No, no. Fifteen seconds, please! Fifteen seconds, don't open your mouth.Fight Club · 1999 — 第 18 / 19 章 · 5'02" · B2
Tyler Warns Marla to Leave Town, Explained：leave town
Tyler warns Marla that her life is in danger and tries to put her on a bus out of the city, while Marla tells him exactly what she thinks of him: "you're intolerable." In the same night he calls the police to confess, but the officers who arrive already belong to Project Mayhem.
あらすじ
Tyler finds Marla and warns her that her life is in danger, telling her to leave town and stay away from major cities. Marla refuses, lists what she likes about him, and then says he is intolerable; she walks out. Later he calls the police to arrest him, describing Project Mayhem and its plan to destroy the credit-card records.
注目の表現
in dangerleave townget on the busasshole tax
00:00 / 05:02Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
leave town
go away from the city for now
He skips explanation and starts with exile.
If the reporters find the house, leave town for a week.
このシーンの他の表現
- in danger
at real risk of being harmed
- get on the bus
board the bus and go
- asshole tax
a fee charged for being cruel
- get his balls
castrate him as punishment
- you'd say that
your denial was already predicted
このシーンのメモ一覧
70 行のセリフに 30 件のメモ
What I've come to realize is that I really like you, Marla.I care about you and I don't want anything bad to happen to you because of me.at real risk of being harmed
He turns a confession of care into an evacuation order.
Your life is in danger.Stress danger; keep in light.
Your life is in danger.go away from the city for now
He skips explanation and starts with exile.
- What? - You need to leave town for a while.Get out of any major city. Just go camping...- I've involved you in something terrible. - No. Shut up!- You're not safe. - Shut up!You have very serious emotional problems for which you should seek professional help.pied-piping relative: The formal relative makes care sound like a clinical order.
You have very serious emotional problems for which you should seek professional help.I can't do this anymore.- Marla, you don't understand! - Leave me alone!- I never want to see you again! - If that's what it takes...- I never want to see you again! - If that's what it takes...Hold it right there! Shut up!Take this money and get on this bus. I promise I will never bother you again.a cruel or selfish person — Harsh insult; keep it private and rare.
I'm not paying this back. I consider it asshole tax.Fine. Remember, stay out of major cities for a couple of days, OK?You're the worst thing that ever happened to me.I am the leader of a terrorist organization responsible for numerous acts of vandalism and assault all over this city.Chapters have sprung up in five or six other major cities already.If you erase the debt record, then we all go back to zero.real conditional: The if-clause names an intended act, not a hypothetical.
If you erase the debt record, then we all go back to zero.- It'll set quite an example. - You're making a big mistake!- It'll set quite an example. - You're making a big mistake!Reduce you'd; let say carry the trap.
- You said you'd say that. - I'm not Tyler Durden!Are you fucking out of your minds? You're police officers!completely crazy — Angry and informal; not for official speech.
Are you fucking out of your minds? You're police officers!Keep your mouth shut.「Tyler Warns Marla to Leave Town」を読み解く
What's really going on
The warning scene is built on a reversal: the man who is dangerous tells the woman she is in danger, and she answers with the plainest description of him in the film. "There are things about you I like," Marla says, before listing what she cannot stand, ending with "you're intolerable" and "you're the worst thing that ever happened to me." Tyler's protection is real in his own terms — he does put her on a bus — but the scene keeps showing that the person who needs saving is not only Marla. In the second half, his confession to the police is equally self-contradicting: he offers himself up as the leader of a terrorist organization, describes the body in the garden and the nitroglycerin, and explains the plan to erase the debt record. What he cannot account for is that the Project Mayhem members have rehearsed him: he says the lines they expected, and the officers turn out to be theirs. The confession becomes another trap.
Theme
BetrayalTyler tries to protect Marla while running the very organization that put her in danger, and his confession is met by his own members.
IdentityHe surrenders as the leader, denies he is Tyler Durden, then admits it, and cannot break out of the lines written for him.
このチャプターで学べること
- 'in danger' carries more than its dictionary gloss.
- 'leave town' changes the pressure of the reply.
- The surrounding lines set the social temperature.
発音のポイント
- in danger — Stress danger; keep in light.
- you'd say that — Reduce you'd; let say carry the trap.
Your life is in danger.The plain warning that opens the scene: not a threat but an attempt to move Marla out of harm's way.
You have very serious emotional problems for which you should seek professional help.Marla's blunt verdict on Tyler, delivered like a diagnosis, which undercuts his claim to be the one protecting her.
You're the worst thing that ever happened to me.Her parting line: the relationship is framed as damage, and she leaves rather than keep arguing.
If you erase the debt record, then we all go back to zero.His explanation of the target: destroying the credit records would wipe everyone's financial history and restart them at nothing.
このシーンについての質問
Why does Tyler want Marla to leave town?
Because he believes she is a target now that Project Mayhem has grown. Getting her out of the city is his way of keeping her safe, even as he keeps the organization running.
Why does Marla refuse to go?
She has had enough of him. She admits there are things she likes about him, but calls him intolerable and says he needs professional help, then walks out with the worst line she can land.
Why does Tyler call the police and confess?
He wants the whole thing stopped and turns himself in as the leader, naming the headquarters, the body, and the plan. It is an attempt to end Project Mayhem from the top.
Why do the police turn on him?
Because they are members of Project Mayhem. They already know what he will say, repeating that he said he would say it, which turns the confession into a scripted trap.
What does 'asshole tax' mean in this scene?
It is Marla's joke about the money: she will not pay it back and treats it as a fee for having dealt with him. It ends the exchange on her terms rather than his.
ファイト・クラブ · 全 19 章
すべて見る →
次のチャプター · 第 19 章tying up loose endsJack Confronts Tyler on the Roof
第 1 章controlled demolitionTyler Holds a Gun on Jack
第 2 章assume the worstNarrator Cries at Support Groups
第 3 章the big touristNarrator and Marla Expose Each Other
第 4 章single-serving friendsJack Meets Marla at Support Group
第 5 章nine times out of tenJack Meets Tyler on a Plane
第 6 章taps outTyler Lays Down the Fight Club Rules
第 7 章a cry for helpMarla Calls Jack After an Overdose
第 8 章live up to its nameTyler's Door Is Closed
第 9 章posing as a house petTyler Warns Jack About Marla
第 10 章so be itTyler Makes Soap and Burns a Hand
第 11 章middle children of historyTyler's Middle Children Speech
第 12 章what did you want to beTyler Threatens Raymond at Gunpoint
第 13 章unique snowflakeTyler's Space Monkey Speech
第 14 章hitting bottomTyler Crashes the Car
第 15 章kill two birds with one stoneRobert Paulson's Death Scene
第 16 章one step behindThe Narrator Chases Tyler
第 17 章hear me outJack Realizes He Is Tyler
再生中 · 第 18 章leave townTyler Warns Marla to Leave Town
第 19 章tying up loose endsJack Confronts Tyler on the Roof第 18 / 19 章 · 残り約 4 分