unearth
They dug up your coffin.The Third Man · 1949 — 第 17 / 17 章 · 3'29" · C1
Harry defends his crimes with an argument about history: "They had 500 years of democracy and peace, and what did that produce? The cuckoo clock." He offers Holly a share of the racket and says he wants to see his friend, not the police. Later Calloway asks Holly to help trap Harry, and Holly refuses to tie the rope.
On the wheel, Harry reveals that the coffin held Harbin and shows no guilt. He argues that governments think in statistics, not people, and offers Holly a share of his racket. His cuckoo clock speech sums up his creed: culture comes from bloodshed, and peace produces nothing. Later Calloway wants Holly to help catch Harry; Holly refuses, and Brodsky reports that Anna will be handed over.
注目の表現
five-year planpitycut you inmake up your mind
このシーンの表現
give you a share
Lime offers Martins a share of the racket, sounding like an old friend proposing a deal.
They agreed to cut you in on the deal.
state economic plan
too bad, said coldly
decide finally
ought to
formally request
52 行のセリフに 30 件のメモ
unearth
They dug up your coffin.Link dug up your so the words run together.
They dug up your coffin.confused
You're just a little mixed up about things in general.from the standpoint of
Nobody thinks in terms of human beings.the working class
They talk about the people and the proletariat.fools and easy marks
I talk about the suckers and the mugs. It's the same thing.easy marks — Old British slang, mildly contemptuous; not for formal talk.
I talk about the suckers and the mugs. It's the same thing.I have them too
They have their five-year plans, and so have I.have faith in
You used to believe in God.out of trouble
Well, if you ever get Anna out of this mess, be kind to her. You'll find she's worth it.if-clause: The if-clause sets a condition and ever stresses how unlikely it is.
Well, if you ever get Anna out of this mess, be kind to her. You'll find she's worth it.decide finally
Lime hands the choice to Martins, a line that sounds patient but pushes him to decide.
When you make up your mind, send me a message.time clause: The when-clause uses present tense to point at a future decision.
When you make up your mind, send me a message.The d in mind often drops before send.
When you make up your mind, send me a message.wherever and whenever
I'll meet you any place, any time.Meet you can blur into mee-chu in fast speech.
I'll meet you any place, any time.cleft sentence: The cleft it is you puts you in focus against the police.
And when we do meet, old man, it is you I want to see, not the police.affection between brothers
In Switzerland, they had brotherly love.free rule and calm
They had 500 years of democracy and peace, and what did that produce? The cuckoo clock.ask too much
Calloway, you expect too much.ought to be executed
Oh, I know he deserves to hang, you proved your stuff.showed what you can do — Casual praise for proven skill; fine among peers.
Oh, I know he deserves to hang, you proved your stuff.do the hanging
Don't ask me to tie the rope.never mind — Spoken way to drop a subject or let something go.
Okay, forget it.formally request
Brodsky tells Calloway that Moscow will formally apply for the girl at the four-power meeting.
We shall apply for her at the Four Power meeting tomorrow.investigate
It is being looked into. So long, Major.passive continuous: The passive continuous says the case is actively being handled right now.
It is being looked into. So long, Major.come to know
He got to know him that way.starting to understand
I'm beginning to know Lime.could have succeeded
I think this would have worked, with your help.The scene gives Harry his most famous speech, and the speech is the clearest statement of what the film is about. He has just been told that the coffin was opened and held the wrong body, and he answers with a shrug: "Pity." From there he builds his defence — governments do not think in terms of human beings, so why should he? — and then reaches for history, contrasting the Italy of the Borgias with Switzerland. His conclusion, that five hundred years of peace produced only the cuckoo clock, is funny and chilling at once, because the logic that produces great art from murder is the same logic he uses to excuse his own. The rest of the scene measures the cost: he offers Holly a place in the business, and Holly, who once wrote westerns about men who did the right thing, tells Calloway that he will not tie the rope.
They had 500 years of democracy and peace, and what did that produce? The cuckoo clock.Harry's signature argument: peace and democracy are sterile, while violence and terror are what produced the great art he admires.
But, the dead are happier dead. They don't miss much here, poor devils.His cold comfort about the murdered: the dead are better off, a claim that lets him dismiss the people his racket kills.
And when we do meet, old man, it is you I want to see, not the police.The condition of his offer: he will meet Holly alone and without the police, which is also a way of keeping control of the encounter.
Don't ask me to tie the rope.Holly's refusal in one line: he will help catch Harry but will not be the one to execute him, drawing a limit he can live with.
Nobody thinks in terms of human beings.Harry's justification: institutions treat people as numbers, so he claims the right to do the same.
I'm beginning to know Lime.Calloway's grim line: after studying Harry's methods, he feels he now understands the man he is hunting.
Because it states Harry's view of the world in one joke. He argues that terror and war produced great art, while centuries of peace produced only a clock, which is how he justifies his crimes.
It is slang for giving someone a share of a business or a scheme. Harry offers to bring Holly into his racket, saying he trusts nobody else left in Vienna.
He does not refuse to help altogether. He only says he will not tie the rope, meaning he will not be the one to kill or execute his old friend.
It was dug up, and the body inside was not Harry's but Harbin's. That confirms Harry faked his death and used another man's corpse.
He wants Holly to arrange a meeting with Harry in the international zone, so that Harry can be caught. Holly thinks it is asking too much of him.
第 1 章racketeerCalloway Exposes Harry Lime
第 2 章hunt someone downMartins Checks Into a Military Hotel
第 3 章be up to somethingKurtz Feeds Martins a Cover Story
第 4 章post-mortemMartins Looks for the Girl
第 5 章what difference does it makeMartins Visits Anna After the Funeral
第 6 章up to no goodMartins Learns About the Third Man
第 7 章get to the bottom ofCalloway Confiscates Anna's Papers
第 8 章come to the pointMartins Questions Dr Winkel
第 9 章upside downCalloway Interrogates Anna Schmidt
第 10 章break the rulesMartins Confronts Popescu at the Club
第 11 章look inMartins Tells Anna to Love Again
第 12 章stream of consciousnessPopescu Warns Martins at the Lecture
第 13 章cap and bellsCalloway Explains the Penicillin Racket
第 14 章in your imageMartins and Anna Argue About Harry
第 15 章a dead man walkingCalloway Tells Anna Harry Is Alive
第 16 章get rid ofHarry's Speech on the Ferris Wheel
再生中 · 第 17 章cut you inHarry's Cuckoo Clock Speech