her to write about herself; Lee jokes that when she dies she just wants somebody to feed her cat.

Small talkComforting a friendComplimentingSuggestingFriendsB1mediumamericanClean

Key moments

Start here, then watch the full scene
  1. ❝ Monologue · 6 lines Anna Tells Lee to Write Her Own Story

    1:32–2:22
    50s
  1. ❝ Monologuethe pitch for a memoir6 linesPractice page ↗

Lee Meets Anna at the Bar, explained

What happens

Lee meets Anna at a bar and shows off the old literary letters she has been selling. Someone toasts Lee as 'a brilliant writer who happens to still be alive,' and Anna asks whether she has ever written about herself. Lee shrugs it off; Anna tells her she should, instead of waiting for a biography.

What's really going on

On the surface this is shop talk between a writer and a bookseller, but Lee is selling forgeries and dodging the obvious question — 'You sure these are the real thing?' — with a shrug: most people, she says, will believe anything you tell them. Anna, who doesn't know, treats Lee as a genuine talent: she urges her to write about herself instead of waiting for someone else's biography. Lee can only joke that when she dies she just wants somebody to feed her cat. Her flippancy hides how much the idea of being remembered — and of being seen — unsettles her.

Key lines & what they mean

“Have you ever written about yourself?”
Anna asks whether Lee has ever turned her own life into writing — a question Lee has no comfortable answer for.
“I just want somebody to feed my cat.”
Lee's idea of being remembered is small and practical: no fame, no legacy, just someone to keep her cat alive.
“Can't kick a old dog out on the street, right?”
A plea not to be thrown out, comparing yourself to a worn-out old dog nobody wants anymore.
“Nah, most people will believe anything you tell them anyway.”
Lee's cynical read on the buyers: they can't tell a forgery from the real thing, so she doesn't fear getting caught.
“This way, you still kind of exist.”
The argument that selling a writer's letters keeps that writer lingering in the world after death.

Theme

  • Deception — Lee passes off forged letters as the real thing, betting that people will believe whatever she tells them.
  • Memory — Talk of letters keeping writers alive meets Lee's claim that she doesn't care about being remembered.

What this chapter teaches

Teaching points

Review right after watching
My level3/8

A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.

Can You Ever Forgive Me?: your progress

Chapter 7 of 14 · about 20 min to go

← Previous
Up next · 08street smartsThe scene: Lee Takes In a Beaten Jack

Takeaways

What you walk away with
  1. A gentle question can expose a dream someone buried.
  2. Handing over your own work feels like undressing in public.
  3. Praising a dead writer can be a way to tease the living.
  4. Offering to read something is a small, careful kindness.

People also search

Questions, then the lines
Are the letters Lee is selling real?

No. Lee is selling forgeries she wrote herself, which is why she answers 'You sure these are the real thing?' with a shrug instead of a straight answer.

Does Anna know the letters are fake?

No. Anna treats Lee as a genuine literary insider, which makes her praise land awkwardly: Lee knows the letters Anna admires are her own fakes.

Why does Anna tell Lee to write about herself?

Anna genuinely likes Lee's writing and thinks her life is worth a book. She wants Lee to stop hiding behind other people's letters and telling other people's stories.

Why does Lee say she just wants someone to feed her cat?

It's Lee deflecting Anna's talk of legacy. She's saying she doesn't care about being remembered after she dies — she just doesn't want to die alone and unmissed.