to feel okay
Do you feel all right, sir?Airplane! · 1980 — 第 3 / 10 章 · 2'20" · B1
On the night flight, a request for 'anything light' gets answered with the most absurd book possible, while Ted corners Elaine, the stewardess he once loved, and is told, "You shouldn't have come." The comedy and the heartbreak run on the same flat, deadpan delivery.
On board a night flight, a stewardess asks a passenger if he'd like something to read, and he asks for 'anything light' — so she hands him a leaflet titled Famous Jewish Sports Legends. Ted then finds Elaine, the stewardess, and tries to talk to her; she has no time and tells him he shouldn't have come.
注目の表現
anything lightFamous Jewish Sports LegendsDrambuiehang out
このシーンの表現
something easy to read
Ted asks the stewardess for something light rather than anything serious to read.
Do you have anything light to read on the plane?
an absurd reading pick
a liqueur used as a place name
to spend time at a place
the worst cheap bar
to have a good relationship
29 行のセリフに 24 件のメモ
to feel okay
Do you feel all right, sir?for quite a while
I haven't flown for a long time.sit back and enjoy
Meanwhile, relax and enjoy your flight.something easy to read
Ted asks the stewardess for something light rather than anything serious to read.
- Would you like something to read? - Do you have anything light?what do you say to
How about this leaflet, "Famous Jewish Sports Legends"?to speak with you
- Ted! What are you doing here? - Elaine, I've got to talk to you.Got to collapses into gotta in fast speech.
- Ted! What are you doing here? - Elaine, I've got to talk to you.coming was a mistake
You shouldn't have come. I don't have time now.modal perfect: Shouldn't have come says the visit should never have happened and quietly blames the other person.
You shouldn't have come. I don't have time now.to have a good relationship
The seatmate notices the tension and remarks that the two of them don't get along.
It's a shame you two don't get along.was like that before
Things used to be different.used to: Used to be marks a past state that no longer holds, and it carries a note of loss.
Things used to be different.The d in used weakens toward a t before to.
Things used to be different.while the war was on
It was during the war.posted to a place
I was in the Air Force, stationed in Drambuie off the Barbary Coast.to spend time at a place
The seatmate recalls how he used to hang out at a bar called the Magumba.
I used to hang out at the Magumba Bar.the worst cheap bar
The seatmate calls the bar the seediest dive on the wharf, with a storyteller's relish.
It was a rough place, the seediest dive on the wharf,a seedy cheap bar — Slang for a cheap low bar, not the swimming sense.
It was a rough place, the seediest dive on the wharf,a violent desperate person — Informal for a ruthless, dangerous character.
populated with every reject and cutthroat from Bombay to Calcutta.even worse than
It was worse than Detroit.Than reduces to a soft unstressed syllable.
It was worse than Detroit.frankly ugly
The mood in the place was downright ugly.to be able to fight
You wouldn't walk in there unless you knew how to use your fists.unless clause: The unless-clause cancels the visit for anyone who cannot fight, painting the place as dangerous.
You wouldn't walk in there unless you knew how to use your fists.The 'anything light' moment is a perfect Airplane! gag: an ordinary request met with a recommendation so unlikely it becomes the joke, delivered without a flicker of irony. Underneath, the scene carries the film's quieter thread. Ted has followed Elaine onto the plane, still hoping to win her back, and her first real words to him are 'You shouldn't have come. I don't have time now.' She is not cruel, only closed — and the deadpan tone that makes the book joke funny makes the rejection sting. Ted's answer is to retreat into the past, telling her about the dive where they met during the war, 'populated with every reject and cutthroat from Bombay to Calcutta,' and a bar you didn't walk into 'unless you knew how to use your fists.' The film lets a running gag and a stalled romance share the same straight face.
You shouldn't have come. I don't have time now.Elaine's blunt greeting to Ted: she will not reopen the relationship and she has a plane to work.
You wouldn't walk in there unless you knew how to use your fists.Ted's description of the rough wartime bar where he and Elaine met, painting it as a place for fighters.
Things used to be different.Ted's nostalgia for the time before he and Elaine drifted apart; he measures the present against the past.
It's a shame you two don't get along.A bystander's remark that names, with comic understatement, the whole problem between Ted and Elaine.
He asks for 'anything light,' so she offers the nearest thing: a leaflet called Famous Jewish Sports Legends. The absurd mismatch is the joke.
He is pursuing Elaine, the stewardess he used to love. He wants to talk, but she tells him it is not the time and that he shouldn't have come.
It means the lowest, most disreputable bar. A dive is a cheap, run-down drinking place, and seediest is the superlative — Ted uses it for the wartime bar where he met Elaine.
In a rough bar near the Barbary Coast during the war, which Ted describes as full of rejects and cutthroats from Bombay to Calcutta.
Not at first. She is startled, then guarded, and tells him she has no time now — the reunion is postponed rather than welcomed.
次のチャプター · 第 4 章have someone confused withJoey Meets Kareem in the Cockpit
第 1 章gave at the officeThe White Zone vs the Red Zone
第 2 章ancient historyElaine Leaves Ted at the Airport
再生中 · 第 3 章anything lightTed Meets Elaine on the Plane
第 4 章have someone confused withJoey Meets Kareem in the Cockpit
第 5 章as far away as possibleLisa Sings the River of Jordan
第 6 章crack under pressureElaine Calls Air Traffic Control
第 7 章get a hold of yourselfPassenger Panics on the Plane
第 8 章jiveThe Jive Translation Scene
第 9 章hit the fanDon't Call Me Shirley
第 10 章No diceAssume Crash Positions