arrange something for someone
Will tells Sean he went to McNeil, one of the jobs the professor arranged for him.
I was over at, uh, McNeil. It's one of the jobs the professor set me up with.Good Will Hunting · 1997 — 第 21 / 21 章 · 4'57" · B1
Will's therapy ends on a quiet note: he has taken a job, and Sean sets him free with "You're done. You're a free man." The scene is less about the job than about the two men admitting what they mean to each other. Then the friends hand Will a car, and Sean and Lambeau make peace.
Will tells Sean he has taken the McNeil job, and Sean ends their therapy: the sessions are over and Will is free. They exchange numbers and promise to stay in touch. Outside, Chuckie, Morgan, and Bill surprise Will with a rebuilt car for his birthday. Later, Sean and Lambeau finally make peace before Sean leaves town.
注目の表現
set someone up witha free mankeep in touchget back to someone
このシーンの表現
arrange something for someone
Will tells Sean he went to McNeil, one of the jobs the professor arranged for him.
My mentor set me up with a great contact.
no longer bound
stay in contact
reply to someone later
give in or retreat
a jerk
76 行のセリフに 33 件のメモ
arrange something for someone
Will tells Sean he went to McNeil, one of the jobs the professor arranged for him.
I was over at, uh, McNeil. It's one of the jobs the professor set me up with.relative clause: The clause describes the jobs, with the relative pronoun left out.
I was over at, uh, McNeil. It's one of the jobs the professor set me up with.no longer bound
Sean announces that the sessions and the court deal are over, and Will is on his own.
You're done. You're a free man.stay in contact
Saying goodbye, Will stammers that he hopes they will stay in contact.
So, you know, I, I hope we keep in touch, you know.Link keep and in, but keep the two k sounds distinct.
So, you know, I, I hope we keep in touch, you know.contact regularly
I've got an answering machine at the college I'll be checking in with.reply to someone later
Sean gives Will the college answering machine number and promises to reply quickly.
You call that, and I'll get back to you right away.Link get, back and to smoothly.
You call that, and I'll get back to you right away.put back into play
put my money back on the table and see what kind of cards I get.imperative series: Two bare verbs are joined, with the subject left out in speech.
put my money back on the table and see what kind of cards I get.in your true feelings
You do what's in your heart, son. You'll be fine.noun clause: The what-clause acts as the object of do, meaning whatever you truly feel.
You do what's in your heart, son. You'll be fine.Link in and your; the n meets y.
You do what's in your heart, son. You'll be fine.the therapist-patient relationship
Hey, does this violate the, uh, patient-doctor relationship?calm someone down
- What's up? Did you guys go? - No. I had to talk him down.fight and grit — Casual; means someone will not be pushed around.
Uh, little Morgan's got a lot of scrap to him.beat someone up
You know, people try to whip his ass every week. Fuckin' kid won't back down.beat him up — Vulgar slang for beating someone.
You know, people try to whip his ass every week. Fuckin' kid won't back down.Stress bitch to carry the aggression.
- Hey, asshole. - What, bitch?a jerk — Vulgar insult; never formal.
- Hey, asshole. - What, bitch?a slur for a woman — A harsh slur; never use it.
- Hey, asshole. - What, bitch?parenthetical insertion: Kid is a parenthetical address, set off by commas from the main clause.
You're legally allowed to drink, so we figured the best thing for you, kid, was a car.the worst I have ever seen
This is the ugliest fuckin' car I ever seen in my life.gather with difficulty
You know, me and Bill scraped together the parts...beg for money
and, uh, Morgan was out panhandlin' for change every day.begging for money — Casual word for begging.
and, uh, Morgan was out panhandlin' for change every day.constantly on someone's case
Guy's been up my ass for two years about a job. I had to let him help with the car.constantly on my case — Vulgar; used to complain.
Guy's been up my ass for two years about a job. I had to let him help with the car.I'm in trouble — Vulgar; casual complaint.
Yeah, had one. Now I'm fucked again.an inline six engine
- So what is it, a lawn mower? What do ya got? - It's a straight fuckin' six.Link India and China smoothly.
India and China and Baltimore.how about you come
Why don't you come? I'll buy you a drink.saying the opposite on purpose
Sean pretends to offer Gerry a drink, Gerry points out it is free, and Sean admits he was joking.
I know, Gerry. I was being ironical.The scene is a set of endings that are really beginnings. The therapy stops not because Will is fixed but because Sean has given him what he can: permission to want something and the words to stop blaming himself. "You're done. You're a free man" sounds like a discharge but lands like a blessing. Will's answer, about putting his money back on the table and seeing what cards he gets, shows he has absorbed Sean's language of risk. The friends' car is the other half of the same idea: they have quietly pooled everything to send him to Cambridge, and the teasing never stops even as they do something enormous for him. Sean and Lambeau's brief reconciliation closes a loop; the men who fought over Will can finally admit they need each other.
You're done. You're a free man.Sean's way of ending therapy: not a verdict on Will's problems but a release, confirming that their work is finished and Will can go.
You do what's in your heart, son. You'll be fine.Sean's closing advice, given like a father: stop calculating outcomes and trust himself, even though Sean will not be there to see it.
put my money back on the table and see what kind of cards I get.Will takes over Sean's poker language to say he is ready to risk again, which is exactly the change the therapy was aiming at.
I know, Gerry. I was being ironical.Sean's dry joke when Lambeau points out the free drinks: even in reconciliation he cannot help needling his old friend.
Because Will no longer needs it. He has made a choice about his future and can talk about himself without deflecting, so Sean lets him go rather than keep him dependent.
The McNeil job, one of the positions Lambeau set up for him. He tells Sean he met his new boss and it seems like what he wants.
It means speaking the opposite of what you mean for effect. Sean says he will buy Lambeau a drink at an event where drinks are free, then admits he was joking.
They pooled parts and money to build it because Will will need to get back and forth to Cambridge. It is their way of supporting him without saying so directly.
Yes. Their exchange when Sean is about to leave is brief and awkward, but both men say they feel the same, which ends their long feud.
第 1 章sandwich welfareWill Fights Carmine
第 2 章pawn offWill Shuts Down a Harvard Grad Student
第 3 章a shot in the darkLambeau Tracks Down Will
第 4 章putt from the roughWill Drives His Therapists Crazy
第 5 章get through toWill Meets Sean Maguire
第 6 章paint-by-numberSean Threatens Will Over His Wife
第 7 章the skinny onSean's Park Bench Speech
第 8 章level someoneSean Tells Will About Real Loss
第 9 章save someone the suspenseSean's Perfect for Each Other Speech
第 10 章another crack at itWill and Skylar at the Dog Track
第 11 章go on a benderSean Skips Game Six for a Girl
第 12 章walk the lineChuckie's Uncle Marty Story
第 13 章given free reinSean and Lambeau Argue About Will
第 14 章not a lickSkylar Asks Will to Come to California
第 15 章love you backWill and Skylar's Breakup Fight
第 16 章tell the differenceWill Tells Lambeau How Easy It Is
第 17 章hold out forWill and Sean on Soul Mates
第 18 章cash in your chipsWill Wants to Be a Shepherd
第 19 章take this the wrong wayChuckie's Best Part of My Day
第 20 章I am what I amSean Tells Will It's Not Your Fault
再生中 · 第 21 章set someone up withSean Says Goodbye to Will