American Beauty · 1999 — 第 3 / 14 章 · 2'45" · B1

Jim and Jim Welcome the Fitts, Explained:cut to the chase

Two neighbors bring a garden salad and a welcome, and Colonel Fitts treats them as door-to-door salesmen: "Let's cut to the chase, OK? What are you guys selling?" The misunderstanding is ugly, and when the door closes he gets uglier, calling them shameless for being open about who they are.

あらすじ

The Fitts family has just moved in. Jim Olmeyer and Jim Berkley, two doors down, stop by with vegetables from their garden to welcome them. Colonel Fitts assumes they are selling something and asks what their business is. Ricky watches his father turn a friendly visit into an insult.

Small talkParents & kidsConfrontingComplainingNeighborsB1slowamerican
IMDb ↗

注目の表現

go straight to hellpartnerrub it in your faceforgive me for speaking so bluntly

00:00 / 02:45
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このシーンの表現

cut to the chase

skip straight to the point

Frank is done with pleasantries and uses the phrase to force the visit toward one question: what are you selling?

Let's cut to the chase and talk about the price.

このシーンの他の表現

  • go straight to hell

    getting worse fast

  • partner

    life partner or business partner

  • rub it in your face

    to flaunt it in your face

  • forgive me for speaking so bluntly

    mock apology before an insult

  • fags

    a slur for gay men

このシーンのメモ一覧

33 行のセリフに 21 件のメモ

表現 · A2be right there

on my way now

Be right there.
文法 · B1must've forgotten

modal perfect: It marks a confident guess about the past, not an obligation: I must have forgotten.

I'm sorry. I must've forgotten.
発音must've forgotten

The 've in must've reduces to a schwa and nearly disappears.

I'm sorry. I must've forgotten.
表現 · A2What's new?

what's the latest

Ricky tests his father's mood with a light opener, and Frank answers with doom, showing the gap between them.

What's new in the world, Dad?
表現 · B2go straight to hell

getting worse fast

At breakfast Frank reads the paper and declares the country beyond saving, in a flat military tone.

This country is going straight to hell.
表現 · A2something from one's garden

grown at home

Just something from our garden.
表現 · B1N doors down

two houses away

Jim Olmeyer. Two doors down. Welcome to the neighborhood.
表現 · A2people call me X

everyone calls me

- Nice to meet you. This is my partner. - Jim Berkley, but people call me J.B.
発音cut to the

Blend cut to the into one run; the t's soften between vowels.

Let's cut to the chase, OK? What are you guys selling?
スラング · A2guys

you all, casually — Common in casual talk; switch to everyone in formal settings.

Let's cut to the chase, OK? What are you guys selling?
表現 · A1say hi to someone

greet someone briefly

Nothing. We just wanted to say hi to our new neighbors.
表現 · A2just wanted to do something

only meant to

Nothing. We just wanted to say hi to our new neighbors.
発音wanted to

In fast speech wanted to collapses toward wanna; listen for the reduced t.

Nothing. We just wanted to say hi to our new neighbors.
表現 · B1How come ...?

why, informally

How come these faggots always have to rub it in your face?
スラング · B2faggots

a gay slur — Extremely offensive; never say it to anyone.

How come these faggots always have to rub it in your face?
表現 · B1that's the whole thing

that's the crux

That's the whole thing, Dad.
表現 · B1be ashamed of something

feel shame about

They don't feel that's anything to be ashamed of.
文法 · B1that's anything to be ashamed of

object clause: Feel takes a whole clause here, and a negative sentence switches something to anything.

They don't feel that's anything to be ashamed of.
文法 · B1like I'm your mother

like-clause: Like introduces a full clause here, close to as if, naming the role he refuses.

Don't placate me like I'm your mother, boy.
表現 · B1make someone want to do something

drives me to

Forgive me, sir, for speaking so bluntly: Those fags make me want to puke my fucking guts out.
スラング · B2puke my fucking guts out

to vomit violently — Coarse and exaggerated; only among people you know well.

Forgive me, sir, for speaking so bluntly: Those fags make me want to puke my fucking guts out.

「Jim and Jim Welcome the Fitts」を読み解く

What's really going on

The welcome visit is a test the Colonel cannot pass. Jim and Jim are polite, specific, and unbothered; Fitts answers with suspicion, asking what they are selling and then, when he hears the word "partners," deciding they must be in business together. His mistake is not innocent: "You said you're partners, so what's your business?" is less a question than a way to keep them foreign. What disturbs him is not what they sell but how openly they live, which is why he tells Ricky, "How can they be so shameless?" Ricky tries the opposite, saying "They don't feel that's anything to be ashamed of," and it only makes his father angrier. The scene shows bigotry as a family inheritance, taught at the breakfast table and repeated until the son recites it too.

Theme

IdentityFitts punishes the neighbors for being open about who they are, and Ricky hides his own views to survive the table.
Family conflictA friendly visit becomes a fight, and the son is forced to agree with his father's hatred.

このチャプターで学べること

  • Frank uses a polite phrase to end small talk.
  • Partner hides two meanings and one fight.
  • Ricky answers anger with calm, exact facts.
  • Slurs land hard; understand them, never reuse them.

発音のポイント

  • must've forgotten — The 've in must've reduces to a schwa and nearly disappears.
  • cut to the — Blend cut to the into one run; the t's soften between vowels.
  • wanted to — In fast speech wanted to collapses toward wanna; listen for the reduced t.
Let's cut to the chase, OK? What are you guys selling?

Fitts' blunt opener, treating a friendly visit as a sales pitch — the first sign that he has already decided who these neighbors are.

Don't placate me like I'm your mother, boy.

He catches Ricky trying to calm him with agreement and rejects the flattery, demanding real loyalty instead.

They don't feel that's anything to be ashamed of.

Ricky's quiet defense of the neighbors: they simply do not share his father's shame about who they are.

This country is going straight to hell.

Fitts' breakfast-table verdict on the world, the grim mood he carries into every encounter.

このシーンについての質問

Why is Colonel Fitts so hostile to the new neighbors?

He reads their friendliness as an insult. When he hears they are partners, he turns it into a business question, and their openness about being a couple is what actually offends him.

Why does Ricky agree with his father?

He is placating him. When his father attacks the neighbors, Ricky echoes the hatred to avoid a fight, then says exactly what his father wants to hear.

What does 'cut to the chase' mean?

It means to skip the small talk and get to the point. Fitts uses it to accuse the visitors of hiding a sales pitch.

Does Ricky actually share his father's views?

His words say yes, but they are performance. Ricky repeats his father's line to keep the peace, which is why the scene reads as a lesson in how prejudice gets passed down.

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