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Before Sunrise · 1995 — 第 10 / 21 章 · 2'12" · B2

What Would Drive You Mad, Explained：blank canvas

Two people tease each other about what they would be doing apart. "Would you be in Paris by now if you hadn't gotten off the train with me?" sounds like a joke, but it asks whether staying together was a real choice. Under the laughter is a test: will honesty be punished?

あらすじ

After getting off a train, two people imagine what they would be doing apart. One describes hanging around an airport, reading old magazines and crying into coffee; the reply says they might have gotten off in Salzburg with someone else. The teasing moves to "what about me bugs you?" and to a story about an ex who flew into a rage over one remark.

First datesStorytellingTeasingConfrontingB2fastamerican
IMDb ↗

注目の表現

bugs youblank canvasdrive you madmaneuverings

00:00 / 02:12
Space 再生 · ← → セリフ移動 · R リピート
いま
  13. ❝ 独白Dating as warfare4 行練習ページ ↗
  21. ❝ 独白The criticism story5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

blank canvas

a blank surface you can create on; here, a life others can add to

One line says the speaker might have gotten off in Salzburg with someone else; another calls himself a dumb American only decorating a blank canvas, and the talk then turns to whether they are having a good time.

They treated the empty room as a blank canvas and started over.

このシーンの他の表現

  • bugs you

    annoy you

  • drive you mad

    annoy or irritate someone intensely

  • maneuverings

    clever moves or schemes used to get an advantage

  • flew into a rage

    suddenly become violently angry

  • rooster prick

    a made-up crude insult for an annoying, sulking man

このシーンのメモ一覧

36 行のセリフに 23 件のメモ

表現 · A2get off the train

leave the train

Ow! (laughing) Would you be in Paris by now if you hadn't gotten off the train with me?
文法 · B2if you hadn't gotten off the train

mixed conditional: A past condition is paired with a present result: a different past choice would change where you are now.

Ow! (laughing) Would you be in Paris by now if you hadn't gotten off the train with me?
発音Would you be

In fast speech, would you often blends; keep it as one push rather than two words.

Ow! (laughing) Would you be in Paris by now if you hadn't gotten off the train with me?
表現 · B1hang around a place

spend idle time in a place

I'd probably be hanging around the airport, reading old magazines, crying in my coffee 'cause you didn't come with me.
表現 · B2cry in one's coffee/beer

crying into your drink in exaggerated self-pity

One line imagines idle airport hours, old magazines, and crying into coffee if the other person had not come along — exaggerated self-pity that also works as a plea.

I'd probably be hanging around the airport, reading old magazines, crying in my coffee 'cause you didn't come with me.
発音'cause you didn't

Keep 'cause you didn't light and rush into the stressed come with me.

I'd probably be hanging around the airport, reading old magazines, crying in my coffee 'cause you didn't come with me.
表現 · B2a blank canvas

a blank surface you can create on; here, a life others can add to

One line says the speaker might have gotten off in Salzburg with someone else; another calls himself a dumb American only decorating a blank canvas, and the talk then turns to whether they are having a good time.

So I'm just a dumb American momentarily decorating your blank canvas, huh?
発音blank canvas

Stress both blank and canvas; the sarcasm depends on that weight.

So I'm just a dumb American momentarily decorating your blank canvas, huh?
表現 · B1the bad things someone has done

someone's past misdeeds

I'm so glad because no one knows I'm here, and I don't know anyone that knows you that would tell me all the bad things you've done.
文法 · B2anyone that knows you that would tell me

relative clause chain: Two relative clauses stack after anyone, narrowing who could reveal his past.

I'm so glad because no one knows I'm here, and I don't know anyone that knows you that would tell me all the bad things you've done.
スラング · B2shit

bullshit; gossip — Vulgar between friends; avoid in formal settings.

You know, you hear so much shit about people.
表現 · B2plot a strategy

plan a strategy secretly

plotting my strategy and maneuverings, knowing his weak points, what would hurt him, seduce him.
表現 · B2know someone's weak points

know where someone is vulnerable

plotting my strategy and maneuverings, knowing his weak points, what would hurt him, seduce him.
表現 · B1drive someone mad

annoy or irritate someone intensely

One line asks what about the speaker would first drive the other person mad; the next line refuses to answer.

what would be the first thing about me that would drive you mad?
表現 · B2handle criticism

take feedback without collapsing

So finally I said, "Well, I don't think you handle criticism too well."
表現 · B2fly into a rage

suddenly become violently angry

The old story reaches its punchline: one remark about not handling criticism well leads to sudden fury and a breakup, delivered like a deadpan news item.

She flew into a rage and broke up with me. That's a true story.
表現 · A2break up with someone

end a relationship with me

She flew into a rage and broke up with me. That's a true story.
表現 · B1have an excuse to do something

have a pretext for doing something

All she ever really wanted to do was to have an excuse to tell me what she thought was wrong with me.
文法 · B2All she ever really wanted to do was to have an excuse

infinitive complement: The all-cleft puts her real aim first, then explains it with an infinitive after was.

