The Shop Around the Corner · 1940 — Chapter 14 of 19 · 6'17" · B2

Kralik Fires Vadas, Explained: a yes man

The new manager's first real act is to fire the man who smiles at him. "You and I never got along," he says, and Vadas, who will not stop talking, is told plainly: "I'm the manager, and you don't work here anymore."

What happens

Alfred Kralik has just been made manager of Matuschek and Company. Vadas, a fellow clerk, offers congratulations while angling for credit himself. Kralik answers by sending him to rearrange suitcases and then, when Vadas admits he doesn't like him, fires him on the spot. Meanwhile Pepi, on the phone, refuses to fetch Mr. Matuschek and jokes that the boss is up in a balloon with two blondes.

Criticism & layoffsArgumentsConfrontingThreateningBoss & employeeB2fastamericanClean
IMDb ↗

Listen for

beat around the bushin black and bluea yes manif it hadn't been for me

00:00 / 06:17
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  1. ❝ MonologuePepi's joke on the switchboard15 linesPractice page ↗
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Phrase of the scene

a yes man

someone who always agrees with the boss

瓦达斯嘴上认了克拉利克是老板,却马上声明自己绝不做一味点头的人,非跟他唱反调不可。

A good adviser is never a yes man.

Also in this scene

  • beat around the bush

    to avoid saying what one really means

  • in black and blue

    beaten until bruised

  • if it hadn't been for me

    without me, things would have gone badly

Everything marked in this scene

42 notes across 137 lines

Phrase · B1speak for all of usMy dear Kralik, I think I speak for all of us when I say heartiest congratulations.
Phrase · B2heartiest congratulationsMy dear Kralik, I think I speak for all of us when I say heartiest congratulations.
Phrase · B2a load off someone's mindWhat a load off my mind.
Phrase · B2one happy familyNow we're all one little happy family again.
Phrase · C1to the fullest extentAnd Kralik, I want you to be assured of my cooperation to the fullest extent.
Phrase · A2from now onFrom now on, you are going to the office.
SoundFrom now on

liaison

From now on, you are going to the office.
Phrase · B2if anybody deserves it, it's someoneWell, if anybody deserves it, it's you, my boy.
Phrase · B1that's what you get when ...That's what you get when you're a good boy.
Phrase · A2by the wayBy the way, Kralik, I have some very unusual ideas for that new window display.
Phrase · B1the rest of usWell, thank you, Vadas, I think the rest of us will take care of the windows alright.
Phrase · B2be a good soldier- Ha-ha. I'm a good soldier. - Alright, do it right away.
Sounddo it right away

flap

- Ha-ha. I'm a good soldier. - Alright, do it right away.
Phrase · B2look someone overOh, send me four or five. I'll look them over.
Phrase · C1if you pleaseAnd right away, if you please.
Phrase · C1one's word of honorListen, folks, I can't give you the whole story, actually and I'm tied up with my word of honor.
Phrase · B2if it hadn't been for someone

without me, things would have gone badly

But, uh, if it hadn't been for me, this place would be closed on account of suicide and you'd all be out of a job.
Phrase · B1on account of somethingBut, uh, if it hadn't been for me, this place would be closed on account of suicide and you'd all be out of a job.
Grammar · B2if it hadn't been for me, this place would be closed on account of suicide

past unreal conditional

But, uh, if it hadn't been for me, this place would be closed on account of suicide and you'd all be out of a job.
Phrase · B2someone's ... days are overYour perfume days are over, Mrs. M!
Phrase · A2at the momentJust at the moment he's up in a balloon with two blondes.
Phrase · C1be up in a balloonJust at the moment he's up in a balloon with two blondes.
Grammar · C1You wouldn't like to speak by any chance to Mr. Vadas

negative question with would like to

You wouldn't like to speak by any chance to Mr. Vadas?
Phrase · C1my hat's off to someoneYou're a smart young man and my hat's off to you.
Soundmy hat's off to you

liaison

You're a smart young man and my hat's off to you.
Phrase · B2beat around the bush

to avoid saying what one really means

Alright, now, let's stop beating around the bush.
Phrase · C1be a yes man

someone who always agrees with the boss

But I am not going to be a "yes" man. No, sir.
Grammar · B2it's entirely up to me to make you change your mind

be up to someone to do something

I thank you for being so frank, now, at least I know my problem and it's entirely up to me to make you change your mind.
Grammar · B2Unless she's absolutely alright tell her not to come today

