did regularly in the past
Kids used to ride this thing a lot in the old days.The Third Man · 1949 — 第 16 / 17 章 · 3'04" · B2
High on the Prater wheel, the supposedly dead Harry Lime reveals himself and shows no concern that Anna has been arrested. He points at the people below: "Would you really feel any pity if one of those dots stopped moving forever?" When Holly threatens him, Harry answers that he carries a gun.
On the great wheel at the Prater, Holly Martins meets Harry Lime, who is alive and entirely unbothered that Anna has been arrested and may be handed to the Russians. Harry asks whom Holly told, dismisses his answers as unwise, and defends himself with the image of the people below as dots that can be spent. Holly tells him his money will be no use in jail.
注目の表現
on my mindgive myself upget rid ofcut you out of
このシーンの表現
remove or dispose of
Lime jokes that he would not be hard to get rid of, a light line with menace under it.
She wants to get rid of that old car.
weighed down by worries
surrender to the police
leave you out of a share
tax on earnings
poor things
63 行のセリフに 22 件のメモ
did regularly in the past
Kids used to ride this thing a lot in the old days.not have the cash
But they haven't the money now, poor devils.poor things — Old-fashioned British sympathy; fine with friends, too casual for formal talk.
But they haven't the money now, poor devils.refuse to accept
Listen, Harry. I didn't believe that...quite clever
That was pretty smart, wasn't it?what became of someone
- Do you know what's happened to your girl? - Hmm?that's rough — Casual sympathy for bad news; keep it informal.
- She's been arrested. - Tough. Very tough. But don't worry, old man.weighed down by worries
On the wheel, Lime deflects a question about Anna by claiming his mind is full.
I've got quite a lot on my mind.Run a lot on together as one sound.
I've got quite a lot on my mind.provided that
I'm only safe in the Russian zone. I'm only safe here as long as they can use me.as long as clause: As long as introduces the condition under which he stays safe.
I'm only safe in the Russian zone. I'm only safe here as long as they can use me.wish + past form: I wish I could marks a wish that is not true right now.
- As long as they can use you? - I wish I could get rid of this thing.leave you out of a share
Lime insists he never excluded his old friend, trying to keep Martins on his side.
I've never cut you out of anything.Link one and of so it sounds like one-ov.
Would you really feel any pity if one of those dots stopped moving forever?put an offer to you
If I offered you £20,000 fortax on earnings
Lime frames murder as tax-free profit, a joke that exposes how cold he has become.
Free of income tax, old man. Free of income tax.the sole method
The only way you can save money nowadays.no evidence against
There's no proof against me...remove or dispose of
Lime jokes that he would not be hard to get rid of, a light line with menace under it.
I should be pretty easy to get rid of.gunshot injury
I don't think they'd look for a bullet wound after you hit that ground.would in a that-clause: The would sits inside a reported guess after I don't think.
I don't think they'd look for a bullet wound after you hit that ground.The t in bullet often drops before wound.
I don't think they'd look for a bullet wound after you hit that ground.The scene is the film's moral centre, and it is built as a seduction that fails. Harry appears, charming and unrepentant, and answers every charge with a shrug: Anna's arrest is "Tough. Very tough." delivered with a smile. Then he makes his famous argument, looking down at the people on the streets and turning them into arithmetic: "Would you really feel any pity if one of those dots stopped moving forever?" The horror of the speech is its calm, and its logic is the logic of a man who has already stopped seeing other people as people. Holly's reply restates the ordinary moral fact Harry has abandoned — money will not help him in jail — and Harry's answer, that there is no proof except Holly, turns the friendship into a threat. The last exchange, about the gun and the bullet wound, ends the charm completely.
Would you really feel any pity if one of those dots stopped moving forever?Harry's central argument: from a distance, human lives are only dots, and sentiment for them is something he cannot feel or understand.
The world doesn't make any heroes...His claim that heroism is a fiction invented by stories, used to excuse his own refusal to take any moral risk.
A lot of good your money will do you in jail.Holly's flat answer to Harry's arithmetic: whatever the money buys, it cannot buy freedom once he is caught.
You don't care anything at all about Anna, do you?Holly names the real charge: Harry has not asked about Anna except to shrug, which shows how little he cares for anyone.
I don't think they'd look for a bullet wound after you hit that ground.The threat at the end of the scene: Holly implies that if Harry kills him, a fall will hide the shot.
Because he does not intend to help her. He treats her danger as bad luck and refuses to act, even though she is being handed over to the Russians.
It is his defence of his crimes. Looking down at the people below, he argues that a single death among so many causes no real grief, and asks how many Holly would sacrifice for money.
It is his dark joke. He says the money from his racket is free of income tax, as if tax relief justified the deaths that produce it.
To warn Harry. Harry has said he would be easy to get rid of, and Holly replies that a bullet wound would be missed after a fall from the wheel.
Because Holly told the police and Anna that Harry was alive. Harry calls it unwise, and it turns the meeting into a threat between two old friends.
次のチャプター · 第 17 章cut you inHarry's Cuckoo Clock Speech
第 1 章racketeerCalloway Exposes Harry Lime
第 2 章hunt someone downMartins Checks Into a Military Hotel
第 3 章be up to somethingKurtz Feeds Martins a Cover Story
第 4 章post-mortemMartins Looks for the Girl
第 5 章what difference does it makeMartins Visits Anna After the Funeral
第 6 章up to no goodMartins Learns About the Third Man
第 7 章get to the bottom ofCalloway Confiscates Anna's Papers
第 8 章come to the pointMartins Questions Dr Winkel
第 9 章upside downCalloway Interrogates Anna Schmidt
第 10 章break the rulesMartins Confronts Popescu at the Club
第 11 章look inMartins Tells Anna to Love Again
第 12 章stream of consciousnessPopescu Warns Martins at the Lecture
第 13 章cap and bellsCalloway Explains the Penicillin Racket
第 14 章in your imageMartins and Anna Argue About Harry
第 15 章a dead man walkingCalloway Tells Anna Harry Is Alive
再生中 · 第 16 章get rid ofHarry's Speech on the Ferris Wheel
第 17 章cut you inHarry's Cuckoo Clock Speech