“I really don't know too much about this. I was kind of just flipping through.”
It sets a polite limit to a lecture without ever saying stop.
Informal
Chapter 13 of 22 · 3'41"
In a bookshop, one man notices the other reading Rush to Judgment and launches into his own Kennedy theories: it was Jack Ruby, not Oswald, and he has the books to prove it. He names every title he can, then mentions the one he is still writing.
❝ Monologue · 5 lines pitching Six Seconds in Dallas
His stacking sentences speed up until a research book sounds like a thriller trailer.
Conspiracy a-Go-Go
Two acquaintances meet among the bookshelves. One is flipping through Rush to Judgment; the other has spent years on Kennedy assassination theories and knows the literature by heart. He recommends title after title, insists it was Jack Ruby who shot Tippet, and finally pitches the book he is writing himself.
The scene is a portrait of a certain kind of enthusiast, and it is funny because it is so recognisable. He cannot let a coincidence pass: seeing the book is enough to launch him into everything he knows. The details come thick and fast — Mrs. Aquilla Clemmons, Sam Holland, the "breakfast of infamy," Dr. Feel-Good — and the pleasure he takes in them is the whole performance. His listener is polite but declining, and the quiet comedy is that he does not notice. When he reveals that he is writing his own book, the earlier teaching becomes a pitch, down to the rejected title Profiles in Cowardice and the publisher's catchier suggestion, Conspiracy a-Go-Go. The film lets him be both absurd and completely sincere.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“I really don't know too much about this. I was kind of just flipping through.”
It sets a polite limit to a lecture without ever saying stop.
Informal
“You know, you're reading one of the great books on the subject.”
It opens with praise, turning a stranger into a conversation partner.
Neutral
“It wasn't Oswald that did it. Of course you know it was Jack Ruby.”
It asserts a claim and closes the door with 'of course you know'.
Informal
“And they were just hopped up on amphetamines day in and day out.”
Saying it flatly, day in and day out, makes the wildest claim sound routine.
Informal
Of course, if you like that, you should really read Six Seconds in Dallas... 'cause, you know, Six Seconds is the one that's got all the trajectories... and the triangulation of the bullets and stuff. And it's great. It's just got this like second by second account... of just the entire tragic sequence, you know.
Up next · 14work outThe scene: From Jack Ruby's Dogs to Car TalkHe wants to talk about Kennedy assassination theories, and he seems to know every book written on the subject, along with the witnesses and details in them.
He says it was not Oswald but Jack Ruby who shot Tippet, and treats it as established fact rather than a theory.
He is working on his own book about the assassination. He wanted to call it Profiles in Cowardice, but his publisher prefers Conspiracy a-Go-Go.
He says he is supposed to be at a movie, which gives him a polite reason to end the conversation. He promises to look for the book when it comes out.
It means to look through a book quickly without reading it closely. The man says he was only flipping through the book, not studying it.