“I'm tired of getting the fuzzy end of the lollipop.”
One lollipop turns a lifetime of bad luck into a joke she can carry.
Informal
Chapter 9 of 19 · 3'09"
In the berth, Sugar tells Josephine she is done with being unlucky — "I'm tired of getting the fuzzy end of the lollipop" — and explains her plan: go where the millionaires winter and marry one. Her only requirement is that he has a yacht, a private rail car, and his own toothpaste. Then the girls' ice-and-tickling game nearly exposes Josephine.
❝ Monologue · 11 lines Sugar Explains Her Plan to Marry Rich
On the train, Sugar confides in Josephine, the new bass player. She says she is tired of her luck and has a plan: winter in Florida, where rich men gather, and marry one. She does not care how rich he is as long as he has a yacht and his own toothpaste. Later, the band's party turns into ice and tickling, and Josephine barely survives being found out.
Sugar's monologue is funny, but it is also the film's clearest statement of what she wants. She has been hurt by men who borrow money, bet on horses, and vanish, leaving "a pair of old socks and a tube of toothpaste, all squeezed out." So she has turned the search for love into a shopping list: a yacht, a private railroad car, his own toothpaste. The joke is that she thinks a specific type of man will solve the problem, and Josephine — actually Joe — listens while wearing a dress. Sugar's line "I'm tired of getting the fuzzy end of the lollipop" is not just a complaint; it is a decision. And the ice scene that follows shows how thin the disguise really is: one tickle and the whole plan could collapse.
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“I'm tired of getting the fuzzy end of the lollipop.”
One lollipop turns a lifetime of bad luck into a joke she can carry.
Informal
“All that's left behind is a pair of old socks and a tube of toothpaste, all squeezed out.”
Two useless objects do all the accusing that a speech never could.
Neutral
“Men who wear glasses are so much more gentle and sweet and helpless.”
Three stacked adjectives sound like a theory but are really a weakness.
Informal
“The next thing you know, they're borrowing money from you, they're spending it on other dames and betting on horses.”
Three clauses stack a familiar downfall into a rhythm that is easy to remember.
Informal
“I hope this time you wind up with the sweet end of the lollipop.”
The film's bitter catchphrase flips into a blessing, sweet and wistful.
Neutral
The next thing you know, they're borrowing money from you, they're spending it on other dames and betting on horses. You don't say. Then one morning you wake up, the guy's gone, the saxophone's gone. All that's left behind is a pair of old socks and a tube of toothpaste, all squeezed out. So you pull yourself together, you go on to the next job, the next saxophone player. It's the same thing all over again. You see what I mean? Not very bright. Brains aren't everything. I can tell you one thing. It's not gonna happen to me again, ever. I'm tired of getting the fuzzy end of the lollipop.
Up next · 10more than you can shake a stick atThe scene: Osgood Courts DaphneA rich husband. She wants a man with a yacht, a private railroad car, and his own toothpaste, and she says men who wear glasses are gentler and more helpless.
Because saxophone players keep using her and leaving. She describes them borrowing her money, betting on horses, and vanishing, until all that is left is old socks and an empty tube of toothpaste.
It is a joking way of saying the guests are getting impatient. Here it is about the ice not arriving fast enough, which is what kicks off the party and the tickling.
The girls rub ice on Josephine's neck and tickle her. She screams "Not the chest!" and calls for help, and only quick talking and a claimed case of hiccups keep the disguise from falling apart.