“And between me and my money is a kind of understanding.”
It turns hoarding into a love affair, dry and funny in one breath.
Informal
Chapter 7 of 19 · 2'04"
Harry goes from one contact to another trying to raise two hundred pounds: a counterfeit printer, a con man, and finally Anna O'Leary. Each one turns him down in their own style, and Anna finishes the evening with an elegant brush-off: "I'm taking great pleasure in bidding you good night."
Harry, All I Got Is My Money
A Golden Opportunity Is Turned Down
Harry spends the evening trying to borrow two hundred pounds. He asks Figler to match it, is told he should settle down instead, then gets only paperwork from the printer who could fake a passport. His last stop is Anna O'Leary, who will not risk her money and dismisses him with a polite good night.
This is the film's running theme in one long night: Harry has charm, plans, and no money, and every person he approaches can see the difference. Figler is almost fond of him and still refuses, wrapping the refusal in a marriage joke about his cash: "And between me and my money is a kind of understanding." The printer offers fake documents instead of cash, which is the only kind of help Harry's world provides. Anna O'Leary, the most professional of the three, ends the pitch with the film's best line of dismissal, "I'm taking great pleasure in bidding you good night." Harry is not defeated by cruelty but by patience, and he keeps going because he does not know how to stop.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“And between me and my money is a kind of understanding.”
It turns hoarding into a love affair, dry and funny in one breath.
Informal
“Like holy matrimony: till death us do part.”
The wedding vow collides with his stinginess, and the joke lands on the gap.
literary
“I'm taking great pleasure in bidding you good night.”
Politeness becomes a door shut in his face; the courtesy is the cruelty.
Formal
“But this is a golden opportunity, Googin. One chance in a thousand.”
Calling a one-in-a-thousand gamble a golden opportunity captures the salesman's fever and self-deception at once.
Informal
“But if you ain't got socks, you can't pull 'em up, now, can you?”
A homely image about owning no socks to pull up says plainly that you cannot act without money.
Informal
Up next · 08talk down your noseThe scene: Mary Waits for Harry OutsideHe is trying to buy into a wrestling venture, and he needs the money before he can bring anyone else in. The scene shows him failing to raise it from every contact he has.
He says his money is all he has and that he and it have an understanding, meaning he will not gamble it on Harry's scheme. He likes Harry but values his cash more.
She runs a smuggling business and sticks to it. She will not put money into another man's game, so she refuses Harry and sends him away politely.
He will not risk cash on the scheme, but he is willing to help in another way. He offers to print a passport, a birth certificate, or a medical license instead.
He never treats a refusal as final. He keeps pitching the plan as the chance of a lifetime, calls it a golden opportunity, and promises a life of ease and plenty.