The Gentlemen · 2020 — 第 15 / 15 章 · 4'52" · C1

Mickey Threatens Matthew in the Freezer, Explained:a pound of flesh

A deal that started politely curdles into a reckoning. The buyer calls it "nothing personal"; the seller answers that business may be business, but there is a debt for blood, and for someone touching his wife there is only one price: "I want a pound of flesh."

あらすじ

The buyer offers a fair deal and says the money can be transferred within the hour. Michael is not interested in the price; he wants to know who started the trouble. A body in a freezer is brought in as evidence, and the friendly negotiation becomes an interrogation about betrayal.

InterrogationsThreatsThreateningConfrontingRivalsC1mediumbritish
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注目の表現

a pound of fleshBusiness is businessblood on my handslay hands on someone

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  1. ❝ 独白Mickey's reckoning speech24 行練習ページ ↗
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このシーンの表現

a pound of flesh

a harsh repayment

Mickey tells Matthew that money is not enough; touching his wife costs a pound of flesh.

The deal cost him a pound of flesh.

このシーンの他の表現

  • Business is business

    work is work

  • blood on my hands

    guilt for killing

  • lay hands on someone

    physically harm someone

  • have the stomach to

    have the nerve to

  • dressed for the weather

    dressed for the occasion

このシーンのメモ一覧

64 行のセリフに 34 件のメモ

表現 · B2within the hour

in less than an hour

My accountant can transfer the fee within the hour.
表現 · B2a domino analogy

a chain-reaction image

I like your domino analogy.
表現 · B2the first domino

the first cause

The question I ask is, who tumbled the first domino?
発音first domino

First domino links across t and d with almost no gap.

The question I ask is, who tumbled the first domino?
表現 · B1not my concern

not my problem

I'm afraid that's not my concern or my business, Michael.
表現 · C1at the risk of doing something

at the cost of disagreeing

At the risk of contradicting you, it is very much your business and certainly your concern.
文法 · B2it is very much your business

emphatic assertion: Very much adds emphasis: it is entirely your business.

At the risk of contradicting you, it is very much your business and certainly your concern.
表現 · A2make a mistake

commit an error

Only you made one mistake.
文法 · C1seem to have mistaken

perfect infinitive: Seem to have done marks a guess about something already done.

You seem to have mistaken me for some kind of a cunt.
スラング · C2Chinaman

an offensive old term for a Chinese man — Dated and offensive; never use it.

I take it, with that statement, you are in denial of so said relationship with this frozen Chinaman.
表現 · B2best not to do something

it is wiser not to

Best not to be glib at this time in the proceedings, Matthew.
表現 · B2find a home

settle somewhere

This is a fish market. They have found a home. To be clear, I do not know that man.
表現 · B2take over something

assume control of

So while you were discussing who would take over my business after you fucked it,
表現 · B2nothing personal

not meant as an insult

Business is business, Michael. It's nothing personal.
発音Business is

Business is is rushed, with is almost swallowed.

Business is business, Michael. It's nothing personal.
表現 · B2restore order

bring back control

restoring order to the untidiness that you created,
スラング · C1fuck about

waste time — Vulgar; for telling someone not to dawdle.

That said, I wouldn't fuck about because frostbite is very expensive on the fingers and toes.
表現 · B2as ... as possible

as fast as one can

Mickey urges Matthew to type fast while he still has working fingers.

so I would type as quickly as possible while you have the use of them. 19945
文法 · B2as quickly as possible

as ... as possible: As plus adverb plus as possible means do it to the greatest degree.

so I would type as quickly as possible while you have the use of them. 19945
表現 · B2the next consequence of something

the following result

Uh. After you've attended to that indiscretion, you can then deal with the next consequence of your shortsightedness. 199455
表現 · B2no amount of something

not even huge sums

No amount of money on God's green earth can pay for that transgression, Matt.
発音pound of

Pound of links into pound-of.

