National Theatre Live: Prima Facie · 2022 — 第 11 / 22 章 · 4'20" · C1

Tessa Asks for the Police Station, Explained:legal truth

In the cab she is only arguing for a ride to Euston, yet the fight is about a rule, a threat, and a face that changes. Underneath sits the line she cannot shake: "This is the legal truth, this is how the law tries to understand." Then she asks for the nearest police station.

あらすじ

Someone gets out of bed while Julian snores, vomits, scrubs her skin raw in the shower, and rehearses the questions a courtroom would ask. She leaves her own place in summer clothes, walks three hours in the rain, and gets into a cab for Euston and her mum. The driver refuses. She cites the cab rank rule, threatens to report him, then asks for the nearest police station.

MonologuesArgumentsThreateningAskingStrangersC1mediumbritishClean
IMDb ↗

注目の表現

loohooking uphit rewindlegal truth

00:00 / 04:20
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Witness in her own court10 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

legal truth

the version of events law can use

She names the courtroom version legal truth and the next refusal flips the label.

The legal truth is the email chain; it still misses why she stayed.

このシーンの他の表現

  • loo

    British informal word for the toilet

  • hooking up

    casual intimacy, often sexual

  • hit rewind

    wish to undo what happened

  • you don't get to

    you have no right to do that

  • go down

    be punished or professionally ruined

このシーンのメモ一覧

67 行のセリフに 33 件のメモ

表現 · B1struggle out of something

get out only with effort

I struggle out of bed, I...
スラング · B1loo

British slang for toilet — Fine among friends; keep it out of formal writing.

I stagger to the loo, naked, and I vomit.
表現 · B2the both of you

both of you

'there was a lot of saké drunk by the both of you.'
表現 · B2remove your clothing

took your clothes off, said like a record

'You said you removed your clothing yourself, is that right?'
表現 · B2wouldn't you agree

a tag that pushes you to say yes

'There are two empty red wine bottles at your house, wouldn't you agree?'
発音wouldn't you agree

Let the t in wouldn't slip into you.

'There are two empty red wine bottles at your house, wouldn't you agree?'
スラング · B2hooking up

casually getting together, often sexually — Casual talk only; too loose for a statement.

'You told people you were hooking up with him.'
表現 · B1sleep with someone

had sex with someone

'Had you slept with the defendant before?'
表現 · B1invite someone to a place

you asked him into your home

'Did you invite him to your home, to your bed?'
表現 · B1in case something happens

as a precaution, reason cut off

I... I clean up the living room, even though I know I... I should leave it in case.
文法 · B1even though I know I... I should leave it

concessive clause: Even though admits she should leave the room, while the main clause says she cleaned it.

I... I clean up the living room, even though I know I... I should leave it in case.
表現 · B2take everything away from someone

strip someone of all they rely on

Let him take everything away from me? Become a witness in my own courtroom?
文法 · B2Let him take everything away from me?

rhetorical question: Let him sounds like permission, but the question mark makes it a refusal.

Let him take everything away from me? Become a witness in my own courtroom?
発音my own courtroom

Put the weight on own and ease the next word.

Let him take everything away from me? Become a witness in my own courtroom?
表現 · B2someone's contacts

a father's useful connections people with influence, not phone entries

With Jules, Julian, and all his dad's contacts.
表現 · C1run something by someone

let Adam look over the defence

Running his defence by Adam, brilliant Adam.
表現 · B2off-licence

a British shop licensed to sell takeaway alcohol

People who saw us laughing, gelato server, off-licence guy.
表現 · B2cab rank

a taxi stand where cabs wait in line

I... I come to a cab rank.
表現 · A2catch the train

get on a train and leave

I want to get to Euston station, catch the train to my mum's.
表現 · B2airport rides

fares to or from the airport only a ride here is a fare, not an amusement

'Sorry, love, I'm only doing airport rides this morning.'
スラング · B2lousy

worthless, annoyingly bad — A spoken complaint; too sloppy for a formal letter.

'What?' 'Love, I haven't waited an hour for that lousy ride.'
スラング · B2mate

British address, here a pushback — Ordinary British address, but sharp here; not for a boss.

'Well, guess what, mate? You don't get to choose.'
表現 · B2where the ride goes

the booked fare decides the destination the ride means the job the passenger booked

'You go where the ride goes, that is the rule.' 'Not this time.'
文法 · B1where the ride goes

where-clause: Where names the destination he must follow, rather than asking which way.