All she ever really wanted to do was to have an excuse to tell me what she thought was wrong with me.
スラング · C1rooster prick

arrogant jerk — A crude insult for a show-off; not for strangers.

You were like this rooster prick.
スラング · B1What the hell

what on earth — Informal surprise or irritation; too casual for formal talk.

Rooster prick? What the hell is a rooster prick?
表現 · C1rob someone blind

charge someone far too much; take a lot of someone's money

In the argument about the palm reader, one line says this woman robs you blind, a heavy charge; the dialogue never confirms who the woman is or whether she really took any money.

Listen, this woman robs you blind, okay?
発音wouldn't buy him

The consonants in wouldn't buy him crowd together; slow it first, then link.

You were like a little boy, walking by an ice cream store, crying because his mother wouldn't buy him a milk shake or something.

「What Would Drive You Mad」を読み解く

What's really going on

The teasing is a test. "Would you be in Paris by now if you hadn't gotten off the train with me?" sounds playful, but it asks whether staying together was a real choice. The Salzburg answer lands hard, and the reply — "So I'm just a dumb American momentarily decorating your blank canvas, huh?" — turns self-mockery into an accusation. Then the talk shifts to "what would be the first thing about me that would drive you mad?" A story about an ex who "flew into a rage and broke up with me" hangs over the question like a warning. The answer, when it comes, is oddly small: a "rooster prick" reaction at the palm reader, a little boy whining for attention. The scene is less about the insult than about whether honesty can be heard without someone leaving.

Theme

RomanceA light first-date game about what would have happened turns into a real question about whether the other person wants to stay.
TrustThe story about an ex who left after one criticism makes the two people test whether honesty will be punished.

発音のポイント

  • Would you be — In fast speech, would you often blends; keep it as one push rather than two words.
  • 'cause you didn't — Keep 'cause you didn't light and rush into the stressed come with me.
  • blank canvas — Stress both blank and canvas; the sarcasm depends on that weight.
  • wouldn't buy him — The consonants in wouldn't buy him crowd together; slow it first, then link.
I'd probably be hanging around the airport, reading old magazines, crying in my coffee 'cause you didn't come with me.

The speaker imagines the boring, lonely version of the trip if the other person had stayed on the train — joking, but admitting they would miss them.

So I'm just a dumb American momentarily decorating your blank canvas, huh?

They mock themselves as a passing visitor who only adds a little color to someone's life for a moment.

She flew into a rage and broke up with me. That's a true story.

An ex exploded after one piece of criticism and ended the relationship, which is why the speaker refuses to answer the same question now.

All she ever really wanted to do was to have an excuse to tell me what she thought was wrong with me.

The question was not curiosity; it was a way to get permission to list the speaker's faults.

You were like a little boy whining because all the attention wasn't focused on him.

The line spells out the insult: at the palm reader, the other person acted like a little boy whining because the attention was not on him.

このシーンについての質問

Why won't the speaker answer what bugs the other person?

The reply is flat: "I'm not going to answer this question." The reason given is an old story about a woman the speaker dated who always asked it and "flew into a rage and broke up with me" after one answer, so the question is treated as dangerous.

What would the speaker be doing if the other person had stayed on the train?

"I'd probably be hanging around the airport, reading old magazines, crying in my coffee 'cause you didn't come with me." The line pictures a bored, lonely version of the trip.

What does "rooster prick" mean?

It is not a standard phrase. The next line explains it as "a little boy whining because all the attention wasn't focused on him," so it describes someone who sulks when attention goes elsewhere.

What is the argument about the palm reader?

One line says the reaction at the palm reader was like "this rooster prick," and another says "this woman robs you blind." The dialogue never shows who the woman is or whether any money was taken.

ビフォア・サンライズ 恋人までの距離 · 全 21 章

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第 1 章weeks on endStrangers Trade Stories on a Train第 2 章the poetry of day-to-day lifePitching a Year-Long TV Show第 3 章passive-aggressiveTwo Passengers Talk Childhood and Death第 4 章a bad liarTwo Travelers Claim a Honeymoon第 5 章scare the hell out of someoneTwo People Play a Q&A Game第 6 章piss someone offStrangers Trade Pet Peeves on a Train第 7 章romantic projectionsTwo People Talk About Parents and Love第 8 章resign yourself toPalm Reading in Vienna第 9 章dress rehearsalChurch Talk on Death and Quakers再生中 · 第 10 章blank canvasWhat Would Drive You Mad第 11 章make a deal withPoet Writes a Poem for a Word第 12 章a real prizewinnerAsking About an Ex-Boyfriend第 13 章let it sink inA Man Recounts His Madrid Heartbreak第 14 章fool aroundTwo People Debate Men, Women and Monkeys第 15 章fear of commitmentBirth Dance Talk Turns to Love第 16 章fall for someoneThe Fake Phone Call in Vienna第 17 章be a ghostMan Pretends to Call a Friend第 18 章fizzle outTwo People Agree to One Night Only第 19 章sick to death ofMorning Confession After the Night第 20 章sleep togetherThey Agree Not to Sleep Together第 21 章have a great lifeTwo Lovers Say Goodbye at Track Nine
第 10 / 21 章 · 残り約 32 分