“You don't know how glad I am to see you!”
One line shows how long she has waited; warm, a little dramatic and wholly honest.
Informal
Capítulo 12 de 19 · 3'14"
At Artie's New Year's gathering, Betty Schaefer pitches Joe Gillis on writing their story together. She has Sheldrake interested and says she wants to write; Joe turns her down, saying he has given up writing on spec. 'It's not your career, it's mine!' she fires back, and the refusal stays with him long after he returns to Norma.
Joe Reunites with Artie and Betty
❝ Monólogo · 5 frases Joe on Norma's follies
A faded star's private show, recalled with fondness and a chill.
Joe Gillis slips away from Norma's house to join Artie's New Year's party, where he is greeted with a joke stick-up and finds Betty Schaefer. She has pitched their story to Sheldrake and wants Joe to write it with her, but he refuses, saying he has given up writing on spec. Betty, who only wants to write, takes it hard.
This is the scene that quietly hands Joe a way out he will not take. Betty has done the work — she got Sheldrake 'all hopped up' about the story and admits she 'bluffed it out with a few notions of my own' — and she asks Joe for the one thing that would make the collaboration real. He answers with a professional excuse, 'I've given up writing on spec,' which is true enough and also a shield. Betty sees exactly what it costs him: 'It's not your career, it's mine! I'd kind of hoped to get in on this deal,' and then the plain confession, 'I don't want to be a reader all my life. I want to write.' Joe walks away and back into Norma's performance, where he says he is 'having a great time' while his mind stays on Betty. The choice he keeps postponing is set up here.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“You don't know how glad I am to see you!”
One line shows how long she has waited; warm, a little dramatic and wholly honest.
Informal
“Would you believe me if I told you I stayed with a sick friend?”
She offers the excuse and admits it is thin in the same breath.
Informal
“I haven't been keeping myself at all. Not lately.”
She catches the hidden meaning of keeping yourself and tosses it back, quick and dry.
Informal
“- Okay. Where's the cash? - Where's the story?”
Two blunt questions trade off and put money and product on the table at once.
Informal
“It's not your career, it's mine! I'd kind of hoped to get in on this deal.”
She claims the career, then lets slip a small hope to share the deal.
Informal
“I don't want to be a reader all my life. I want to write.”
A negative and a positive back to back carry years of frustration and one clear ambition.
Neutral
Whenever she suspected I was getting bored, she would put on a live show for me. The Norma Desmond Follies. Her first number was always the Mac Sennett Bathing Beauty. I can still see myself in the line. Marie Prevost, Mabel Normand. Mabel was always stepping on my feet.
Siguiente · 13give someone the brushLa escena: Norma Desmond Returns to ParamountHe says he has given up writing on spec, meaning he will not work without a buyer lined up. He is also hiding at Norma's, so a steady collaboration with Betty is impossible.
She did the work of getting Sheldrake interested and hoped to write the script with Joe. His refusal costs her the chance to move from reader to writer, and she tells him he has crossed her up.
She does not want to spend her life as a reader. She says plainly that she wants to write, and sees the story with Joe as her way into that career.
It is a joke between friends. Artie greets Joe with an old gangster line, 'Stick 'em up,' to tease him for disappearing without a word on New Year's Eve.
It means writing without a buyer or contract, hoping to sell the script later. Joe uses it as his reason for refusing, claiming he no longer gambles his time that way.