'You go where the ride goes, that is the rule.' 'Not this time.'
表現 · B2get suspended for something

be ordered to stop working

'You can get suspended for breaking the rule so if you don't take me,
スラング · C1go down

be punished and lose standing — A threat in speech; too crude for formal writing.

'I will report you and I will make sure that you go down.'
表現 · A2call the police

phone the police

'If you don't get out, I'm gonna call the police.' 'That's not fair.'
発音I'm gonna

Treat gonna as one beat; don't rebuild going to.

'If you don't get out, I'm gonna call the police.' 'That's not fair.'
スラング · A2gonna

spoken form of going to — Spoken only; write going to on the page.

'If you don't get out, I'm gonna call the police.' 'That's not fair.'
表現 · B2take someone in

look someone over and register them

His face takes her in, and the look itself changes before either of them speaks again.

The guy turns around. I see his face take me in, it changes.
表現 · B2wrap oneself up against someone

curl your whole body against someone cling against her, not wrap up in a blanket

I want to wrap myself up against her on the old floral sofa.
表現 · C1legal instinct

a lawyer's trained gut feeling

Legal instinct tells me this is a losing case, but I...
発音to the nearest

Keep to and the light so nearest stays clear.

'Can you take me to the nearest police station, please?'

「Tessa Asks for the Police Station」を読み解く

What's really going on

In the shower she runs the questions herself. Sake, laughter, wine bottles, and "You said you removed your clothing yourself, is that right?" She puts on summer clothes from the spare room and cleans the living room she knows she should leave. She pictures Julian, his father's contacts, and Adam running the defence, then the witnesses she would face: Mia, an Uber driver, a gelato server, people who saw them laughing. She names that version in one line: "This is the legal truth, this is how the law tries to understand." She leaves and walks for three hours. The cab fight sounds like a fare. A rule about who gets to choose, and a threat to make sure he goes down, land on a driver who only wants airport work. Once he looks at her, it falls into "It is not fair!" and her mum's floral sofa. She calls it a losing case and asks for the police station.

Theme

JusticeShe names the legal truth those questions would build, calls the matter a losing case, and still asks for the nearest police station.
CourageShe threatens the driver, says she does not know where to go, and then asks for the police station.

発音のポイント

  • wouldn't you agree — Let the t in wouldn't slip into you.
  • my own courtroom — Put the weight on own and ease the next word.
  • I'm gonna — Treat gonna as one beat; don't rebuild going to.
  • to the nearest — Keep to and the light so nearest stays clear.
'You said you removed your clothing yourself, is that right?'

A question she puts to herself in the shower: the claim that she took her own clothes off, treated as if it answers what happened.

Let him take everything away from me? Become a witness in my own courtroom?

The cost she is turning over: he would take the career she built, and she would stand as a witness in the courtroom she thinks of as hers.

This is the legal truth, this is how the law tries to understand.

Her name for the version a court would keep: not the night as she lived it, but what those questions about bills, laughter, and clothes can prove.

I want to wrap myself up against her on the old floral sofa.

In the cab, after the fight, the place she wants is her mother's old floral sofa, pressed against her, not another argument.

'I will report you and I will make sure that you go down.'

Her threat when the driver will not take her to Euston: she will report him for breaking the cab rank rule and see that he is finished.

このシーンについての質問

Why does she clean the living room?

She cleans it even though she knows she should leave it, in case. In the same stretch she wants to hit rewind, finds him still in her bed, and asks what happens to the life and career she has built. The lines leave the tidying and the doubt side by side.

Why does she threaten the cab driver?

She got in to reach Euston and the train to her mum. He says he is only doing airport rides and did not wait an hour for that ride. She tells him a cab at a rank goes where the ride goes, that he can get suspended, and that she will report him and make sure he goes down.

Why does the driver's manner change?

He tells her to get out and says he will call the police. She says that is not fair. He turns around, his face takes her in, and it changes. She says again that it is not fair, thinks of her mum, and he hands her a tissue. In the mirror his eyes are kind eyes now. The lines show the look. They do not give his reason.

Why ask for a police station after calling it a losing case?

She says she does not know where to go, looks at the car clock, and legal instinct tells her this is a losing case. She still asks the driver: "Can you take me to the nearest police station, please?" Nothing here says she thinks she will win.

ナショナル・シアター・ライブ2022/プライマ・フェイシィ · 全 22 章

すべて見る →
第 11 / 22 章 · 残り約 37 分