National Theatre Live: Prima Facie · 2022 — 第 18 / 22 章 · 2'27" · C1

Cross-Examining Herself in Court, Explained:cross-examining myself

A sympathetic smile snaps shut and the questions turn professional: name, the first night, vodka in the office, then the night itself. She hears a snicker and still calls it support. Once she reaches the steady walk back to bed, the kinder detail becomes a weapon. "In my head, I am cross-examining myself."

あらすじ

In court, a man clears his throat, gives a sympathetic smile, then turns all professional. He asks the witness to tell, in her own words, about the first night with Julian Brookes and the night in question. She describes vomiting and being carried back to bed, then realizes the steady walk means he lied about being too drunk. She answers aloud while, in her head, cross-examining herself.

CourtroomExplainingConfrontingC1mediumbritishClean
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注目の表現

all professionalin your own wordsshowing supportthe night in question

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  1. ❝ 独白Private cross-examination11 行練習ページ ↗
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このシーンの表現

cross-examining myself

attacking her own testimony inside her head

She is still answering aloud while the same questions turn inward on her story.

The meeting ended, but I kept cross-examining myself about one careless sentence.

このシーンの他の表現

  • all professional

    suddenly nothing but the work mask

  • in your own words

    say it in your wording, not ours

  • showing support

    a jeer renamed as loyalty

  • the night in question

    the specific night this case is about

  • suggests manipulation

    makes a gesture look like scheming

このシーンのメモ一覧

34 行のセリフに 30 件のメモ

表現 · B2be all + adjective

suddenly nothing but the work mask

Richard's sympathetic smile gives way at once to a purely professional manner.

gives me a sympathetic smile, and then he is all professional.
発音sympathetic smile

Stress the middle of sympathetic and let smile fall away.

gives me a sympathetic smile, and then he is all professional.
表現 · B1tell the court something

address the court, not a person beside you

'Can you tell the court your name and occupation?'
表現 · B2not take one's eyes off someone

refuse to look away from him

I won't take my eyes off him.
発音off him

Keep him light and leave the weight on eyes.

I won't take my eyes off him.
表現 · B1in one's own words

say it in your wording, not ours

The questioner asks for the first night but insists the wording be hers.

'In your own words, can you please tell the court 'about the first night you spent with Julian Brookes?'
表現 · C1dart one's eyes

flick one's eyes quickly toward someone not a dart thrown; the eyes flick outward

I involuntarily dart my eyes out to seek who it is.
文法 · B1who it is

indirect question: who it is stays statement order: she is identifying the laugher, not calling out.

I involuntarily dart my eyes out to seek who it is.
スラング · B2Old school buddies

pals from his old school — Means former schoolmates here, not a retro style; skip it formally.

Old school buddies? Uni mates? They all look the same.
スラング · B2Uni mates

university friends, said casually — Casual British English among friends, not for a formal introduction.

Old school buddies? Uni mates? They all look the same.
表現 · B2one of one's own

a member of their own group own means one of the group, not a possession

This is them showing support for one of their own.
表現 · B2catch someone's face

glimpse the look on her face catch means notice, not grab

I cringe when I'm asked the detail, catch her face.
スラング · B2cringe

shrink with embarrassment — Everyday talk about your own embarrassment, not a formal speech.

I cringe when I'm asked the detail, catch her face.
表現 · C1the X in question

the specific night this case is about

After the office vodka, he turns to the night in question and asks what happened that night.

'Turning to the night in question, 'can you please tell the court, in your own words, what happened?'
発音in question

Stress the first syllable of question; do not lift it like a real question.

'Turning to the night in question, 'can you please tell the court, in your own words, what happened?'
表現 · B2avoid someone's eye

refuse to meet her gaze

A woman juror is looking at me, I avoid her eye.
表現 · B2suggest manipulation

makes a gesture look like scheming

A woman on the jury is watching her, and she looks away so no gesture can be called a ploy.

I don't want to do anything that suggests manipulation.
文法 · B1anything that suggests manipulation

relative clause: The that-clause limits anything to acts that would look like manipulation.