unless for a condition

Unless she's absolutely alright tell her not to come today.
Phrase · B1take good care of someoneAnd tell her to be sure and take good care of herself.
Phrase · B2have been aroundAfter all, I've been around, you know, and I have my eyes open.
Phrase · B1go too farOnly sometimes, you know, she went a little bit too far.
Slang · A2shut upShe's a fine girl and she's working very hard and she's a good salesgirl, and you shut up!
Phrase · B2mean no offenseI didn't mean any offense, as a matter of fact
Slang · C1two-timerHe called me a double-crossing two-timer!
Phrase · B2in black and whiteProve it to me. Prove it to me in black and white.
Phrase · C1be beaten black and blue

beaten until bruised

You're gonna get it in black and blue.
Phrase · C1assault and batteryAlright! Alright. Nice little case of assault and battery.
Phrase · B2take a letterI forgot it. Flora, take a letter.
Phrase · C1To whom it may concernUh.. To whom it may concern.
Phrase · C1be in the employ of someoneMr. Vadas has been in the employ of Matuschek and Company for the last two years during which time he has been very efficient as a stool pigeon, a troublemaker, and a rat.
Slang · C1stool pigeonMr. Vadas has been in the employ of Matuschek and Company for the last two years during which time he has been very efficient as a stool pigeon, a troublemaker, and a rat.

Kralik Fires Vadas, explained

What's really going on

Kralik has spent the whole film being pushed around, and the promotion flips the room. Vadas assumes the old rules still hold — flattery, a little credit-taking, a warning about working under a younger man — and keeps smiling as if nothing has changed. What he misses is the new resolve underneath: "But I am not going to be a yes man. No, sir." The suitcases are pure theater of power, a test Vadas fails by complaining. Once the real problem is out — "You know, you and I never got along" — the answer is instant and final: "I'm the manager, and you don't work here anymore." The comedy is that the new manager, still raw from his own humiliation, wields authority almost as clumsily as the people who once used it on him.

Theme

PowerA promotion instantly changes who may speak, who must obey, and who gets fired.
BetrayalVadas flatters and informs on colleagues; the new manager punishes the double-crosser.

What you'll learn

  • Use black and white for clear written proof.
  • Recognize beating around the bush as indirect talk.
  • Use be entitled to for workplace rights.
  • Hear polite congratulations as possible sarcasm.

Listen for

  • From now on — liaison
  • do it right away — flap
  • my hat's off to you — liaison
Kralik, this is the age of youth and I always ride with the times.

Vadas flatters the younger man who now outranks him, claiming he happily keeps up with the times. It is pure sycophancy, and it gets thrown back at him.

I thank you for being so frank, now, at least I know my problem and it's entirely up to me to make you change your mind.

The new manager takes the insult calmly: now that the dislike is out in the open, winning the man over becomes a problem he intends to solve.

But I am not going to be a "yes" man. No, sir.

His declaration of independence: he will not rubber-stamp whatever the boss says, even though he has just become the boss himself.

I'm the manager, and you don't work here anymore!

The line that ends the argument. Authority is settled in one sentence — and it is not the old owner's authority, but the former clerk's.

Questions about this scene

Why does Kralik fire Vadas?

Kralik has just been made manager and Vadas, a fellow clerk, refuses to accept the new order. After Vadas admits he doesn't like him and keeps talking about Miss Novak, Kralik loses patience and fires him.

Was Kralik right to fire Vadas?

Vadas openly says he dislikes his new boss and keeps pushing, so the ending is not a shock. Still, Kralik fires him without Mr. Matuschek's knowledge, which the film treats as a raw exercise of new power.

Who is Pepi and what is he doing on the phone?

Pepi is the errand boy. He answers a call from Mrs. Matuschek and, instead of fetching her husband, teases her about perfume and claims her husband is off in a balloon with two blondes.

What happened to Kralik before this scene?

He was a clerk who nearly quit after Mr. Matuschek wrongly suspected him over Mrs. Matuschek. When Matuschek tried to kill himself over that mistake, Kralik saved him, and the promotion is the reward.

Did Kralik not like Vadas either?

The feeling is mutual. One of them says plainly, "I don't like you," and the other has clearly had enough, which is why the confrontation escalates into a firing.

The Shop Around the Corner · 19 chapters

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