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Before Sunrise · 1995 — 第 9 / 21 章 · 2'11" · B2

Church Talk on Death and Quakers, Explained：dress rehearsal

In an old church, two people trade memories and questions about religion, death, and growing up. One line rejects "most of the religious thing," yet a later line admits feeling for everyone who comes in "lost or in pain." Underneath, the talk keeps asking whether life has started or is still a rehearsal.

あらすじ

Inside an old church, the talk moves through religion, memory, and age. One line recalls visiting a similar church in Budapest with a grandmother, then admits feeling for people who come in lost or in pain. The talk moves to feeling like an old woman about to die, a thirteen-year-old pretending to be an adult, an old woman kissing a young boy in a Ferris wheel, and a Quaker wedding.

Small talkStorytellingExplainingSmall talkB2mediumamericanClean
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注目の表現

can't help but feel forclose withthat's so wildlook for answers

00:00 / 02:11
Space 再生 · ← → セリフ移動 · R リピート
いま
  19. ❝ 独白The Quaker Wedding6 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

dress rehearsal

a full practice before the real performance

The speaker makes adult life sound like a junior high play still in dress rehearsal, with no real performance yet.

Planning my first big presentation feels like a dress rehearsal for a play I barely know.

このシーンの他の表現

  • can't help but feel for

    be unable to stop feeling sympathy for someone

  • close with

    be emotionally close to someone

  • that's so wild

    that's very strange or unbelievable

  • look for answers

    try to find explanations or direction

  • congregation

    the people gathered in a church

このシーンのメモ一覧

25 行のセリフに 24 件のメモ

表現 · B2can't help but do something

can't stop oneself from doing or feeling something

I can't help but feeling for all those people that come here, lost or in pain, guilt,
表現 · B1feel for someone

sympathize with someone Here it means sympathy, not physical touch.

I can't help but feeling for all those people that come here, lost or in pain, guilt,
表現 · B1be in pain

suffering physically or emotionally

I can't help but feeling for all those people that come here, lost or in pain, guilt,
文法 · B1that come here

relative clause: The relative clause narrows all those people to the ones who come to this place.

I can't help but feeling for all those people that come here, lost or in pain, guilt,
発音can't help but

In fast speech the phrase runs together; keep the t in but very light.

I can't help but feeling for all those people that come here, lost or in pain, guilt,
表現 · A2look for answers

try to find explanations or direction

In the church, the people coming in are described as looking for some kind of answers, meaning they are trying to find explanations or direction.

looking for some kind of answers.
文法 · B2how a single place can join so much pain and happiness

how-clause: The how-clause is the real subject; it only holds its place.

It fascinates me how a single place can join so much pain and happiness for so many generations.
表現 · B1be close with someone

be emotionally close to someone

A line about visiting a church with a grandmother is followed by You close with your grandmother?, a spoken shortening of Are you close with...?

You close with your grandmother?
表現 · B1have a strange feeling that...

an odd sensation or intuition

I think it's because I always have this strange feeling that I'm this very old woman, laying down, about to die.
表現 · A2be about to do something

be going to do something very soon

I think it's because I always have this strange feeling that I'm this very old woman, laying down, about to die.
発音about to

Try linking about to into one soft unit before die.

I think it's because I always have this strange feeling that I'm this very old woman, laying down, about to die.
表現 · B1X or something

or something similar

You know, that my life is just memories or something.
スラング · B1wild

very surprising — Use with friends; avoid it in formal settings.

That's so wild.
表現 · A2know how to do something

have the skill to do something

I mean, I always think that I'm still this 13-year-old boy who doesn't really know how to be an adult, pretending to live my life,
文法 · B2pretending to live my life

participle phrase: The participle adds a simultaneous layer: he lives while pretending to live.

I mean, I always think that I'm still this 13-year-old boy who doesn't really know how to be an adult, pretending to live my life,
表現 · B1take notes for something

write down information to remember it

taking notes for when I'll really have to do it.
表現 · B2a dress rehearsal for something

a full practice before the real performance

The speaker makes adult life sound like a junior high play still in dress rehearsal, with no real performance yet.

