Sunset Boulevard · 1950 — 第 13 / 19 章 · 4'07" · B1

Norma Desmond Returns to Paramount, Explained:give someone the brush

Norma Desmond drives onto the Paramount lot expecting a hero's welcome, and the studio does not even recognize her name. She insists she built the place, while DeMille's staff plot to 'give her the brush.' What she wants is respect; what she gets is a chair and a polite promise to make a call.

あらすじ

Norma Desmond and Joe Gillis arrive at Paramount to see Cecil B. DeMille about her script. At the gate she is met with 'Norma who?', and only her old acquaintance Jonesy lets the car through. On the set, DeMille is rehearsing; his aide offers to turn her away, but DeMille invites her in and promises to look into it.

Talking to the bossPersuasionComplainingConfrontingB1mediumamericanClean
IMDb ↗

注目の表現

give someone the brushtied upa terror to work withmake yourself comfortable

00:00 / 04:07
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このシーンの表現

give someone the brush

brush someone off

Someone in the studio suggests they can politely brush Norma off.

It is rude to give a guest the brush.

このシーンの他の表現

  • tied up

    busy, unable to leave

  • a terror to work with

    very hard to work with

  • make yourself comfortable

    relax, feel at home

  • the lot

    a studio's grounds

  • play innocent

    pretend to know nothing

このシーンのメモ一覧

66 行のセリフに 24 件のメモ

表現 · A2have an appointment

have a scheduled meeting

Mr. DeMille is shooting. You got an appointment?
表現 · B1if it isn't someone

well, look who it is

Why, if it isn't Miss Desmond.
スラング · B1Mac

buddy, mate — Old casual address for a man; dated today.

Sure, Miss Desmond. Come on, Mac.
文法 · B2wouldn't have

counterfactual would: Without me sets up a condition, and wouldn't have states the opposite of the truth.

Tell him without me, he wouldn't have any job, because without me, there wouldn't be any Paramount Studio.
発音without me

Link without and me; the t softens.

Tell him without me, he wouldn't have any job, because without me, there wouldn't be any Paramount Studio.
表現 · B1clear someone out

move people away

Just clear them out, will you? Spread the thing out so I can see it.
表現 · A2keep it quiet

stay quiet

Keep it quiet a little bit, will you, back there?
表現 · A2get a look at something

take a look at

Can you hit that with a light, somebody, so I can get a look at that 'scape?
スラング · B1girlie

a condescending word for a girl — Condescending to women; do not imitate it.

Back up a little bit here, girlie, back up.
表現 · A2get out of the way

move aside

Soldier, get out of the way. You fell over the back there.
発音given her the brush

In fast speech her loses its h after given.

Thirty million fans have given her the brush. Isn't that enough?
表現 · B1not mean to do something

did not intend to

- I didn't mean to... - No, of course you didn't.
表現 · B1work overtime

work extra hours

You know, a dozen press agents working overtime can do terrible things to the human spirit.
表現 · B1hold everything

stop everything

Hold everything.
表現 · A2come along

come with us

- Don't you want to come along, darling? - I don't think so.
表現 · B1the last time I saw someone

when I last saw you

That last time I saw you was some place very gay.
表現 · B1apologize for something

say sorry for

- I must apologize for not calling you. - You'd better. I'm very angry.
表現 · B1be terribly busy

extremely busy

Well, as you can see, I'm terribly busy.
表現 · B1that's no excuse

not a good reason

That's no excuse. You read the script, of course?
文法 · B2could have picked up

could have done: Could have done points at something possible in the past that was not done.

Then you could have picked up the telephone yourself, instead of leaving it to one of your assistants.
表現 · B1in the middle of something

busy doing something

Norma, I'm in the middle of a rehearsal.
文法 · A2why don't you

why don't you suggestion: Why don't you softens a suggestion so it sounds like an invitation.

Now, why don't you just sit up here in my chair and make yourself comfortable?
発音make yourself

Link make and yourself into one run.

Now, why don't you just sit up here in my chair and make yourself comfortable?
表現 · B1won't be a moment

will be right back

I won't be a moment.

「Norma Desmond Returns to Paramount」を読み解く

What's really going on

This is a homecoming that turns into an audit of fame. Norma believes her name still opens doors, but the studio greets her with 'Norma who?', and even a sympathetic doorman has to remind a colleague who she was. Her boast that 'without me, there wouldn't be any Paramount Studio' is not vanity so much as evidence: she has become a monument to a past the business has written off. DeMille, who remembers her kindly, jokes that 'she must be a million years old,' then catches himself: 'I could be her father.' When his aide proposes to 'give her the brush,' DeMille answers with the line that says everything — 'Thirty million fans have given her the brush. Isn't that enough?' The scene is about what a legend is owed when no one remembers who she is.

Theme

MemoryNorma returns to the studio she once ruled, now a stranger to the front gate and a joke on the set.
IdentityHer whole argument for respect is the past: 'without me, there wouldn't be any Paramount Studio.'

このチャプターで学べること

  • A gate is where status gets checked in one line.
  • Thirty million fans are not a reference letter.
  • DeMille's charm is a way of stalling.
  • Norma still hears applause nobody else hears.

発音のポイント

  • without me — Link without and me; the t softens.
  • given her the brush — In fast speech her loses its h after given.
  • make yourself — Link make and yourself into one run.
Tell him without me, he wouldn't have any job, because without me, there wouldn't be any Paramount Studio.

Norma's reminder that the studio owes its existence to her; part boast, part plea to be taken seriously.

I hate to think where that puts me. I could be her father.

DeMille jokes about his own age after someone calls Norma ancient, softening the insult with self-deprecation.

Thirty million fans have given her the brush. Isn't that enough?

His answer to the aide's plan: the public already abandoned her, so should the studio too? It carries both pity and reproach.

You know, a dozen press agents working overtime can do terrible things to the human spirit.

DeMille's explanation for why Norma became difficult: constant publicity can damage a person inside, not just her ego.

It's your script. It's your show. Good luck.

Said to Norma as she goes in: her project, her risk, her moment — encouragement with a hint of distance.

I remember waving to you. I was dancing on a table.

Norma's fond memory of a carefree past, when the studio crowd knew and celebrated her.

このシーンについての質問

Why does the gate guard ask 'Norma who?'

She has been away so long that the younger staff does not know her. Her name, once a password at every studio, now means nothing at the front gate.

Why does DeMille agree to see Norma?

He remembers her fondly and feels the studio owes her something. When his aide offers to turn her away, he instead gives her his chair and says he will look into the script.

Why is Norma angry with DeMille?

She believes he snubbed her by sending an assistant named Gordon Cole instead of calling her himself. DeMille does not even know who Cole is, which makes her more suspicious.

What does 'give someone the brush' mean here?

It means to dismiss or brush someone off politely. The aide proposes to 'give her the brush,' and DeMille answers that thirty million fans have already done exactly that.

Why does DeMille joke that he could be Norma's father?

Someone on set calls Norma a million years old, so he turns the joke on himself and his equally old career. He is easing the awkwardness, not insulting her.

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