“You've got blood on your hands.”
It works as both a literal stain and an accusation of guilt.
Neutral
Chapter 8 of 17 · 2'59"
The guests argue about what the photographs show before Mr. Boddy turns up dead — again. Someone jokes, 'That's what we call overkill.' When they decide to lock the remaining weapons in a cupboard, whoever takes the key quietly pockets it.
Blood on Your Hands, and Overkill
At Mr. Boddy's mansion, the guests are trading accusations over a set of photographs when they discover Boddy's body yet again. They haul the corpses onto a sofa, round up the remaining weapons — the gun, the rope, the wrench, the lead pipe — and lock them in a cupboard. One guest pockets the key.
Nobody in this room is really talking about a dead man. The photographs, the blood, the weapons — they are all currency in a game of who can implicate whom first. 'You've got blood on your hands,' one of them snaps, and the accusation matters less than the fact that everyone is quietly checking who else could be blamed. The running joke about overkill is the group's way of pretending this is all absurd, but the cold logic underneath is pure self-preservation: lock away every possible murder weapon, then make sure you personally control the key. Whoever holds the key holds the power to decide what happens next, and nobody is willing to trust the others with it.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“You've got blood on your hands.”
It works as both a literal stain and an accusation of guilt.
Neutral
“Why would anyone want to kill him twice?”
The question exposes how absurd the crime has become.
Informal
“There's a homicidal maniac about.”
The calm delivery makes the threat sound like a weather report.
Informal
“That's what we call overkill.”
One word names the needless extra violence and somehow makes it funny and quotable.
Informal
Up next · 09make an omeletThe scene: Wadsworth Won't Say Yes or NoAfter Mr. Boddy turns up dead again, the guests realize the gun, rope, wrench and lead pipe could be used by anyone. Locking them in the cupboard is meant to stop the killer from striking a third time — though the joke is that whoever takes the key now controls them.
Nobody is named on screen. One guest asks, 'What are you doing with the key?' and the reply is 'Putting it in my pocket,' justified with 'To keep it safe, obviously.' The point is that no one in the room is above suspicion.
Because killing someone once is already enough; doing it again is the definition of overkill — more force than the situation requires. It is the characteristically dry Clue joke that treats a fresh corpse as a vocabulary lesson.
Because he appears to have been attacked a second time. One guest reasons that unless he wasn't dead before, someone went to the trouble of killing him again — the detail that makes the whole scene absurd.