The Gentlemen · 2020 — 第 14 / 15 章 · 4'02" · C1

The Pig Film Blackmail, Explained:blood sport

Big Dave wakes up after a drugged night to find he has been filmed with a farmyard pig. His captor is all courtesy — "You're in safe hands now" — and explains that to keep the clip off the internet, he only has to lose interest in Mickey Pearson's future.

あらすじ

The chapter has two fronts. In one, an editor and Hammy discuss a hot tip from Fletcher, worth a week's exclusive, with the warning that Fletcher's loyalty goes to the highest bidder. In the other, Big Dave is blackmailed: after a drugged night he is told he made a film with a pig, and that the only way to keep it offline is to drop all interest in Mickey Pearson.

ThreatsInterrogationsThreateningPersuadingRivalsC1fastbritish
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注目の表現

blood sporttickling me nutsin short orderin due course

00:00 / 04:02
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  1. ❝ 独白Mickey's film-business speech16 行練習ページ ↗
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このシーンの表現

blood sport

a ruthless hunt

Big Dave describes his tabloid not as news but as a ruthless hunt.

Politics has become a blood sport.

このシーンの他の表現

  • tickling me nuts

    teasing me

  • in short order

    very quickly

  • in due course

    at the proper time

  • in safe hands

    well looked after

  • spunk bubble

    a stupid idiot

このシーンのメモ一覧

69 行のセリフに 37 件のメモ

表現 · B1keep something between you and me

just between us

Now you keep this between you and me, Hammy.
表現 · B1be in touch

have made contact

but Fletcher's been in touch. He says he's got what we need.
文法 · B2what we need

noun clause: The clause what we need works as the object of got.

but Fletcher's been in touch. He says he's got what we need.
スラング · C1tickling me nuts

teasing me — Crude and very casual; friends only.

表現 · B1keep a slot free

leave it open

So keep it free.
表現 · B1pronto

right away

Yeah, pronto.
スラング · B1pronto

right away — Casual borrowed word for hurry up.

Yeah, pronto.
表現 · A2park somewhere

park in that spot

Oi, you can't park there, mate. Move the van.
発音park there

Park there links across the k and th with almost no gap.

Oi, you can't park there, mate. Move the van.
表現 · A2in a minute

very soon

Don't worry, friend. We'll be gone in a minute.
発音not a newspaper

Not a links into no-ta, then newspaper takes the stress.

We're not a newspaper. We're a blood sport.
表現 · B1be on it

handling it

I'm on it, boss.
スラング · C2spunk bubble

a stupid idiot — Crude British slang; never in polite speech.

I said in a minute. Oi, spunk bubble.
表現 · B1get rid of something

dispose of

Get rid of the fucking van.
発音rid of the

Rid of the runs together as one blurred unit.

Get rid of the fucking van.
表現 · A2get in the car

enter the car

Get in the car now.
スラング · B2melt

an idiot — Mild British slang for a fool; casual only.

You melt.
表現 · A2in the back of something

at the rear of

We know all that. Why don't you tell us all about it in the back of the van?
表現 · A2get back to work

return to work

I just need to get back to work.
表現 · A2let someone go

release someone

If you let me go, I'll just forget all about it.
表現 · B1forget all about something

drop the whole thing

If you let me go, I'll just forget all about it.
表現 · B2for this brief moment

for this short while

Now it seems, for this brief moment in time...
表現 · B2find one's way into something

ended up in

I've found my way into the film business.
表現 · A2give someone a minute

give us a moment

All right, lads. Go on, give us a minute.
表現 · B1over one's shoulder

behind you

There are some wet wipes there over your shoulder.
文法 · A2you're gonna press

going to future: Gonna is the spoken form of going to for future plans.

発音participation in

The word in weakens to n and attaches to participation.

and you're gonna witness your participation in said film.
表現 · B1a little drug

a small dose

Now, that little drug we gave you last night really
表現 · B2loosen someone up

relaxed someone

loosened up your inhibitions, man.
表現 · B2a social media sensation

an online hit

文法 · B2to stop this little creative expression 19 from becoming

stop from doing: Stop A from doing B means prevent A from turning into B.

表現 · B1lose interest in something

stop caring about

is lose any interest you have in the future of Mickey Pearson.
文法 · B2you have in the future of

relative clause: You have is a relative clause with that omitted, describing the interest.

is lose any interest you have in the future of Mickey Pearson.
表現 · B1clean oneself up

tidy oneself up

I'm gonna leave you now to clean yourself up.
表現 · A2have a hot drink

drink something hot

Space bar, yeah. Have a hot drink as well.
表現 · A2a little bit

a little

It might make you feel a little bit better.
表現 · A2enjoy the show

enjoy watching

Enjoy the show.

「The Pig Film Blackmail」を読み解く

What's really going on

The scene's cruelty is that it never raises its voice. Big Dave is not threatened with violence; he is offered tea, clean clothes, and reassurance — "You're in safe hands now" — while being shown exactly how ruined he is. The film-with-a-pig is the weapon, and the negotiation is polite: press the space bar, watch what you did, and "lose any interest you have in the future of Mickey Pearson." Everything is framed as a favour, from the wet wipes to the hot drink, which is what makes it work. The earlier talk about Fletcher adds a second theme: in this business, allegiance is for sale — "Fletcher's ass belongs to the highest bidder" — and the press are not reporters but a "blood sport."

Theme

PowerThe blackmail turns courtesy into a weapon: Big Dave is trapped not by force but by his own filmed humiliation.
DeceptionEverything is arranged as kindness — safe hands, tea, hot drinks — while the real message is a threat to bury someone with a clip.

このチャプターで学べること

  • Mickey calls a kidnapping a safe pair of hands.
  • The kindest words in the scene are the threat.
  • Street slang and legal tone sit side by side.
  • The pig film turns revenge into a screening.

発音のポイント

  • park there — Park there links across the k and th with almost no gap.
  • not a newspaper — Not a links into no-ta, then newspaper takes the stress.
  • rid of the — Rid of the runs together as one blurred unit.
  • participation in — The word in weakens to n and attaches to participation.
We're not a newspaper. We're a blood sport.

A blunt description of tabloid journalism: not reporting but a hunting business, where people are prey and stories are the kill.

The only thing you'll need to do to stop this little creative expression 19 from becoming a social media sensation

The condition of the blackmail, dressed as a small favour: keep the clip offline simply by giving up any interest in Mickey's business.

I'll have you back to work in short order, my friend.

Another reassurance that doubles as a threat: the speaker promises a quick return to normal life, on his terms.

Sorry, boss. I'm only a blue belt.

The joke that defuses the earlier standoff: the man who was said to 'do karate' admits he has not earned the rank to actually fight.

このシーンについての質問

What did Big Dave do the night before?

He was drugged and, while under its influence, filmed in a sex scene with a farmyard pig. The next morning he is shown this footage as leverage.

What is the blackmailer's demand?

Big Dave must give up any interest in Mickey Pearson's future. If he does, the clip stays private; if not, it becomes a social media sensation.

Why is everyone so polite to Big Dave?

Because politeness does the threatening for them. Being offered tea, clean clothes and a hot drink while being told your life is over feels more controlled — and more frightening.

Why is Fletcher described as belonging to 'the highest bidder'?

Because his loyalty is for sale — he will work for whoever pays the most. The line warns the boss not to trust the reporter's information.

Is the pig actually shown in the film?

The blackmail depends on the idea of it more than the image. Big Dave is told he fabricated the scene and can press the space bar to watch it himself, which is the real cruelty.

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