National Theatre Live: Prima Facie · 2022 — 第 14 / 22 章 · 3'22" · C1

Tessa Agrees to Testify, Explained:in the hands of

Tessa's life sits with the police, the CPS and the court, and one line admits she has no control. Privacy, family and friends are "so much at stake," yet she still answers "Yes, I will give evidence in court." Under the fear is the girl who fought to be seen, and the worry that doing nothing would lose her.

あらすじ

A woman says her life is in the hands of the police, the CPS and the court. Privacy, family and friends are at stake, and she is scared, yet she agrees to give evidence. Her mother arrives with a straw bag and a jam sandwich. She berates herself, then her mother wraps her in a gruff hug: even if they get away with it, they must not ruin Tessa.

MonologuesParents & kidsConfessingComfortingParent & childC1slowbritish
IMDb ↗

注目の表現

in the hands ofat stakemake itgive evidence

00:00 / 03:22
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白From no control to yes9 行練習ページ ↗
  2. ❝ 独白The self-blame stack9 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

in the hands of

controlled by others, not you

She names the police, the CPS and the court as the ones now holding her life.

The final edit is in the hands of the client, not our team.

このシーンの他の表現

  • at stake

    at risk of being lost

  • make it

    survive or succeed here

  • give evidence

    testify in a legal case

  • fucked

    had sex, said crudely

  • pro bono

    unpaid work for the public

このシーンのメモ一覧

47 行のセリフに 27 件のメモ

表現 · B2in the hands of someone

controlled by others, not you

She names the police, the CPS and the court as the ones now holding her life.

No, my life is in the hands of the police, the CPS, the court system.
発音of the police

Keep of the light so the beat lands on police.

No, my life is in the hands of the police, the CPS, the court system.
表現 · B2something at stake

at risk of being lost

Privacy, family and friends are listed as what this case could take from her.

So much at stake – my privacy, my family, my friends.
表現 · B2do something and do it again

did the same thing repeatedly

But there is this person inside of me, that girl who fought and fought to be seen.
文法 · B2that girl who fought and fought to be seen

relative clause: Who attaches the fight to be seen onto girl, naming which person.

But there is this person inside of me, that girl who fought and fought to be seen.
発音fought and fought

Put the weight on the first fought and ease off the second.

But there is this person inside of me, that girl who fought and fought to be seen.
表現 · B1make it

survive or succeed here

The question after the left-right look is who in that circle will fall.

Look to your left, look to your right, who won't make it?
表現 · B2give evidence

testify in a legal case

Two yeses push a frightened self into a promise to speak in court.

'Yes. Yes, I will give evidence in court.'
スラング · B2fucked

had sex, said crudely — Use it only in cruel private self-talk, never in a statement.

'You fucked a guy on a sofa in work.'
スラング · B2in work

at work, in casual British — Casual British English for at the workplace; keep it out of formal writing.

'You fucked a guy on a sofa in work.'
表現 · B1in the middle of something

while it is all still happening

'In the middle of it all, you just froze. What is wrong with you?
表現 · B2do that to someone

did that harm to you that means the assault, not another act

'You let him sleep in your bed after he'd done that to you, 'while you cried in the shower?
文法 · B2after he'd done that to you

past perfect: Had done places the harm before she let him stay the night.

'You let him sleep in your bed after he'd done that to you, 'while you cried in the shower?
表現 · C1pro bono work

unpaid work for the public

She stacks his unpaid public work, then asks what she is doing to him.

