His Girl Friday · 1940 — 第 8 / 18 章 · 2'32" · B2

Mollie Rounds on the Reporters, Explained:make a fool out of someone

Mollie Malloy storms the press room to make the reporters hear her: she never loved Earl Williams, never agreed to marry him on the gallows, and only met him once. "He never once laid a hand on me," she insists, while the men keep playing cards.

あらすじ

On the night before Earl Williams is to hang, his supposed girlfriend Mollie Malloy walks into the courthouse press room and confronts the reporters she says invented their romance. She tells them she met Williams only once, took him in out of the rain, and that he talked all night and never touched her.

AccusationsArgumentsConfrontingThreateningB2fastamerican
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注目の表現

tear your face opena swell storymake a fool out of someoneon the job

00:00 / 02:32
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いま
  1. ❝ 独白Mollie's account of that night4 行練習ページ ↗
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このシーンの表現

make a fool out of someone

humiliate or deceive someone

Mollie tells the whole room she is done being played for a fool by their stories.

They keep making a fool out of me at every meeting.

このシーンの他の表現

  • tear your face open

    threaten to claw someone

  • a swell story

    sarcasm about the story

  • on the job

    employed, at work

  • lay a hand on someone

    to hit or touch someone

  • it's a wonder

    it is surprising that

このシーンのメモ一覧

52 行のセリフに 24 件のメモ

表現 · B1how's tricks

how are things

- Miss Mollie Malloy. - Hello, Mollie. How's tricks?
発音How's tricks

How's tricks runs together as one quick phrase.

- Miss Mollie Malloy. - Hello, Mollie. How's tricks?
表現 · B1pay a call on someone

visit someone

- I've been looking for you tramps. - Come to pay a call on Williams?
スラング · B1wise guys

smart alecks — A mocking label for people acting clever; keep it casual.

A lot of wise guys, ain't you?
表現 · B1break up a game

interrupt the game

You're breaking up the game. What do you want?
表現 · B1keep your shirt on

calm down

Keep your shirt on.
文法 · B2If you was

unreal conditional: An unreal conditional; the standard form would be if you were, but Mollie says if you was.

If you was worth breaking my nails on, I'd tear your face open.
表現 · B1make a fool out of someone

humiliate or deceive someone

Mollie tells the whole room she is done being played for a fool by their stories.

You crumbs have been making a fool out of me long enough.
スラング · B1crumbs

worthless people — A contemptuous insult; not for polite company.

You crumbs have been making a fool out of me long enough.
文法 · B1since they threw him

time clause: Since marks the starting point of an action that continues into the present perfect.

You've been around that cuckoo since they threw him in the death house.
スラング · B1cuckoo

crazy person — Slang for someone unstable; offensive if said to a face.

You've been around that cuckoo since they threw him in the death house.
表現 · A2the day before something

on the eve of something

...like a sick dog, the day before the shooting.
表現 · B1be on the job

employed, at work

Mollie recalls Earl's story of being fired after fourteen years on the job.

He told me about being fired after being on the job for 14 years.
表現 · A2bring someone up to a place

take someone upstairs

I brought him up to my room because it was warm.
表現 · B1lay a hand on someone

to hit or touch someone

Mollie defends Earl, insisting he never touched her that night, denying the scandal.

He never once laid a hand on me.
表現 · B1treat someone decently

treat someone well

Because Earl treated me decent, and not like an animal.
表現 · B2strike someone dead

kill someone with a blow

It's a wonder lightning don't come down and strike you all dead.
発音don't come down

The t in don't often drops before come down.

It's a wonder lightning don't come down and strike you all dead.
表現 · B2mean someone no harm

intend no harm

A poor little fellow that never meant nobody no harm.
文法 · B2that never meant nobody no harm

relative clause; double negative: A relative clause modifies fellow, and the double negative nobody no harm simply means no harm.

A poor little fellow that never meant nobody no harm.
表現 · B1crack jokes

tell jokes

Sitting with the angel of death, and you cracking jokes.
発音angel of death

Link angel of and weaken of to a schwa.

Sitting with the angel of death, and you cracking jokes.
スラング · A2ain't

are not — Nonstandard speech; avoid it in writing.

They ain't human.
表現 · B1write lies

print lies

All they're doing is writing lies.

「Mollie Rounds on the Reporters」を読み解く

What's really going on

The comedy is that Mollie is the only person in the room telling the truth, and nobody wants to hear it. The reporters need a story, not a fact: a woman who loved a condemned man sells papers, and so they wrote the love nest, the soul mate, the gallows wedding. When she says "He never once laid a hand on me," she is pleading her own respectability, but to the press room it is only a duller version of the story they already ran. Their reply, "Everybody knows you're his girlfriend," shows the machine cannot be argued with. Her curse — that lightning should strike them all dead — is the one language they understand, and even that becomes a joke. What she wants is to be believed; what they want is the next edition.

Theme

LiesReporters turn Mollie's one kind night into a love story, and when she denies it they simply print the romance anyway.
JusticeA woman who showed a condemned man ordinary decency is punished by the press that decides what her story means.

このチャプターで学べること

  • A pun on a pain in the neck hides the gallows.
  • Mollie's calm retelling is her strongest defence.
  • The reporters deflect every charge with a joke.
  • Her parting wish for lightning is fury, not faith.

発音のポイント

  • How's tricks — How's tricks runs together as one quick phrase.
  • don't come down — The t in don't often drops before come down.
  • angel of death — Link angel of and weaken of to a schwa.
Sitting with the angel of death, and you cracking jokes.

Mollie says the men are joking while a man waits to die beside them; she names their cruelty as the execution approaches.

It's a wonder lightning don't come down and strike you all dead.

Her curse on the reporters: she thinks their lying deserves punishment from above, and only thunder would be fair.

You crumbs have been making a fool out of me long enough.

Mollie's accusation that the reporters have used her for a story and made her look foolish; crumbs is contemptuous for worthless men.

He never once laid a hand on me.

She defends her honor: Earl only talked with her all night and never touched her, despite what the newspapers printed.

Because Earl treated me decent, and not like an animal.

The reason she helped him: he was the one man who treated her with ordinary respect, which is why she now defends him.

このシーンについての質問

Why do the reporters keep taunting Mollie if they know they lied?

Because her denial is still usable copy. A girlfriend who says she hardly knew Earl is a smaller story than a girlfriend who loved him, so they mock her to keep the printed version alive and avoid admitting the paper made it up.

Is Mollie Malloy Earl Williams's girlfriend?

No. She says she met him once, the day before the shooting, when he was wandering in the rain. She took him home because it was warm, and he spent the night talking and left in the morning.

What does 'a pain in the neck' mean when the reporter says it here?

It is a dark joke. The phrase usually means a nuisance, but the reporter is using it for the gallows being prepared for Earl — the pain he will soon be in.

Why does Mollie curse the reporters with lightning?

She has run out of arguments. They will not believe her, they joke while a man waits to hang, so she calls on something above them to punish the cruelty she cannot.

Who is the 'boyfriend' the reporters keep mentioning?

Earl Williams, the condemned man the press room is waiting to see hanged. The reporters call him Mollie's boyfriend after their paper ran the invented romance between them.

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