His Girl Friday · 1940 — 第 16 / 18 章 · 5'03" · B2

Walter Double-Crosses Bensinger, Explained:kid gloves

The paper needs a hero, so Walter flatters rival reporter Bensinger, promises him a job and a byline — then orders his staff to toss him out once the extra is printed. Meanwhile Hildy's wedding keeps slipping away: "I'd be on that train right now. I'm a sap, falling for your line."

あらすじ

With Earl still hidden in the desk, Hildy types the escape exclusive and Walter edits over her shoulder. The Tribune's Bensinger arrives for his desk, so Walter charms him about his poetry and offers him a job — a ruse to get him out of the room. Then Louie returns with news that Mrs. Baldwin has been killed.

Office chatJob interviewPersuadingConfessingSpousesB2fastamericanClean
IMDb ↗

注目の表現

better senseon the contrarypoint of viewkid gloves

00:00 / 05:03
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Walter's scheme4 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

kid gloves

treat very gently

Walter tells his men to handle Bensinger very gently and indulge his poetry.

Handle the new client with kid gloves, she's easily offended.

このシーンの他の表現

  • better sense

    good judgment

  • on the contrary

    quite the opposite

  • point of view

    perspective

  • run smack into

    crash right into

  • Search me

    I have no idea

このシーンのメモ一覧

113 行のセリフに 33 件のメモ

表現 · B2sitting pretty

in a safe spot

- Not very much. - That better? You're sitting pretty.
発音sitting pretty

The t's in sitting flap toward d in American speech.

- Not very much. - That better? You're sitting pretty.
表現 · B1how's it coming

how is it going

- How's it coming? - All right. Where's Bruce?
表現 · A2so far

up to now

Certainly. Didn't you hear him? What have you got so far?
文法 · B1Aren't you going to

negative question: A negative question signals surprise or reproach.

Wait a minute. Aren't you going to mention the Post?
文法 · B2have I been telling

present perfect continuous: The continuous perfect stresses a repeated action up to now.

How long have I been telling you how to write a story?
表現 · B2have better sense

good judgment

Finding the door locked, the man outside scolds them for not knowing better.

Haven't you any better sense...?
表現 · B2on the contrary

quite the opposite

Bensinger fears Duffy said something bad, and Walter insists it was quite the opposite.

On the contrary. On the contrary.
表現 · B1care for something

like

Did you care for the poem, Mr. Burns?
表現 · A2work for someone

be employed by someone

Would you like to work for me?
スラング · C1lowbrows

uncultured people — Snobbish and insulting; avoid.

All we got are lowbrows like Johnson here.
表現 · B1from the point of view of

perspective

Walter assigns the new reporter to write the story from the fugitive's own perspective.

Roy, write me a story from the point of view of the escaped man.
表現 · B2close in

moving nearer

He hears footsteps, they're closing in.
表現 · C1at bay

cornered

- Get the sense of the animal at bay. - Sort of Jack London style?
文法 · B1If there's an opening

first conditional: The if-clause sets a condition, with the request left implied.

If there's an opening for a war correspondent...
表現 · B1keep someone in mind

remember someone

- I'll keep you in mind. - Au revoir, mon capitain.
表現 · B2handle with kid gloves

treat very gently

Walter tells his men to handle Bensinger very gently and indulge his poetry.

Handle him with kid gloves. Have him write poetry.
表現 · B1in that case

if so

In that case, he's gone by now.
文法 · B2like a frozen robin

simile: The like-phrase compares her to a frozen bird.

Don't sit there like a frozen robin. Get on with the story.
スラング · B2sap

a fool — Self-mocking or insulting; informal.

I'd be on that train right now. I'm a sap, falling for your line.
発音What's the

What's the blurs into one quick sound.

- What's the matter? - Where's Mrs. Baldwin?
表現 · B2run smack into something

crash right into

Louie reports that the car ran straight into a police patrol and wrecked it.

We run smack into a police patrol. Busted it in half.
表現 · B2search me

I have no idea

When Hildy demands what happened to the woman, Louie says he has no idea.

- What did you do with her? - Search me, when I come to...
スラング · B2Search me

no idea — Casual; too loose for formal talk.

- What did you do with her? - Search me, when I come to...
表現 · B2knock someone cold

knocked unconscious

- The driver got knocked cold. - Butterfingers!
スラング · B2Butterfingers

a clumsy person — A teasing label for a clumsy person.

