get the crowd cheering not literal noise; a call for cheers
Let me hear you make some noise.Mean Girls · 2004 — 第 5 / 10 章 · 2'28" · B1
Talent Show Rap and a Formation Switch, Explained：getting on my last nerve
At the winter talent show, a cheerful song keeps giving way to gossip about candy canes, parents, and a nose job. Beneath the tune, the questions test who is inside the group and who is being pushed out: “She doesn't even like you that much.”
あらすじ
At the North Shore High winter talent show, an emcee warms up the crowd and introduces the first act. The scene keeps cutting between a performance and gossip about candy canes, a nose job, and who is really liked. Later, an argument over position ends with a blunt order to switch sides.
注目の表現
star on the riseif that's what you meanno offensenose job
00:00 / 02:28Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
getting on my last nerve
push someone to the breaking point
After repeated arguing over placement, someone names the frustration and cuts it off with a one-word order.
The dripping tap is getting on my last nerve.
このシーンの他の表現
- star on the rise
a rising talent
- if that's what you mean
if that's your point
- no offense
don't take this badly
- nose job
rhinoplasty, informally
- The G is silent
the letter G is not pronounced
このシーンのメモ一覧
31 行のセリフに 26 件のメモ
Let 'hear you' run together rather than placing a hard gap.
Let me hear you make some noise.calm down and be quiet
All right, settle down.label oneself
Our first act calls himself a star on the rise.a rising talent
The host introduces the first act by repeating his self-description, letting the boast hang in the air.
Our first act calls himself a star on the rise.leave someone out of mind
Maybe she forgot about you.behave oddly
Yeah, Regina has been acting kind of weird lately.In fast speech, the 'of' in 'kind of' is easy to lose; keep the rhythm light.
Yeah, Regina has been acting kind of weird lately.if that's your point
Someone turns a vague question about odd behavior into a blunt family secret, then uses this phrase to pin the meaning down.
Well, I mean, her parents totally don't sleep in the same bed anymore, if that's what you mean.predicative clause: The clause names the thing someone means; it is not a direct question.
Well, I mean, her parents totally don't sleep in the same bed anymore, if that's what you mean.don't take this badly
The speaker uses a polite warning before a question that is really a comparison and a put-down.
Don't you bring me down today I mean, no offense, but why would she send you a candy cane?be uncomfortable near someone
Maybe she feels weird around me because I'm the only person that knows about her nose job.rhinoplasty, informally
Someone explains another person's discomfort by mentioning a nose job, bringing a private cosmetic procedure into the conversation.
Maybe she feels weird around me because I'm the only person that knows about her nose job.relative clause: The clause identifies the only person who knows the secret; 'that' is its subject.
Maybe she feels weird around me because I'm the only person that knows about her nose job.act as if you missed it
Oh, my God. Pretend you didn't hear that.Stress the two participles and keep 'not' light.
Yo, yo, yo All you sucker MCs Ain't got nothing on me From my grades to my lines You can't touch Kevin G I'm a Mathlete So nerd is inferred But forget what you heard I'm like James Bond the Third Shaken not stirred I'm Kevin Gnapoor The G is silent when I sneak in your door And make love to your woman On the bathroom floor I don't play it like Staggy You'll know it was me Because the next time you see her She'll be like - Kevin G! - Thank you, Kevin, that's enough.second-rate rappers — Hip-hop trash talk; avoid it outside the culture or in formal talk.
Yo, yo, yo All you sucker MCs Ain't got nothing on me From my grades to my lines You can't touch Kevin G I'm a Mathlete So nerd is inferred But forget what you heard I'm like James Bond the Third Shaken not stirred I'm Kevin Gnapoor The G is silent when I sneak in your door And make love to your woman On the bathroom floor I don't play it like Staggy You'll know it was me Because the next time you see her She'll be like - Kevin G! - Thank you, Kevin, that's enough.a math competition athlete — School slang; explain it if the listener is outside that world.
Yo, yo, yo All you sucker MCs Ain't got nothing on me From my grades to my lines You can't touch Kevin G I'm a Mathlete So nerd is inferred But forget what you heard I'm like James Bond the Third Shaken not stirred I'm Kevin Gnapoor The G is silent when I sneak in your door And make love to your woman On the bathroom floor I don't play it like Staggy You'll know it was me Because the next time you see her She'll be like - Kevin G! - Thank you, Kevin, that's enough.are you bothered that...
