His Girl Friday · 1940 — 第 1 / 18 章 · 5'02" · B2

Hildy Tells Walter She's Remarrying, Explained:gum up the works

Walter is mid-crisis over a death-row reprieve, but Hildy has come to say she's quitting the paper and marrying Bruce. Their talk keeps sliding back to the marriage neither has let go of. "We've got something between us nothing can change," Walter insists, while Hildy answers that she only asked for the divorce because she remembered the proposal too well.

あらすじ

Hildy Johnson returns to the Morning Post newsroom, where her ex-husband Walter Burns is running the paper and a political fight over Earl Williams's reprieve at the same time. She has brought her new fiancé, Bruce, and means to tell Walter she's leaving for good. Walter, as ever, is already scheming to keep her.

Office chatMarriage troubleTeasingConfrontingSpousesB2fastamericanClean
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注目の表現

make it snappyblow my own hornmake a sucker out of someonedouble-cross

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このシーンの表現

gum up the works

ruin the plan

Hildy asks why Walter promised not to fight the divorce and then sabotaged it anyway.

One late approval can gum up the works for everyone.

このシーンの他の表現

  • make it snappy

    be quick

  • blow my own horn

    announce oneself

  • make a sucker out of someone

    fool someone

  • double-cross

    betray

このシーンのメモ一覧

99 行のセリフに 24 件のメモ

表現 · A2the rest of something

what is left

- Make it snappy. - Where's the rest of this story?
表現 · A2just a moment

a short wait

City desk? Just a moment and I'll connect you.
表現 · A2be down at a place

at that place

If anybody asks for me, I'm down at the courthouse.
表現 · A2be back in + time

return soon

Bruce, wait here. I'll be back in ten minutes.
発音minutes is

Link minutes and is so they sound like one word.

Even ten minutes is a long time to be away from you.
表現 · B1go in to see someone

enter to meet someone

The man I'm going in to see did little spoiling.
文法 · B2I'm going in to see

relative clause: The clause describes the man without that, changing who the sentence is about.

The man I'm going in to see did little spoiling.
表現 · B1handle it

manage it

- I can handle it. - Lf it gets rough, I'm here.
表現 · A2not ... no more

not any longer

I ain't doing that no more. I'm retired. You know what I mean?
発音ain't doing

The t in ain't often drops, so it runs into doing.

I ain't doing that no more. I'm retired. You know what I mean?
スラング · A2ain't

am not — Nonstandard spoken form; keep it out of writing.

I ain't doing that no more. I'm retired. You know what I mean?
表現 · B2make a sucker out of someone

fool someone

With the reprieve unsigned, Walter fumes that the paper will be made a fool of.

Tomorrow, Earl Williams dies and makes a sucker out of us.
発音out of us

Out of us runs together, with of reduced to a schwa.

Tomorrow, Earl Williams dies and makes a sucker out of us.
スラング · B1sucker

a fool — Casual and a bit insulting; not to someone's face.

Tomorrow, Earl Williams dies and makes a sucker out of us.
表現 · B1simplify it

make it easier

That simplifies it, doesn't it?
文法 · B1We've been

present perfect: The present perfect stresses a state that started in the past and still holds.

We've been a Democratic paper for over 20 years.
表現 · B2double-cross someone

betray someone

First time I double-crossed a governor. What can I do for you?
文法 · B2If I didn't remember it, I wouldn't have divorced you

counterfactual conditional: A past counterfactual: she did remember, so the divorce is not explained by forgetting.

If I didn't remember it, I wouldn't have divorced you.
表現 · B1something between us

a shared bond

We've got something between us nothing can change.
スラング · B2Thattagirl

that's my girl — An older man's fond praise for a girl; dated but warm.

- I am fond of you, you know. - Thattagirl!
スラング · B2stinker

a nasty person — A playful insult among friends; too rude for formal talk.

I often wish you weren't such a stinker.
表現 · B2gum up the works

ruin the plan

Hildy asks why Walter promised not to fight the divorce and then sabotaged it anyway.

Then why'd you promise not to fight the divorce and then gum up the works?
表現 · B1not to brag, but ...

without boasting

Not to brag, but I've still got the dimple, and in the same place.
表現 · B1break up a home

split a family

I acted like any husband who didn't want to see his home broken up.

「Hildy Tells Walter She's Remarrying」を読み解く

What's really going on

On the surface this is a catch-up between old colleagues, but the newsroom's fast-talking comedy is doing two jobs. One is the political deal Walter is cutting over a condemned man's reprieve, which tells us what kind of operator he is. The other is the real subject: Hildy can say she is done with the paper and with him, yet the whole scene undercuts it. "I jumped out of that window a long time ago, Walter," she says, and then spends the rest of the visit refighting their marriage. Walter works the same angle, needling her about the divorce and admitting he tried to delay it: the man who claims he is just being a husband plays the conversation like a front page.

Theme

MarriageHildy came to end things, yet she and Walter trade the old intimacy like a habit, arguing over a divorce neither of them has really accepted.
PowerWalter runs the room, the paper and the governor's reprieve the same way — by steering people, and he turns that skill on Hildy to keep her.

このチャプターで学べること

  • A newsroom joke can carry the whole plot's pressure.
  • The old marriage is replayed as banter, not argument.
  • Walter's charm works by dodging every straight question.
  • Bruce waits outside while the past walks back in.

発音のポイント

  • minutes is — Link minutes and is so they sound like one word.
  • ain't doing — The t in ain't often drops, so it runs into doing.
  • out of us — Out of us runs together, with of reduced to a schwa.
Even ten minutes is a long time to be away from you.

Bruce's sweet, earnest line to Hildy as she leaves him waiting — the kind of sincere compliment this fast-talking world will spend the rest of the scene undercutting.

If I didn't remember it, I wouldn't have divorced you.

Hildy turns a romantic memory into a reason for leaving: she remembered the proposal so well that she knew she had to get out. It stings and flirts at once.

We've got something between us nothing can change.

Walter's claim that their bond survives the divorce. He says it as a grand romantic truth, but it is also his excuse for refusing to let her go.

I often wish you weren't such a stinker.

A backhanded confession of affection: she is fond of him, and she also finds him infuriating. 'Stinker' keeps it teasing rather than cruel.

After we get the reprieve, we'll be Democratic again.

Walter's cynical punchline about the paper's politics: endorse whoever delivers the reprieve first, then switch back to being a Democratic paper once the favor is done.

このシーンについての質問

Why does Hildy visit Walter if she's quitting?

She wants to say it face to face and get it over with. Bringing Bruce and telling Walter directly is her way of closing the door — even though the visit does the opposite.

Why did Walter gum up Hildy's divorce?

He admits he never really wanted to let her go. He stalled the divorce, even hiring a plane to write a message in the sky, so the marriage didn't end on paper.

Is Walter still in love with Hildy?

He clearly doesn't want to lose her, but he shows it mostly through needling and scheming. Whether that counts as love or just not wanting to be beaten is left for the audience.

What does Walter mean by double-crossing the governor?

He has promised the paper's support one way, then plans to trade it for a reprieve — switching his political backing on a dime to get the story he wants.

Why is the paper's party loyalty treated so lightly?

Because Walter treats politics as a bargaining chip, not a principle. 'After we get the reprieve, we'll be Democratic again' makes the point that his loyalty lasts exactly as long as it's useful.

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