- The driver got knocked cold. - Butterfingers!
発音what I

Link what and I, with the t flapping.

She's not squawking much. Know what I mean?
スラング · C1squawking

complaining loudly — Casual; noisy complaining or informing.

She's not squawking much. Know what I mean?
文法 · C1Would you rather have had

past preference: Would rather have done expresses a preference about the past.

Would you rather have had the old dame drag the police in here?
スラング · C1old dame

an old woman, dismissive — Dismissive and rude; not polite.

Would you rather have had the old dame drag the police in here?
表現 · B1for the paper

for the newspaper

- You know I would, for the paper. - Louie, where'd it happen?
表現 · A2get out of somewhere

leave this place

- I got to get out of here... - We can do more here. Be calm.
発音out of

Link out and of so it sounds like ou-dov.

- I got to get out of here... - We can do more here. Be calm.

「Walter Double-Crosses Bensinger」を読み解く

What's really going on

The scene is a masterclass in how the paper eats everyone around it. Walter audits every line of Hildy's copy — 'Who reads the second paragraph?' — and then pivots instantly to the real business of the night: flattering Bensinger, promising him a job the paper has no intention of honoring, and ordering his staff to dump the poet once the extra has gone to press. The double-cross is played as comedy, and it works because Bensinger wants it to. The joke curdles when Louie brings the crash: Mrs. Baldwin is dead, and Hildy says, "I killed her. I'm responsible." Walter's answer, that he'd carry on even for his own grandmother, is the film's clearest statement of what the job costs — and Hildy's clearest invitation to finally walk away.

Theme

MoneyWalter buys a rival with a promised salary and a byline, then reneges the moment the edition is safe — people here are hired and fired by the hour.
GuiltHildy blames herself for Mrs. Baldwin's death, and Walter's only response is to keep her at the typewriter, turning guilt into another deadline.

このチャプターで学べること

  • A byline and a promise are enough to buy a rival.
  • Louie's vague report hides more than it tells.
  • Hildy's guilt is met with cold comfort.
  • The newsroom treats people as tools.

発音のポイント

  • sitting pretty — The t's in sitting flap toward d in American speech.
  • What's the — What's the blurs into one quick sound.
  • what I — Link what and I, with the t flapping.
  • out of — Link out and of so it sounds like ou-dov.
If he loves you, you won't have to tell him anything.

The consolation offered to Hildy about Bruce: if the love is real, it should survive the wreck of her plans without explanation. It's comfort and a dodge at once.

I killed her. I'm responsible.

Hildy's reaction to Mrs. Baldwin's death. She takes the blame for a scheme Walter built, and the line is the moral centre of the sequence.

How you have messed up my life. What am I going to do?

Hildy's outburst at Walter as her wedding, her plans and now a death pile up — the one moment she says the whole cost out loud.

Say his poetry smells and kick him downstairs.

Walter's instruction after pretending to hire Bensinger: flatter, use, then discard. It's the film's funniest and coldest one-line summary of his methods.

I'd be on that train right now. I'm a sap, falling for your line.

Hildy realizing she has been hooked again. 'Sap' and 'line' frame her as a mark in Walter's con, and she knows it.

このシーンについての質問

Why does Walter pretend to hire Bensinger?

He needs Bensinger out of the room so Hildy's exclusive can go to press first. The job offer, the raise and the byline are all bait, withdrawn once the extra is out.

Why is Hildy writing the story if she wants to quit?

Walter keeps pulling her back with each crisis, and the bigger story — a manhunt and a capture — is hard for a reporter to walk away from. She finishes the piece, then still misses her train.

What happened to Mrs. Baldwin?

Louie was driving her away when his cab hit a police patrol and was cut in half. The driver was knocked out and she was taken to a hospital, where Louie thinks she may have died.

How does Walter react to Mrs. Baldwin's death?

He refuses to let it stop the paper. He tells Hildy he'd carry on even if it were his own grandmother, then sends her back to the typewriter for the extra.

Does Hildy actually leave Walter at the end of this scene?

Not here. She talks about getting on the train and tells Walter she won't go back to work, but the news of Mrs. Baldwin and the pressure of the story keep her in the room.

ヒズ・ガール・フライデー · 全 18 章

すべて見る →
第 16 / 18 章 · 残り約 9 分