Kind of like I'm in a dress rehearsal for a junior high play.
発音Kind of

In casual speech kind of shrinks; do not give of its full value.

Kind of like I'm in a dress rehearsal for a junior high play.
スラング · B1Kind of like

sort of like — Softens a comparison in conversation; too loose for formal writing.

Kind of like I'm in a dress rehearsal for a junior high play.
表現 · B1know anything about something

have some knowledge about something

Do you know anything about the Quakers — the Quaker religion?
表現 · B1kneel down in front of someone

go down on one's knees

What they do is the couple comes in and they kneel down in front of the whole congregation,
表現 · B1stare at someone

look at someone for a long time

and they just stare at each other.
表現 · B2move someone to do something

cause or impel someone to act

In the wedding description, silence is the rule; only an inward sense that God is moving someone to speak breaks it.

And nobody says a word unless they feel that God moves them to speak or say something.
文法 · B2unless they feel that God moves them to speak

unless-clause: The unless-clause makes silence the rule and speaking the exception.

And nobody says a word unless they feel that God moves them to speak or say something.

「Church Talk on Death and Quakers」を読み解く

What's really going on

The scene keeps sliding away from doctrine. One line says, "I reject most of the religious thing," yet a later line admits, "I can't help but feeling for all those people that come here, lost or in pain, guilt, looking for some kind of answers." What holds the talk together is not belief but a shared place: "It fascinates me how a single place can join so much pain and happiness for so many generations." Age becomes another way to ask when life will feel real. One image is a very old woman about to die, with life reduced to memories; another is a thirteen-year-old boy pretending to be an adult and taking notes. Later they mention seeing an old woman kissing a young boy in the Ferris wheel, which is a sight, not another self-description. The Quaker wedding answers with silence: nobody speaks unless someone feels moved, and after an hour or so they are married.

Theme

FaithOne line rejects 'most of the religious thing' yet still feels for people who come looking for answers, keeping belief and sympathy separate.
MemoryThe talk turns to an old woman about to die, a boy taking notes for adulthood, and a place holding generations of pain and happiness.

発音のポイント

  • can't help but — In fast speech the phrase runs together; keep the t in but very light.
  • about to — Try linking about to into one soft unit before die.
  • Kind of — In casual speech kind of shrinks; do not give of its full value.
It fascinates me how a single place can join so much pain and happiness for so many generations.

One building collects the grief and joy of many generations; what draws the speaker is that shared accumulation, not the doctrine.

I think it's because I always have this strange feeling that I'm this very old woman, laying down, about to die.

After a question about being close with a grandmother, one line answers with a feeling of already being at the end of a life.

Kind of like I'm in a dress rehearsal for a junior high play.

Adult life feels like a play still in rehearsal, with the speaker taking notes and waiting for the real thing to begin.

And nobody says a word unless they feel that God moves them to speak or say something.

In a Quaker wedding, silence is the default; speech only comes when someone feels inwardly moved to break it.

And then after an hour or so of just, uh, staring at each other, they're married.

After about an hour of staring at each other, they are married; the line gives no further ceremony details.

このシーンについての質問

Why does one line reject religion yet still feel for the people in the church?

One line says, "I reject most of the religious thing," and a later line admits, "I can't help but feeling for all those people that come here, lost or in pain, guilt, looking for some kind of answers." The sympathy is for the people, not the doctrine.

What happens at the Quaker wedding they describe?

The couple comes in and kneels down in front of the whole congregation, then they just stare at each other. Nobody says a word unless they feel that God moves them to speak or say something, and after an hour or so they are married.

What does the Ferris wheel image refer to?

One line describes seeing an old woman kissing a young boy in the Ferris wheel. The reply is just "Right?" and "Mmm," so the scene leaves it as an image rather than explaining it.

What does "that's so wild" respond to?

It follows a line about feeling like a very old woman lying down, about to die, with life just memories. The phrase reacts to how strange and unbelievable that feeling sounds.

ビフォア・サンライズ 恋人までの距離 · 全 21 章

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第 9 / 21 章 · 残り約 34 分