relative clause: The which-clause adds the old sense while the real main clause is that the meaning has changed.
Dad, the meaning of the verb, baiser which used to mean to kiss has changed a bit over the years.5 to 7 · 2014 — 第 6 / 10 章 · 4'17" · B2
Brian introduces Arielle to his parents at a restaurant, and the meal turns into an interrogation. His father recites her situation - married, French, two children - and argues that any part of it is reason enough to walk away. Brian defends her while his father insists he is only worried about the life his son is choosing.
Brian brings Arielle to meet his parents before a show. He starts with a French lesson, explaining how the verb baiser has changed meaning, then quickly apologizes for the word. His father is unimpressed and recites Arielle's situation - a married French woman of thirty-three with two children - and says any single detail is reason enough not to be in the relationship. He then attacks her Frenchness instead.
注目の表現
Pardon my Frenchto fuckmy pancreas will explodedwell on
このシーンの表現
excuse for a crude word
Right after the crude word lands, Brian softens it with Pardon my French, and the reply waves it off.
Pardon my French, but that proposal was a total mess.
crude word for having sex
absurd excuse to avoid a topic
keep thinking about
end up being
with high praise
62 行のセリフに 24 件のメモ
relative clause: The which-clause adds the old sense while the real main clause is that the meaning has changed.
Dad, the meaning of the verb, baiser which used to mean to kiss has changed a bit over the years.Say it as one word, 'useta'; the d is not released.
Dad, the meaning of the verb, baiser which used to mean to kiss has changed a bit over the years.and besides that
Seriously though, $42 for 2 hours plus tip and then on top of that, after this, we have to drive all the way across town to another parking lot in the Theater District yet.clear across town
Seriously though, $42 for 2 hours plus tip and then on top of that, after this, we have to drive all the way across town to another parking lot in the Theater District yet.Run top of into one blur; the of nearly disappears.
Seriously though, $42 for 2 hours plus tip and then on top of that, after this, we have to drive all the way across town to another parking lot in the Theater District yet.still or bubbly Still or carbonated, not flat or shiny.
- Flat or sparkling? - No, just table water.unconscious from drink
You'll be passed out by intermission and I'll have to sing the second act in the car on the way home.if you please
With a syringe, if you would.French learned in a classroom
So first of all, did you ever hear anybody speak better school-taught French than this kid?abroad, away from home
And this is within his whole life not one day out of the country.Weak of and the shrink into a single light syllable.
And this is within his whole life not one day out of the country.available until seven
Brian says you're, uh, only free till 7.with high praise
Arlene sets the tone kindly, saying Brian always speaks of Arielle in golden tones.
So, Arielle of whom my son speaks in golden tones tell us about yourself.prepositional relative: Of whom turns his praise into a clause describing Arielle, a formal choice.
So, Arielle of whom my son speaks in golden tones tell us about yourself.over the course of it
You could stop that sentence anywhere along the way and have reason enough not to be in the relationship.justification sufficient
You could stop that sentence anywhere along the way and have reason enough not to be in the relationship.keep thinking about
The father admits he is dwelling on a smaller fault, which quietly hides the real anger.
So instead, I'm dwelling on the relatively benign but still objectionable issue of her Frenchness.be connected to
- Have you any idea how hard that is to do? - What does that have to do with anything?a cousin one generation apart
And his cousin, once removed was at Omaha Beach, unbelievable in gratitude.be sure of your own choice
I really hope you know what you're doing, my boy.end up being
The father wraps his warning in a wish, so the coming regret sounds like a prayer instead of a threat.
I really hope this does not turn out to be one of those decisions that takes a perfectly good life and turns it for the worse.relative clause: The that-clause pins the consequence onto the decisions, making the warning concrete.
I really hope this does not turn out to be one of those decisions that takes a perfectly good life and turns it for the worse.what on earth — Blunt surprise or annoyance with friends, not in formal settings.
Now what the hell is going on over there?join the discussion
Arlene, you wanna weigh in, please on the subject of la femme Robinson over there?The scene is a comedy of parental resistance. Brian's father is given every fact he could want - a married French woman with two children - and he uses them like a prosecutor, but the film lets him be funny rather than cruel: "You could stop that sentence anywhere along the way and have reason enough not to be in the relationship." What he will not say is the real objection, so he settles on her nationality, and even Brian's mother is invited to join the attack. Under the jokes is a genuine warning: the father sees his son drifting into an arrangement he cannot understand, and he says plainly, "I really hope this does not turn out to be one of those decisions that takes a perfectly good life and turns it for the worse."
You could stop that sentence anywhere along the way and have reason enough not to be in the relationship.The father's central objection, stated as logic: any single fact about Arielle - married, French, a mother - should be enough to end things.
I really hope this does not turn out to be one of those decisions that takes a perfectly good life and turns it for the worse.Beneath the jokes, the father's real fear: that Brian is choosing something that will damage the life he already has.
So instead, I'm dwelling on the relatively benign but still objectionable issue of her Frenchness.A self-aware admission that he is attacking the least important thing because the real objections are too painful to name.
I really hope you know what you're doing, my boy.The father's parting line - half warning, half surrender - after failing to talk Brian out of the relationship.
On the surface, because she is French; underneath, because she is married with two children. He says any single part of her situation is reason enough for Brian to end the relationship.
It is a joking apology for using a swear word. Brian says it right after translating the French verb, so the phrase is doing double duty - excusing his language and punning on the word French.
Because he cannot admit the real objection. He admits as much, saying he would rather dwell on her nationality than discuss her marriage and children, which would upset him more.
He worries Brian is making a decision that will spoil a good life. His warning is not about Arielle personally but about the direction his son's life is taking.
He defends Arielle and refuses to back down. His replies stay short, and he insists the worry is misplaced - a quiet resistance rather than a full argument.
次のチャプター · 第 7 章be afraid of being afraidBrian Teaches the Kids Baseball
第 1 章worth havingBrian Meets Arielle in a Cafe
第 2 章culled from the subtextThe 5 to 7 Rule
第 3 章those are the rulesArielle Sets the Rules
第 4 章speak highly ofArielle's Husband Meets Brian
第 5 章able to affordBrian Dines With Valery's Friends
再生中 · 第 6 章Pardon my FrenchBrian's Parents Meet Arielle
第 7 章be afraid of being afraidBrian Teaches the Kids Baseball
第 8 章get your head rightBrian Reads His Story Aloud
第 9 章talk you off the ledgeBrian Proposes to Arielle
第 10 章the salt of the EarthArielle's Farewell Letter