“I won't swear anything. You'll never believe me, no matter what.”
She shuts the oath down, then voids his promise in advance with no matter what.
Informal
Capítulo 25 de 30 · 2'33"
Humbert wants to leave Beardsley and take Lolita on the road; she refuses because of school and the play, and he accuses her of wanting to stay for a boy. "I hate you!" she shouts, and the argument ends with her claim that she will do whatever she wants.
❝ Monólogo · 5 frases Humbert's apology and excuse
He claims to believe her and admits fault, then blames the place and everyone else in one breath.
The Fight Turns Nasty
At home in Beardsley, Humbert proposes that they pack up and leave that very night, arguing that nothing holds them there and offering a trip around the country. Lolita refuses: she has school, and the school play has two more performances. The quarrel escalates until she says she hates him and he forbids her to see the local boys.
The fight is about leaving, but it is really about control. Humbert wants to move Lolita away from Beardsley, and the reasons he offers — no obligations, no rent, a wonderful trip — are all practical. What he cannot say is that the school, the play, and the boys are exactly what he needs to remove. Lolita sees the real issue and names it: "Don't start talking about the play. That's what's just come between us." From there neither of them pretends to argue fairly. He calls her a psychopath and swears she will not see the local boys; she answers that she will "do anything I want to, anytime I want to... with anyone I want." The courtesies of the earlier scenes are gone, and what is left is two people who each understand exactly what the other is doing.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I won't swear anything. You'll never believe me, no matter what.”
She shuts the oath down, then voids his promise in advance with no matter what.
Informal
“No, you won't. Let's face it, you won't.”
She echoes his promise back once, then names the truth with let's face it.
Informal
“It's something that's happened on account of this horrible place.”
One phrase, on account of, shifts the blame from himself to the place.
Neutral
“Yes, there's nothing to keep us here.”
Nothing to keep us frames escape as the obvious, almost casual next step.
Neutral
“I'll do anything I want to, anytime I want to...”
The doubled I want to turns freedom into a declaration, left hanging for effect.
Informal
All right, I believe you. It's partly my fault. I realize that. It's something that's happened on account of this horrible place. These people poking their noses into our business... ...and I never see you anymore, with your soda fountains, and your extra--
Siguiente · 26a fine pairLa escena: Humbert and Lolita Are FollowedHe wants Lolita away from school, the play, and especially the boys she has met there. Leaving is his way of keeping control of her.
She wants to stay for school and for the play, which has two more performances. She also tells him the play is precisely what has come between them.
She says she will do anything she wants, anytime, with anyone, and that he cannot stop her — the clearest rejection of his control in the scene.
He promises that she will not see the local boys anymore, calling them filthy. It is the threat that turns the argument from leaving Beardsley into an open fight.
One of the boys Lolita has met in Beardsley. Humbert uses him to accuse her of wanting to stay for a romance rather than for school.