“I want to report a murder. No, a double murder.”
A caller correcting himself from one murder to two—and in that pause, giving himself away.
Informal
Capítulo 5 de 30 · 4'56"
A masked attacker ties up two young people at a lake, reassuring them that "It's okay" even as he prepares to kill. The boy survives, the girl does not. The scene then jumps to a phone report — "I want to report a murder. No, a double murder." — and a city learning to live in fear.
Reporting a Double Murder
At Lake Berryessa, a hooded man binds a couple by the water, then stabs them, leaving one survivor. A caller reports it to the Napa police as a double murder, and the newsroom, the police, and a call-in radio show all try to make sense of the spreading Zodiac attacks.
The scene moves from intimate horror to public noise, and the contrast is the point. Up close, the killer is calm and almost polite, saying "It's okay" while he ties his victims, which strips the attack of any reason. Later, the same crime becomes a radio argument about whether the victims were farm kids and whether the papers should print anything the Zodiac wants, and someone answers, "I want to report a murder. No, a double murder." What began as one night at a lake turns into a city negotiating its own fear, its own taste for blame, and its own appetite for the story.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“I want to report a murder. No, a double murder.”
A caller correcting himself from one murder to two—and in that pause, giving himself away.
Informal
“I'm the one that did it.”
No build-up, no apology: just the flat ownership of the deed.
Neutral
“God, can you imagine surviving something like that?”
A rhetorical question that turns private shock into shared disbelief.
Informal
“"Man is the most dangerous animal of all."”
A borrowed line from an old film that turns into the killer's creed.
literary
“Heck no, he's only shooting those farm kids.”
Casual contempt from a caller who ranks victims by where they live—the everyday face of fear.
Informal
Siguiente · 06flag a cabLa escena: The Presidio Cab MurderHe comforts them while binding them, which makes the violence feel planned and cold rather than a sudden rage.
A survivor of the Berryessa attack who gave a description of the attacker's clothing, which the newsroom turns into a sketch.
Callers push moral theories about the killer, and the host uses them to keep the audience engaged, which is part of how the case becomes public entertainment.
A newsroom staffer traces it to The Most Dangerous Game, a story about a count who hunts people for sport, which makes the Zodiac's words feel borrowed.