I don't want to do anything that suggests manipulation.
表現 · B2it occurs to someone

a thought suddenly hits me

And it occurs to me in this moment, in court, as I am answering this question,
表現 · A2in this moment

right now, not later in memory

And it occurs to me in this moment, in court, as I am answering this question,
文法 · C1wasn't too drunk that he could not remember

mixed result clause: Too drunk is tied to a that-clause: the carrying shows he could still remember.

that Julian carefully carrying me back to the bed means he wasn't too drunk that he could not remember.
発音wasn't too drunk

Let the final t in wasn't brush into too without a stop.

that Julian carefully carrying me back to the bed means he wasn't too drunk that he could not remember.
表現 · B1lie to someone about something

tell me an untruth about a particular thing

He has lied to me about being so drunk.
表現 · B2know what one is doing

in control, not lost or confused

She has just described him carrying her without a stumble, then stops on but.

He didn't fall or stumble. He knew what he was doing, but...
表現 · B2be used against someone

be turned into something that hurts me

This will be used against me. Yeah.
表現 · B2the less + adjective + one

the one whose word counts for less

She finishes their point: if only she was drunk, her account counts for less.

They will say I was the only drunk one in this story, so I am the less reliable one.
文法 · B1so I am the less reliable one

result clause: So delivers their conclusion: her drunkenness makes her less believable.

They will say I was the only drunk one in this story, so I am the less reliable one.
表現 · B1one's very own

emphatically mine, nobody else's very strengthens own; it does not mean extremely

I'm using my own defence skills to doubt my very own story.
表現 · B2find fault in something

search a story for what is wrong with it

Finding fault in my story. Trapped again and again and again.
表現 · A2again and again

repeatedly, with no end in sight

Finding fault in my story. Trapped again and again and again.

「Cross-Examining Herself in Court」を読み解く

What's really going on

The smile lasts a moment, then he is "all professional." Name, occupation, the first night, vodka in the office, "the night in question." A snicker comes from the gallery, where Julian's friends sit. She still calls it "showing support for one of their own." What sounds like care starts to cut the other way. She is asked about vomiting, then about "Julian carefully carrying me back to the bed." Set beside "He didn't fall or stumble," the carry means he was not too drunk to remember. "He has lied to me about being so drunk." "This will be used against me." If he walked steadily, "They will say I was the only drunk one in this story, so I am the less reliable one." "I answer the questions aloud. In my head, I am cross-examining myself." Her own defence skill, finding fault again and again, is aimed at her story. Her mother's face does not change. She digs her nails into her palms.

Theme

JusticeOn the stand she watches a steady walk become proof that she, not he, is "the less reliable one."
LiesThe careful carry back to bed makes "He has lied to me about being so drunk" her conclusion, because he did not stumble.

発音のポイント

  • sympathetic smile — Stress the middle of sympathetic and let smile fall away.
  • off him — Keep him light and leave the weight on eyes.
  • in question — Stress the first syllable of question; do not lift it like a real question.
  • wasn't too drunk — Let the final t in wasn't brush into too without a stop.
I don't want to do anything that suggests manipulation.

She will not meet the woman juror's eye or do anything that could look like she is steering the room.

He has lied to me about being so drunk.

The careful carry back to bed tells her he was sober enough to remember, so his claim of being that drunk was a lie.

They will say I was the only drunk one in this story, so I am the less reliable one.

She is predicting the attack, not reporting one already made: a steady walk will be used to argue that only she was drunk, and that she is the one less to be believed.

I answer the questions aloud. In my head, I am cross-examining myself.

The answers come out loud for the court, but inside she is running the same cross-examination on her own account.

I'm using my own defence skills to doubt my very own story.

The habit she uses to pick holes in a case is now aimed at the story she is telling.

このシーンについての質問

Why does she decide he lied about being so drunk?

Because he carried her back to bed without falling or stumbling. She takes that steady walk as proof he was not too drunk to remember, so "He has lied to me about being so drunk."

Why does she think the steady walk will be used against her?

She is still answering when she makes the inference. If he walked steadily, "They will say I was the only drunk one in this story, so I am the less reliable one."

Why does she avoid the woman juror's eye?

She looks at the jury, feels anxious, and will not meet that juror's eye. The line is "I don't want to do anything that suggests manipulation."

Who snickers while she describes the first night?

She hears a snicker, looks out, and sees extra people in the gallery: Julian's friends, school or university mates who "all look the same." She calls it "showing support for one of their own."

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