'Julian, he is a good barrister, he does lots of pro bono work, 'what are you doing to him?
表現 · C1someone was consenting

was agreeing at the time

'What if he really thought you were consenting?'
表現 · B2the law says

the statute states this

'The law says... It says you cannot do this to a woman.
表現 · B2hold someone down

pin someone so they cannot rise

'You can't hold her down, keep her trapped while you...
表現 · B2keep someone trapped

hold someone so they stay stuck

'You can't hold her down, keep her trapped while you...
表現 · C1pretend something was consensual

claim afterwards that both agreed

'You can't rape and then pretend it was consensual, can you, Mum?'
表現 · A2can't take something

cannot physically bear it

Me stomach can't take it, but she looks so worried.
表現 · B1bags under someone's eyes

tired dark circles under the eyes

Deep bags under her eyes.
表現 · C1a gruff hug

a rough, tight embrace

..and she completely engulfs me in this gruff hug.
表現 · B2get someone down

crush someone's spirits

Someone in the hug orders her not to let those people flatten her.

'Be your strong self! Don't let the bastards get you down!
発音get you down

Leave you weak between get and down instead of a full pronoun.

'Be your strong self! Don't let the bastards get you down!
スラング · B2bastards

people you despise — Fine when cheering a friend roughly; skip it in formal comfort.

'Be your strong self! Don't let the bastards get you down!
表現 · B2get away with something

escape punishment for it

The line admits they might never be punished, then moves to protect her.

'Even if they get away with it, you don't let them ruin our Tessa.'
文法 · B2Even if they get away with it

concessive clause: Even if admits they may escape, and the main clause still protects her.

'Even if they get away with it, you don't let them ruin our Tessa.'

「Tessa Agrees to Testify」を読み解く

What's really going on

On the surface a woman has agreed to testify, and her mother shows up with a straw bag and a strawberry jam sandwich. Under that sits a fight over who owns what happened. She has already put her life with the police, the CPS and the court: "I have no control." Privacy, family and friends are "so much at stake." The reason she still says yes is "that girl who fought and fought to be seen." Do nothing, and she thinks she could lose her. Then she turns on herself. She calls it her fault that she froze, and she builds Julian up as "a good barrister" who "does lots of pro bono work," so she can keep blaming herself. Her mother does not debate him. The hug is gruff, and the line is narrow: "Even if they get away with it, you don't let them ruin our Tessa."

Theme

CourageShe is scared and has no control, yet she says she will give evidence because the girl who fought to be seen might otherwise be lost.
GuiltShe calls herself pathetic for freezing, then holds up Julian's pro bono work so the blame stays on her.

発音のポイント

  • of the police — Keep of the light so the beat lands on police.
  • fought and fought — Put the weight on the first fought and ease off the second.
  • get you down — Leave you weak between get and down instead of a full pronoun.
But there is this person inside of me, that girl who fought and fought to be seen.

She names the person inside her who kept fighting to be seen, the one she is afraid to lose if she does nothing.

Look to your left, look to your right, who won't make it?

She asks who will fail to last. Here it is the test she sets beside the girl who fought to be seen, just before she agrees to speak.

'You can't rape and then pretend it was consensual, can you, Mum?'

She puts the legal line to her mother: you cannot force a woman and afterwards call it consent.

'Be your strong self! Don't let the bastards get you down!

In the hug, someone tells her to stay the strong version of herself and not let those people crush her nerve.

'Even if they get away with it, you don't let them ruin our Tessa.'

The same voice allows that they may escape punishment, and still draws a line: they do not get to destroy Tessa.

このシーンについての質問

Why does she agree to give evidence when she is scared?

She says privacy, family and friends are at stake and "I am scared," but there is "that girl who fought and fought to be seen." If she does nothing, she thinks she could lose her. What she then says is "Yes, I will give evidence in court."

Why does she mention Julian's pro bono work while attacking herself?

The speech is labelled "Berating myself." She calls him "a good barrister" who "does lots of pro bono work," then asks "what are you doing to him?" The unpaid work adds weight to "good," so the blame stays on her.

What is she afraid of losing if she does nothing?

Not the case file. She says if she does nothing, "I think I could lose her," and "her" is "that girl who fought and fought to be seen."

Why does the hug mention them getting away with it?

The hug has just told her "Be your strong self" and not to let them get her down. The next line is "Even if they get away with it, you don't let them ruin our Tessa." It does not promise they will be punished. It draws a line around Tessa herself.

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