Does it bother you that they still use your original choreography?the first dance routine
Does it bother you that they still use your original choreography?subject clause: The that-clause is the real subject; 'it' only holds its place in the question.
Does it bother you that they still use your original choreography?moving your body suggestively — Playful or suggestive; keep it out of formal settings.
- What? - I'd rather see you out there shaking that thing.change places
Gretchen, switch sides with Cady.predicative clause: The when-clause completes 'was' and points to a past stage, not a question about time.
That was when there were three of us, and now the tallest go in the middle.push someone to the breaking point
After repeated arguing over placement, someone names the frustration and cuts it off with a one-word order.
And right now you're getting on my last nerve. Switch.Hit 'last' and 'nerve'; let 'Switch' drop short and final.
And right now you're getting on my last nerve. Switch.「Talent Show Rap and a Formation Switch」を読み解く
What's really going on
The talent show is supposed to be entertainment, but the real performance is social sorting. A cheerful song keeps cutting to questions about who got a candy cane and who did not, then slides into "She doesn't even like you that much" and a disclosure about a "nose job." The polite framing is cover: each line tests who is close to the center and who can be embarrassed in public. Even the later order to switch sides is framed as a practical rule—"the tallest go in the middle"—while the repeated objection "I'm always on your left" shows that a small change in position means a change in rank. The final "getting on my last nerve" drops the framing and turns status into a direct command.
Theme
FriendshipCandy-cane questions and a nose-job secret test who belongs, while the public setting keeps every jab polite.
PowerA small order to switch sides, backed by "getting on my last nerve," shows rank enforced in public.
発音のポイント
- hear you — Let 'hear you' run together rather than placing a hard gap.
- kind of — In fast speech, the 'of' in 'kind of' is easy to lose; keep the rhythm light.
- Shaken not stirred — Stress the two participles and keep 'not' light.
- last nerve — Hit 'last' and 'nerve'; let 'Switch' drop short and final.
Our first act calls himself a star on the rise.The announcer introduces the first act using the performer's own label: he calls himself a rising star.
She doesn't even like you that much.A blunt put-down: the person sending candy canes is not as fond of the listener as the listener hopes.
Oh, my God. Don't tell her I told you that.The speaker has just shared gossip and immediately asks for secrecy, making the disclosure feel even more dangerous.
Does it bother you that they still use your original choreography?A pointed question about credit: someone else is still using the listener's old dance moves, and the question asks whether that stings.
That was when there were three of us, and now the tallest go in the middle.A rule is offered to justify a new formation: the old three-person arrangement no longer applies, so position must change.
And right now you're getting on my last nerve. Switch.Patience has run out; the order to switch is no longer a request but a direct command.
このシーンについての質問
Why is the candy cane such a big deal?
It becomes a test of favor. One line asks, "why would Regina send you guys candy canes and not me?" and the reply "Maybe she forgot about you" turns the gift into a measure of who matters.
What does the nose job comment reveal about the group?
It turns private information into social ammunition. The line says the speaker is "the only person that knows about her nose job," and the immediate "Pretend you didn't hear that" shows the comment was not meant to stay private.
Why does Gretchen object to switching sides?
She answers, “I'm always on your left.” The order names her directly, and her reply treats that spot as her usual place, so she is resisting the change.
Is "That was something" a compliment?
It can sound like praise, but the line gives no clear verdict. After the rap performance, “That was something” could be sincere or noncommittal; the next question about “original choreography” moves the talk elsewhere.
What does "getting on my last nerve" mean here?
It means someone has reached the limit of patience. The next word, "Switch," turns the complaint into an immediate order, so the phrase works as a final warning.
ミーン・ガールズ · 全 10 章
すべて見る →
次のチャプター · 第 6 章You didn't hear it from meThree-Way Call Gossip
第 1 章queen beeReading the Cafeteria Map
第 2 章scam onJason Gets Dressed Down at Lunch
第 3 章hump dayCady Visits Regina's House
第 4 章huge crush onCady's Crush Gets Exposed
再生中 · 第 5 章getting on my last nerveTalent Show Rap and a Formation Switch
第 6 章You didn't hear it from meThree-Way Call Gossip
第 7 章the word had gotten outThe Party Gets Out of Hand
第 8 章girl-on-girl crimeRegina George Gets Called Out
第 9 章can't help itStudents Confess at Apology Assembly
第 10 章sudden-death roundCady Wins the Mathletes Championship第 5 / 10 章 · 残り約 14 分