I want a pound of flesh.
表現 · C1it matters not to me

it is all the same to me

It matters not to me
表現 · B2adept with something

skilled with something

big Bunny here is very adept with a knife and, as you can see, he's dressed for the weather.
表現 · C1a penny short

slightly short of the sum

But a penny short or a gram shy.
発音does not open

Does not weakens and the t drops, almost does-no-open.

And that freezer door does not open.
表現 · B1am I clear

do you understand

Am I clear?
表現 · B2insurance policy

a safeguard

It's more interesting than that, your insurance policy.
表現 · C1skeletons in the closet

hidden secrets

All the photos, all the bodies, all the skeletons, all the filth.
スラング · C2mong

an offensive term for a fool — Offensive and dated; recognise it, never use it.

It's not the only one, darling. I'm not a mong.
スラング · B2eejit

idiot — Irish slang for idiot; casual and friendly.

What do you think's in that, you fucking eejit?
表現 · B2be up to something

be doing secretly

Of course we were aware of what Matthew was up to.
表現 · C1be onto someone

have you figured out

I've been onto you for a long time, Fletcher.
文法 · C1They're very similar, our jobs

right dislocation: The subject our jobs is moved to the end for emphasis in speech.

They're very similar, our jobs.

「Mickey Threatens Matthew in the Freezer」を読み解く

What's really going on

This is the scene where the polite business meeting drops its mask. Michael opens by accepting the logic of the deal, then turns it around — "I like your domino analogy. The question I ask is, who tumbled the first domino?" — because the price is not the issue; the betrayal is. The frozen body is a prop, and the buyer's attempt to wave it away as "a tad dramatic" only confirms that he is lying. When Michael says he is "not emotional about the money" but is emotional about someone touching his wife, the negotiation is over. What remains is a sentence: "I want a pound of flesh." The rest of the sequence is one long act of control, as he sets the terms, names the penalty for being a penny short, and hands the actual violence to someone who is "adept with a knife."

Theme

PowerMichael ends the negotiation by setting every term: the debt, the deadline, the punishment, and who will carry it out. The money was never the point.
BetrayalThe meeting is about who betrayed whom: a body in a freezer and a price for blood matter more than any offer, because someone touched his wife.

このチャプターで学べること

  • Mickey prices revenge like a contract term.
  • The politest lines carry the crudest threats.
  • Business talk is used to justify betrayal.
  • Raymond's reveal turns the film into his own trap.

発音のポイント

  • first domino — First domino links across t and d with almost no gap.
  • Business is — Business is is rushed, with is almost swallowed.
  • pound of — Pound of links into pound-of.
  • does not open — Does not weakens and the t drops, almost does-no-open.
I want a pound of flesh.

The demand, borrowed from Shakespeare: not money but a literal, painful repayment. It turns the wife's mistreatment into a debt that can only be paid in blood.

You seem to have mistaken me for some kind of a cunt.

The blunt line that ends the polite phase: he accuses the buyer of assuming he can be cheated, and from here the meeting has no way back.

Business is business, Michael. It's nothing personal.

The buyer's defense, used to justify betrayal as normal practice. Michael repeats the logic back at him and rejects the excuse, because for him it was personal.

But I am emotional about the fact that someone laid their hands on my wife.

The real grievance under the money talk: the business can be bargained over, but touching his wife is the line that triggers the pound of flesh.

このシーンについての質問

Why does Michael ask who tumbled the first domino?

Because the price is not the issue. He wants the person to admit who started the trouble, turning the buyer's own analogy back on him as a demand for accountability.

What does "a pound of flesh" mean?

It comes from Shakespeare's The Merchant of Venice and means a debt repaid in blood — a demand for painful, exact payment rather than money.

What is the frozen body for?

It is evidence. Michael introduces it as the first domino to prove the buyer was involved with someone he now denies knowing, exposing the lie in the negotiation.

Why does the buyer say 'it's nothing personal'?

He is trying to separate business from the betrayal, as if cheating a partner were just normal practice. Michael rejects the excuse and makes it plainly personal.

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