American Beauty · 1999 — 第 14 / 14 章 · 2'28" · B1

Colonel Fitts Confronts Ricky, Explained:sit back and watch

Colonel Fitts has decided his son is gay, and demands an answer: "What did he make you do?" Ricky is guilty of nothing but a friendship, yet he can't argue his father out of it. The fight isn't about proof — it's about a father who would rather have a dead son than a truthful one.

あらすじ

At the Burnham house, Ricky compliments Lester on his new muscles, then leaves to find Jane. Later, at home, Colonel Fitts corners Ricky and accuses him of sleeping with Lester. Ricky pushes back, so his father threatens to throw him out. Ricky answers with mock agreement and ugly jokes until his father orders him gone.

Parents & kidsAccusationsThreateningConfrontingParent & childB1slowamerican
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注目の表現

work outsit back and watchwhat is it with youdamn straight

00:00 / 02:28
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Ricky's mocking confession5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

sit back and watch

stand by without acting

Frank finally erupts, telling Ricky he refuses to stand by while his son becomes something he hates.

I couldn't just sit back and watch the deal fall apart.

このシーンの他の表現

  • work out

    exercise to get fit

  • what is it with you

    what's wrong with you

  • damn straight

    absolutely, no doubt

  • don't you laugh

    don't you dare laugh

  • you're right

    agreeing, but sarcastically

このシーンのメモ一覧

29 行のセリフに 28 件のメモ

表現 · A2work out

exercise to get fit

Angela teases Lester about his body, half flirting and half testing whether he noticed her.

- Have you been working out? - Some.
表現 · A2you can really tell

it really shows

You can really tell.
表現 · B1what someone is up to

what someone is doing

I should probably go see what Jane's up to.
表現 · A2lie to someone

tell me a lie

You don't lie to me.
表現 · A2see someone with someone

saw you with him

Now, I saw you with him.
表現 · A2watch someone

watching me closely spying, not just looking.

You were watching me?
文法 · A2were watching

past continuous: Were watching says the spying was ongoing, which is exactly what stings.

You were watching me?
表現 · A2make someone do something

force someone to do

What did he make you do?
表現 · B1really think (that) ...

seriously believe

Dad, you don't really think me and Mr. Burnham...
発音don't really

The t in don't often drops; only the nasal stop remains.

Dad, you don't really think me and Mr. Burnham...
表現 · A2laugh at someone

mock someone

Don't you laugh at me!
文法 · B1Don't you laugh

emphatic negative imperative: Don't you laugh adds a dare; it forbids the act and the nerve behind it.

Don't you laugh at me!
表現 · B2sit back and watch something happen

stand by without acting

Frank finally erupts, telling Ricky he refuses to stand by while his son becomes something he hates.

Now, I will not sit back and watch my only son become a cocksucker!
文法 · B1watch my only son become

bare infinitive after watch: After watch, the next verb stays bare: watch my son become, never becomes.

Now, I will not sit back and watch my only son become a cocksucker!
発音sit back and

Link sit-back-and smoothly; the and is barely voiced.

Now, I will not sit back and watch my only son become a cocksucker!
スラング · C1cocksucker

an extreme anti-gay slur — A hateful slur; never repeat it at anyone.

Now, I will not sit back and watch my only son become a cocksucker!
表現 · B1throw someone out (of a place)

kick someone out to expel someone, not to toss objects.

I swear to God I'll throw you out of this house and never look at you again!
表現 · B1swear to God

swear by God

I swear to God I'll throw you out of this house and never look at you again!
発音swear to God

Stress swear and God; the to almost disappears.

I swear to God I'll throw you out of this house and never look at you again!
スラング · B1damn straight

absolutely, no doubt — Casual and forceful; too blunt for work or elders.

- You mean that. - You're damn straight I do!
文法 · B2I'd rather you were

past subjunctive after would rather: I'd rather you were marks an unreal wish about someone else.

I'd rather you were dead than be a fucking faggot!
スラング · B2suck dick

a vulgar phrase for oral sex — Vulgar and deliberately confrontational here.

- I suck dick for money. - Boy, don't start!
表現 · A1get out (of somewhere)

get out a command to leave, not a stroll outside.

Get out!
表現 · B1you should see someone ...

you ought to see it

And you should see me fuck!
スラング · B2piece of ass

a vulgar term for a desirable lover — Very vulgar; it exists here to shock, not to copy.

I'm the best piece of ass in three states!
表現 · A2never want to see someone again

never want to see you again a final cutoff, not a hope to meet again.

Damn it, get out! I don't ever want to see you again!
スラング · B1Damn it

a mild curse of frustration — Mild swearing; fine with friends, not at work.

Damn it, get out! I don't ever want to see you again!
発音What a

What a blurs into one unit before the stressed sad old man.

What a sad old man you are.

「Colonel Fitts Confronts Ricky」を読み解く

What's really going on

Nothing Ricky says can reach his father, because Colonel Fitts isn't asking — he's already decided. Every question is a verdict: "What did he make you do?" assumes the act, and "You were watching me?" turns a son's surprise into more evidence. Ricky finally stops defending himself and plays the part he's been given, agreeing with the worst version of it — a flat "You're right." that gives his father nothing to fight. The one line that lands is also the quietest: "What a sad old man you are." The scene makes its title literal. A father who can't stand what he suspects sees his son as a thing to be watched and corrected; the son chooses to be thrown out rather than play along.

Theme

Family conflictA father interrogates his son and threatens to disown him over what he only suspects, turning suspicion into a verdict.
SecretsColonel Fitts treats a private, unspoken suspicion as proof, and Ricky's refusal to explain only feeds it.

このチャプターで学べること

  • Frank invents a crime and calls it a question.
  • Ricky answers hate with a performance of shame.
  • The slurs expose the father more than the son.
  • Ricky's calm reply wins the scene without a shout.

発音のポイント

  • don't really — The t in don't often drops; only the nasal stop remains.
  • sit back and — Link sit-back-and smoothly; the and is barely voiced.
  • swear to God — Stress swear and God; the to almost disappears.
  • What a — What a blurs into one unit before the stressed sad old man.
What did he make you do?

Colonel Fitts assumes Ricky was used or coerced by Lester and demands the details. The question is really an accusation: it already presumes something happened.

I swear to God I'll throw you out of this house and never look at you again!

The threat turns into a promise. Colonel Fitts raises the stakes from accusation to exile, telling Ricky he is ready to cut him off for good.

I'm the best piece of ass in three states!

Ricky stops defending himself and takes on the ugly part his father has assigned him, turning the accusation into a joke his father cannot answer.

What a sad old man you are.

Ricky's quiet parting shot. After all his father's shouting, he says what he really sees: a bitter man who would rather lose his son than face the truth.

このシーンについての質問

Why does Colonel Fitts accuse Ricky of being gay?

He has seen Ricky with Lester and reads any closeness between men as proof. Nothing in the scene shows Ricky doing anything wrong; his father supplies the rest.

What does "damn straight" mean here?

It means "absolutely" or "I mean it." Colonel Fitts uses it to make his threat final: he is not bluffing, and he wants Ricky to know it.

Who is right in this fight?

Ricky isn't lying and isn't the one making threats. Colonel Fitts accuses him without evidence and reaches for exile before he has a single fact.

Does Ricky get thrown out?

Ricky leaves after his father orders him out. He stops arguing and chooses to go rather than keep playing the part his father wrote for him.

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